Just One Evil Act (33 page)

“I’m not pursuing the same fucking angle every other paper’s going with. We broke the story and we’re planning to keep breaking it. Joining every Tom, Dick, and Giuseppe over in Tuscany gives me nothing but shit in a basket. Now, way I see it is you’ve got a decision to make. Three choices and I’m giving you thirty seconds to decide once I name them, okay? One: You give me the wife for an interview. Two: You give me Azhar for an interview. Three: I break the
Met Officer and Love Rat Dad
angle. Come to think, I’ll give you four: You give me Lynley’s mobile. Now. Do I start counting, or do you have a watch to look at to see the seconds flying by while you decide which it’s going to be?”

“Look, you bloody fool,” Barbara said, “I don’t know how many ways to tell you the story’s in Italy. Lynley’s in Italy, Azhar’s in Italy, Angelina is in hospital in Italy. Hadiyyah’s in Italy and so’s her bloody kidnapper and so’re the police. Now if you want to stay here and follow the Love Rat Dad and whatever the hell you think my involvement with him is supposed to be, more power to you. You can write chapter and verse and another chapter about whatever you imagine our hot love affair is like, and you’ve got your scoop or whatever the hell you want to call it.
But
another rag is going to pick up the story and want to interview me for my explanation, and what I’m going to tell them—I promise you—is how I’ve been trying to keep
The Source
from exploiting an anguished teenager’s understandable upset about his dad in order to milk a story out of him that’s sixty percent fury and forty percent fantasy and perhaps they ought to look at the source—pardon the pun—of the story in
The Source
since for some reason that reporter is fixated on something having nothing
to do with a little girl’s disappearance in a foreign country and what does
that
tell you about the value of even buying a copy of the worthless rag, gentle readers?”

“Yeah. Right. Brilliant move, Barb. As if the unwashed public out there is the least bit interested in anything beyond gossip. You’re threatening me in the wrong direction. I make my living feeding garbage to the gulls, and they’re eating it up just like always.”

Barbara knew there was truth in this. Tabloids appealed to the worst inclinations in human nature. They made their money off people’s appetite for learning about others’ sins, corruption, and greed. Because of this fact, however, she had an ace and she knew there was nothing for it but to play the card now.

“That being the case,” she said to Corsico, “how about a new angle for you, then, one the other tabloids don’t have?”

“They don’t have
Met Officer Involved
—”

“Right. Let’s give that a rest for forty-five seconds. They also don’t have
Love Rat Mum Who Took Off with Her Kid in the First Place Now Up the Spout with Yet Another Bloke’s Kid
. Trust me on this. They don’t have that story.”

There was silence at the other end. In it, Barbara could almost hear the wheels of speculation turning in Corsico’s head. Because of those wheels and what they might come up with, she went on.

“You like that one, Mitchell? It’s gold and it’s true. Now, the bloody story’s in Italy where it’s been all along and I’ve given you something no one else has. You can use it, abuse it, or lose it, okay? As for me, I’ve got other things to do.”

Then she rang off. Doing this was a risk. Corsico could easily call the bluff of her bravado and run with his story, whose picture on the front page of the paper would call into question how she’d got herself over to Ilford in the first place in the middle of her workday. With John Stewart scrutinising her every move, this was something so far less than desirable that Barbara knew she was in no small part mad to risk alienating Corsico by cutting him off. But she had things to do and none of them were related to dancing to the journalist’s tune just now.

She’d talked to Lynley. She knew an arrest had been made, but she also knew from his description of things in Lucca that this arrest of one Carlo Casparia was based mostly on the fantasy of the public prosecutor. Lynley had explained to her how investigations proceeded in Italy—with the public prosecutor madly up to his eyeballs in the enquiry almost from the get-go—and he’d also told her that the chief inspector had ideas in conflict with the public prosecutor who headed the investigation, so “Chief Inspector Lo Bianco and I are walking rather carefully over here,” he said. This, she knew, was code for “We’re following our own leads in the matter.” These apparently had to do with Lorenzo Mura, a red convertible, a playing field in a park, and a set of photographs taken by a tourist in the
mercato
from which Hadiyyah had disappeared. Lynley didn’t say how these things related to each other, but the fact that he and the chief inspector in Italy were not satisfied with the arrest told her that there was still fertile ground to be explored both there and in London and she needed to see about exploring it.

In this, Isabelle Ardery inadvertently helped out. Since she’d instructed DI Stewart to give Barbara assignments that reflected her rank as a detective sergeant, he’d had no choice but to put her back out in the street with a suitable action assigned to her, one relating to either of the two investigations that he was supposed
to be conducting. That the DI wasn’t happy with this turn of events was evident in his surly manner of making the day’s assignments. That he intended to dog Barbara, despite Ardery’s instructions, was evident when he continued watching her like a bird of prey in search of a meal.

She had phone calls to make before she set out on her given activities, and Stewart placed himself close enough to her to hear every word of them. It was only luck that Corsico had rung her while she was making a purchase at one of the vending machines in the stairwell, Barbara realised.

She made three phone calls to set up the three interviews she’d been directed by Stewart to conduct. She made a show of taking down times and addresses, and she made more of a show of using the Internet to plot a route from one interview to the next that used her time in an efficacious manner. Then she gathered her notebook and her bag, and she headed out. Luckily Winston Nkata was still at his desk, so she stopped there, flipped open her notebook ostentatiously, and made a show of noting Winston’s replies to her questions.

These were simple enough. She’d asked him to check on Azhar’s Berlin alibi because she knew she couldn’t risk further censure from Stewart for checking on it herself. So what had he managed to glean? she asked Winston. Was Azhar as good as his word? Had Doughty been telling her the truth when he’d pursued the Berlin story?

“’S good, Barb,” Winston told her sotto voce. He made a show of pulling out a manila folder, flipping it open, and looking down upon its contents with a studious frown. Barbara glanced to see what he was using as the “evidence” under discussion. Insurance papers for his car, it appeared. “It all checks out square,” he said. “He was at the hotel in Berlin the whole time. He presented two papers like Doughty told you. He was on a panel ’s well.”

Barbara felt the relief of having one less thing to worry about. Still she said, “D’you think someone could’ve been posing as Azhar?”

Winston gave her a quirky look. “Barb, the bloke’s a microbiologist, yeah? How’s someone goin to pretend to be that and talk the lingo with th’other blokes? First, a poser’d have to be Pakistani, eh? Second, a poser’d have to be able to talk the talk: present his paper and . . . what else d’they do? . . . answer questions ’bout it? Third, a poser’d have to wonder why the hell he was in Berlin actin the part of Azhar in the first place while Azhar was . . . what? Off in Italy kidnappin his own kid?”

Barbara chewed on her lip. She thought about what Winston had said. He was right. It was a ludicrous line of enquiry, no matter how she felt about Dwayne Doughty’s half-truths. Still, she knew the wisdom of pursuing every angle, so she said, “What about someone from his lab? What about a graduate student? You know, someone wanting to oil the waters of his path to an advanced degree? How do these things work anyway, being a graduate student? I dunno. Do you?”

Winston tapped at the battle scar on his cheek. “I look like a bloke knows ’bout university, Barb?” he enquired pleasantly.

“Ah. Right,” she said. “So . . .”

“Seems to me ’f you want more information, it’s comin from Doughty. I say you put pressure on him. If there’s more to know out there, he’s the one to tell it.”

Winston was right, of course. Only pressure on Dwayne Doughty was going to get her any further. Barbara flipped her notebook closed, stowed it in her bag, said, “Right. Got it. Thanks, Winnie,” for John Stewart’s benefit, and went on her way.

When it came to using the thumbscrews on anyone, the best way was always a visit to the local nick. So on her way to her car, Barbara rang the Bow Road station. She identified herself. She told them that in conjunction with an ongoing case in Italy that officers from Scotland Yard were dealing with, one private investigator Dwayne Doughty needed questioning. Would someone from the local station pick him up, haul him in, and hold him till she got there? Indeed, someone would, she was told. Glad to oblige, DS Havers. He’ll be twiddling his thumbs, stewing in his own juices, or whatever else you wish in an interview room whenever you arrive.

Excellent, she thought. She gave a look to the locations of the interviews she needed to conduct for DI Stewart. One was south of the river; the other two were in north London. Bow Road was east. In the world of eenie, meenie, minie, and moe, there was no question in her mind where she would go first.

LUCCA

TUSCANY

By the time Salvatore and DI Lynley had returned from their questioning of Carlo Casparia in the prison hospital, the officers tracking down the cars driven by every member of Lorenzo Mura’s
squadra di calcio
had finished that job. There was one red car among all the vehicles, but it was not a convertible. No matter, Salvatore told them. It was now time to trace the cars belonging to the families of every child Lorenzo coached in his private
calcio
clinic at the Parco Fluviale. Get the name of every child he coaches from Mura, get the name of every parent of every child, check their cars, then speak to each parent individually about meeting Lorenzo Mura there for a private conversation. Meantime, get a photograph of every father of every child and dig up pictures of Lorenzo’s fellow team members as well.

DI Lynley remained silent during this exchange, although Salvatore could tell from the expression on the Englishman’s face that he hadn’t followed the rapid-fire Italian around him. So he explained how they were proceeding, and to this Lynley indicated the nature of the report he would make to the parents of the girl. Obviously, reporting anything having to do with Lorenzo Mura was out of the question. For the moment, then, it was best to tell them that information from the television appeal was continuing to be followed up on, that Carlo Casparia was attempting to be helpful, and to leave it at that.

Lynley was departing when a uniformed officer dashed down the corridor to speak to Salvatore. His face was flushed and his news was good: Regarding the red convertible seen by the driver on his way to visit his mamma in the Apuan Alps? the young man said breathlessly.

“
Sì, sì
,” Salvatore responded tersely.

It had been found. Checking every lay-by on the road into the Alps prior to the turnoff for the mamma’s village had gleaned them nothing, as the chief inspector
would recall. But an enterprising officer had on his own time continued up that mountain road and six kilometres farther along he had found a crash barrier destroyed on a hairpin turn. The car in question had been discovered at the bottom of a gully beyond that barrier. There was no body inside. But there was a body some twenty metres away: the driver’s, apparently thrown from the vehicle.

“
Andiamo
,” Salvatore said at once to Lynley. Pray God, he thought, that there was no small girl’s body nearby as well.

It took nearly an hour to reach the turnoff, their route coursing along the River Serchio, first on the great alluvial plain, then into the hills, and at last into the Alps. The river was a fast-moving torrent at this time of year since snow at the highest elevation in the mountains had been melting for weeks. The result was waterfalls, sunstruck cascades, and glittering pools, all of which could be glimpsed as the police car rushed past them. The new growth of spring was thick and lush as they climbed into the mountains, and the wildflowers splashed yellow, violet, and red in swathes of colour along verges and into the trees. And the trees themselves—pines, oaks, and ilexes—grew right to the edges of villages that had no vehicular access, forming a wall of greenery that seemed to prevent the mountains themselves from descending upon and swallowing up the scattering of terracotta-roofed buildings perched precariously on the edges of cliffs that dropped hundreds of feet into more forest beneath them.

With each turn they made into a secondary or tertiary road, the way narrowed until they were at last on a route the width of the car itself. One hairpin curve followed the next. It was an ear-popping, white-knuckle ride, a by-the-grace-of-God course in which God’s grace was defined by having the luck not to encounter a vehicle on its way down. Finally, they came to a police roadblock. They got out of the car, and Salvatore nodded at the uniformed officer who approached. He asked him only, “
Dov’è la macchina?
” although this was mere formality since the likely position of the red convertible was indicated some fifty metres farther along and up, by the remains of the crash barrier through which the vehicle had shot to its final resting place.

As Salvatore and Lynley approached the broken barrier, an ambulance crew came into sight, heaving a stretcher between them. On it, a body bag was strapped, its zip tightly closed, sealing the corpse from sight.

“
Fermatevi
,” Salvatore told the two attendants. He added, “
Per favore
” as an afterthought and introduced both himself and DI Lynley to them.