Authors: Seamus Heaney
Scuts of froth swirled from the discharge pipe.
We halted on the other bank and watched
A milky water run from the pierced side
Of milk itself, the crock of its substance spilt
Across white limbo floors where shift-workers
Waded round the clock, and the factory
Kept its distance like a bright-decked star-ship.
There we go, soft-eyed calves of the dew,
Astonished and assumed into fluorescence.
I thought of her as the wishing tree that died
And saw it lifted, root and branch, to heaven,
Trailing a shower of all that had been driven
Need by need by need into its hale
Sap-wood and bark: coin and pin and nail
Came streaming from it like a comet-tail
New-minted and dissolved. I had a vision
Of an airy branch-head rising through damp cloud,
Of turned-up faces where the tree had stood.
Far from home Grotus dedicated an altar to Coventina
Who holds in her right hand a waterweed
And in her left a pitcher spilling out a river.
Anywhere Grotus looked at running water he felt at home
And when he remembered the stone where he cut his name
Some dried-up course beneath his breastbone started
Pouring and darkening – more or less the way
The thought of his stunted altar works on me.
Remember when our electric pump gave out,
Priming it with bucketfuls, our idiotic rage
And hangdog phone-calls to the farm next door
For somebody please to come and fix it?
And when it began to hammer on again,
Jubilation at the tap’s full force, the sheer
Given fact of water, how you felt you’d never
Waste one drop but know its worth better always.
Do you think we could run through all that one more time?
I’ll be Grotus, you be Coventina.
Light as a skiff, manoeuvrable
yet outmanoeuvred,
I affected epaulettes and a cockade,
wrote a style well-bred and impervious
to the solidarity I angled for,
and played the ancient Roman with a razor.
I was the shouldered oar that ended up
far from the brine and whiff of venture,
like a scratching-post or a crossroads flagpole,
out of my element among small farmers –
I who once wakened to the shouts of men
rising from the bottom of the sea,
men in their shirts mounting through deep water
when the Atlantic stove our cabin’s dead lights in
and the big fleet split and Ireland dwindled
as we ran before the gale under bare poles.
We lived deep in a land of optative moods,
under high, banked clouds of resignation.
A rustle of loss in the phrase
Not
in
our
lifetime,
the broken nerve when we prayed
Vouchsafe
or
Deign,
were creditable, sufficient to the day.
Once a year we gathered in a field
of dance platforms and tents where children sang
songs they had learned by rote in the old language.
An auctioneer who had fought in the brotherhood
enumerated the humiliations
we always took for granted, but not even he
considered this, I think, a call to action.
Iron-mouthed loudspeakers shook the air
yet nobody felt blamed. He had confirmed us.
When our rebel anthem played the meeting shut
we turned for home and the usual harassment
by militiamen on overtime at roadblocks.
And next thing, suddenly, this change of mood.
Books open in the newly wired kitchens.
Young heads that might have dozed a life away
against the flanks of milking cows were busy
paving and pencilling their first causeways
across the prescribed texts. The paving stones
of quadrangles came next and a grammar
of imperatives, the new age of demands.
They would banish the conditional for ever,
this generation born impervious to
the triumph in our cries of
de
profundis.
Our faith in winning by enduring most
they made anathema, intelligences
brightened and unmannerly as crowbars.
What
looks
the
strongest
has
outlived
its
term.
The
future
lies
with
what’s
affirmed
from
under.
These things that corroborated us when we dwelt
under the aegis of our stealthy patron,
the guardian angel of passivity,
now sink a fang of menace in my shoulder.
I repeat the word ‘stricken’ to myself
and stand bareheaded under the banked clouds
edged more and more with brassy thunderlight.
I yearn for hammerblows on clinkered planks,
the uncompromised report of driven thole-pins,
to know there is one among us who never swerved
from all his instincts told him was right action,
who stood his ground in the indicative,
whose boat will lift when the cloudburst happens.
Statues with exposed hearts and barbed-wire crowns
Still stood in alcoves, hares flitted beneath
The dozing bellies of jets, our menu-writers
And punks with aerosol sprays held their own
With the best of them. Satellite link-ups
Wafted over us the blessings of popes, heliports
Maintained a charmed circle for idols on tour
And casualties on their stretchers. We sleepwalked
The line between panic and formulae, screentested
Our first native models and the last of the mummers,
Watching ourselves at a distance, advantaged
And airy as a man on a springboard
Who keeps limbering up because the man cannot dive.
And then in the foggy midlands it appeared,
Our mud vision, as if a rose window of mud
Had invented itself out of the glittery damp,
A gossamer wheel, concentric with its own hub
Of nebulous dirt, sullied yet lucent.
We had heard of the sun standing still and the sun
That changed colour, but we were vouchsafed
Original clay, transfigured and spinning.
And then the sunsets ran murky, the wiper
Could never entirely clean off the windscreen,
Reservoirs tasted of silt, a light fuzz
Accrued in the hair and the eyebrows, and some
Took to wearing a smudge on their foreheads
To be prepared for whatever. Vigils
Began to be kept around puddled gaps,
On altars bulrushes ousted the lilies
And a rota of invalids came and went
On beds they could lease placed in range of the shower.
A generation who had seen a sign!
Those nights when we stood in an umber dew and smelled
Mould in the verbena, or woke to a light
Furrow-breath on the pillow, when the talk
Was all about who had seen it and our fear
Was touched with a secret pride, only ourselves
Could be adequate then to our lives. When the rainbow
Curved flood-brown and ran like a water-rat’s back
So that drivers on the hard shoulder switched off to watch,
We wished it away, and yet we presumed it a test
That would prove us beyond expectation.
We lived, of course, to learn the folly of that.
One day it was gone and the east gable
Where its trembling corolla had balanced
Was starkly a ruin again, with dandelions
Blowing high up on the ledges, and moss
That slumbered on through its increase. As cameras raked
The site from every angle, experts
Began their
post
factum
jabber and all of us
Crowded in tight for the big explanations.
Just like that, we forgot that the vision was ours,
Our one chance to know the incomparable
And dive to a future. What might have been origin
We dissipated in news. The clarified place
Had retrieved neither us nor itself – except
You could say we survived. So say that, and watch us
Who had our chance to be mud-men, convinced and estranged,
Figure in our own eyes for the eyes of the world.
Once we presumed to found ourselves for good
Between its blue hills and those sandless shores
Where we spent our desperate night in prayer and vigil,
Once we had gathered driftwood, made a hearth
And hung our cauldron in its firmament,
The island broke beneath us like a wave.
The land sustaining us seemed to hold firm
Only when we embraced it
in
extremis.
All I believe that happened there was vision.
You never saw it used but still can hear
The sift and fall of stuff hopped on the mesh,
Clods and buds in a little dust-up,
The dribbled pile accruing under it.
Which would be better, what sticks or what falls through?
Or does the choice itself create the value?
Legs apart, deft-handed, start a mime
To sift the sense of things from what’s imagined
And work out what was happening in that story
Of the man who carried water in a riddle.
Was it culpable ignorance, or was it rather
A
via
negativa
through drops and let-downs?
CHORUS
Philoctetes.
Hercules.
Odysseus.
Heroes. Victims. Gods and human beings.
All throwing shapes, every one of them
Convinced he’s in the right, all of them glad
To repeat themselves and their every last mistake,
No matter what.
People so deep into
Their own self-pity self-pity buoys them up.
People so staunch and true, they are pillars of truth,
Shining with self-regard like polished stones.
And their whole life spent admiring themselves
For their own long-suffering.
Highlighting old scars
And flashing them around like decorations.
I hate it, I always hated it, I am
A part of it myself.
PHILOCTETES TO NEOPTOLEMUS
Gods curse it!
But it’s me the gods have cursed.
They’ve let my name and story be wiped out.
The real offenders got away with it
And I am still here, rotting like a leper.
Tell me, son. Achilles was your father.
Did you ever maybe hear him mentioning
A man who had inherited a bow –
The actual bow and arrows that belonged
To Hercules, and that Hercules gave him?
Did you never hear, son, about Philoctetes?
About the snake-bite he got at a shrine
When the first fleet was voyaging to Troy?
And then the way he broke out with a sore
And was marooned on the commanders’ orders?
Let me tell you, son, the way they deserted me.
The sea and the sea-swell had me all worn out
So I dozed and fell asleep under a rock
Down on the shore.
And there and then, like that,
They headed off.
And they were delighted.
And the only thing
They left me was a bundle of old rags.
Some day I want them all to waken up
The way I did that day. Imagine, son.
The bay all empty. The ships all disappeared.
Absolute loneliness. Nothing there except
The beat of the waves and the beat of my raw wound
…
This island is a nowhere. Nobody
Would ever put in here. There’s nothing.
Nothing to attract a lookout’s eye.
Nobody in his right mind would come near it.
And the rare ones that ever did turn up
Landed by accident, against their will.
They would take pity on me, naturally.
Share out their supplies and give me clothes.
But not a one of them would ever, ever
Take me on board with them to ship me home.
Every day has been a weeping wound
For ten years now. Ten years of misery –
That’s all my service ever got for me.
That’s what I’ve got to thank Odysseus for
And Menelaus and Agamemnon.
Gods curse them all!
I ask for the retribution I deserve.
PHILOCTETES
Have you not a sword for me? Or an axe? Or something?
CHORUS
What for?
PHILOCTETES
What for? What do you think for?
For foot and head and hand. For the relief
Of cutting myself off. I want away.
CHORUS
Away where?
PHILOCTETES
Away to the house of death.
To my father, sitting waiting
Under the clay roof. I’ll come back in to him
Out of the light, out of his memory
Of the day I left.
We’ll be on the riverbank
Again, and see the Greeks arriving
And me setting out for Troy, in all good faith.
CHORUS
Human beings suffer.
They torture one another.
They get hurt and get hard.
No poem or play or song
Can fully right a wrong
Inflicted and endured.
History says, Don’t hope
On this side of the grave,
But then, once in a lifetime
The longed-for tidal wave
Of justice can rise up
And hope and history rhyme.
So hope for a great sea-change
On the far side of revenge.
Believe that a farther shore
Is reachable from here.
Believe in miracles
And cures and healing wells.
Call miracle self-healing,
The utter self-revealing
Double-take of feeling.
If there’s fire on the mountain
And lightning and storm
And a god speaks from the sky
That means someone is hearing
The outcry and the birth-cry
Of new life at its term.
It means once in a lifetime
That justice can rise up
And hope and history rhyme.
PHILOCTETES
Hercules:
I saw him in the fire.
Hercules
was shining in the air.
I heard the voice of Hercules in my head.
CHORUS
I have opened the closed road
Between the living and the dead
To make the right road clear to you.
I am the voice of Hercules now.
Here on earth my labours were
The stepping stones to upper air.
Lives that suffer and come right
Are backlit by immortal light.
Go, Philoctetes, with this boy,
Go and be cured and capture Troy.
Asclepius will make you whole,
Relieve your body and your soul.
Go, with your bow. Conclude the sore
And cruel stalemate of our war.
Win by fair combat. But know to shun
Reprisal killings when that’s done.
Then take just spoils and sail at last
Out of the bad dream of your past.
Make sacrifice. Burn spoils to me.
Shoot arrows in my memory.
But when the city’s being sacked
Preserve the shrines. Show gods respect.
Reverence for gods survives
Our individual mortal lives.
CHORUS
Now it’s high watermark
And floodtide in the heart
And time to go.
The sea-nymphs in the spray
Will be the chorus now.
What’s left to say?
Suspect too much sweet talk
But never close your mind.
It was a fortunate wind
That blew me here. I leave
Half-ready to believe
That a crippled trust might walk
And the half-true rhyme is love.