Read Petals of Blood Online

Authors: Ngugi Wa Thiong'o,Moses Isegawa

Petals of Blood (28 page)

BOOK: Petals of Blood
2.97Mb size Format: txt, pdf, ePub
ads

‘I will not accompany you,’ Karega told him, ‘I will stay back with the others and wait for you.’

‘It’s all right, it’s all right,’ said Munira happily. ‘Don’t you know, he was a classmate . . . a great player . . . oh, my friend . . . you know . . . you and I have a lot to talk about . . . we were expelled from Siriana together . . . a comrade-in-protest, you know.’

He went alone. There were many cars in the compound. Through the window Munira could see several ladies in long dresses holding glasses, talking in high animated voices. A group started singing a few native cultural songs. They were female voices.

Waru wa ngirigaca

Red potatoes.

Uthigagirwko ku?

At whose place are they peeled?

Uthigagirwo kwa Ngina

They are peeled at Ngina’s place.

Twetereire oe Kihinguro

We waiting for her to pick the key.

Ciana citu ciaragie Githungu

Our children speak English.

Harambee! Tuoe Madaraka

Harambee! We take up high offices.

The men took over and sang the juicy sections of songs normally sung at circumcision.

Ngwirwo ni utuku

They say it’s dark.

Ngwirwo ni utuku

They say it’s dark.

Ngionaga Irima

But I can still see.

Cia Tumutumu

Tumu Tumu hills.

Hui, Wainaga

Oh yes, Wainaga.

Njuguma nduku

A big club.

Njuguma nduku

A big club.

Ya gukura k—ru kabucu

For pulling out a jaw of cunt.

Hui, Wainaga

Oh yes, Wainaga.

K—na igoto

Cunt with banana leaves.

K—na igoto

Cunt with banana leaves.

Githi k—ni unyuaga mbaki

So cunt! you take snuff.

Hui, Wainaga

Oh yes, Wainaga.

And they would burst out laughing and clapping at the daring of their voices. There were also a few Swahili and English ones. It was a truly culturally integrated party and Munira lost courage. He merely stood at the door, eaten by indecision, for now he was suddenly conscious of his stinking body, his uncombed hair, his creased, muddy, dirty clothes. At the same time he was thinking about the social gathering of so many top representatives of the various communities: but only the other day, hardly six months ago, ordinary working people were being given an oath to protect: what? The singing voices?

The door was opened from the inside and Munira stood floodlit, face to face with a red-lipsticked lady with a huge Afro-wig and bracelets and bangles all over her neck and hands. He had no time to see the rest. For the lady, at first flabbergasted by the apparition, now found her voice and screamed, a loud blood-curdling scream, before she fainted on the floor. For a second he was chilled to the ground. He heard the scuffling of feet and the sound of broken glass. Chui and his friends were coming to the lady’s rescue, some voice told him, and he might be manhandled before he could explain. Courage completely deserted him. He would not, he dared not wait for the consequences. He slipped into the shadows and ran as fast as he could make his legs carry him. He jumped over the outer hedge; Munira could never tell how or where he got the strength. He joined the others and urged them to move, to hurry on down the road. Behind them, they heard a gunshot in the sky and all knew without being told that Munira was involved in yet another disaster.

‘Let us go straight to the city,’ Munira suggested. ‘There’s no point in entering any of these houses, they are all the same.’ Abdulla agreed: ‘It is getting late anyway.’

But Joseph’s fever worsened and his groans and sighs were now audible to all. They crowded around him. He was now talking to
himself, recalling scenes and things in his own past that only Abdulla seemed to understand. He would cry and laugh and shout and complain. ‘It’s mine . . . it’s mine . . . that . . . that . . . bone . . . I’m hungry . . . truth of God, I didn’t eat anything last night . . . Don’t beat me . . . please don’t beat me.’ He stopped. He was now obviously talking to somebody answering questions about himself. ‘I’ll sleep in a ndebe tonight . . . sometimes I sleep in wrecked abandoned cars . . . Yes, yes . . . in a bush too.’ He gasped for breath and once or twice he called out to his mother for help. But she was not there. Wanja could not bear it. The groans ate straight into her unfulfilled motherhood. It was she who suggested that she enter the very next house. Nyakinyua offered to accompany her, but the others protested in case of another disaster that might involve a hasty exit. Karega and Abdulla offered to go with her, but it was suggested that it was better for Abdulla to stay by Joseph’s side. But Njuguna was now urged to join them, for as an elder he would be good evidence that they were not ill-intentioned. Munira had not sufficiently recovered from his three previous shocks and he decided to stay behind and await the outcome of Wanja’s last mission.

But the mission met misfortune even before it got anywhere near the first building. Several men noiselessly surrounded them on all sides, grabbing their arms and tying them together behind. Karega protested but the men who arrested them did not even bother to answer. They just shone torches onto their faces. ‘They even have a woman among them,’ one said, and pushed them forward. They were taken to a room in the big house and locked up in darkness. The whole thing was so mysterious they felt as if they were in a foreign territory. And indeed that was what Njuguna was thinking: I was happy in Ilmorog. Aloud he said: ‘What does this mean? How dare they arrest an old man, their own father? Is this what has happened to our children, is this what they turned into after leaving Ilmorog?’

Before either Karega or Wanja could answer him or say anything in commiseration, the lights were suddenly put on. For a second their eyes were blinded by the light, but after blinking they looked around and could see no one apart from their own shamed faces. A few minutes silence elapsed. They heard somebody try the handle of the
door. They looked at it expectantly. The door opened and a gentleman in a dark suit and a flowered tie stood before them.

Wanja’s eyes and his met and for a few seconds they surveyed one another in silence. Karega and Njuguna did not notice the little drama. The gentleman now looked at Njuguna and Karega before again turning to Wanja who was now staring ahead of her as if looking past the man, past the door, to a distant place, another location.

‘I am sorry I had to invite you to my home in this manner,’ he said with contrived politeness. ‘But as you may perhaps understand there has been an increase in incidents of robbery and violence in these parts. One must take the necessary precautions. Prevention is better than cure. Do you know even the Masai Moran occasionally wake up loyal peaceful citizens as they come to claim
their
cows? No, we all have to be careful and no harm is intended. Now, what can I do for you?’

‘How dare you treat an old man like this? Is this how you would treat your father, a man with grey hairs?’ Njuguna protested.

‘My father, were he alive, would know better than to disturb people’s peace on such a night. Anyway, you should thank your grey hairs and this lady that you were not shot.’

Karega explained the situation as best as he could. He even mentioned the purpose of their visit to the city.

The Hon. member for Ilmorog? Mr Nderi wa Riera? I know him. A friend of mine. You see how things change, old man, and hence don’t you speak ill of anyone. You never know where we shall meet tomorrow. Now, Mr Nderi wa Riera. We used to have our little differences. He was what you might call a, eh, a freedom fighter, that is, he was a member of the party and was taken to detention. And I was, well, shall we say we didn’t see eye to eye? Now, we are friends. Why? Because we all realize that whether we were on that side of the fence or this side of the fence or merely sitting astride the fence, we were all fighting for the same ends. Not so? We were all freedom fighters. Anyway, Mr Nderi and I, we are quite good friends. We have one or two businesses together. Did you people go to tea? I’ll tell you something. Some of it was held here. We are all members of KCO. Some of us have even been able to borrow a little – shall we say
thousands – from the money collected from this tea ceremony. I am a life member of KCO. So is Nderi. I’m telling you this to show you that Nderi is no stranger to me. But he has not told me of a drought, let alone a famine, in Ilmorog! I am sure he would have organized a Harambee there – you know, self-help – he has many friends – and they all would have contributed something. Charity begins at home, ha! ha! ha!’

‘Can’t you show some charity and have these ropes cut?’ Njuguna interrupted his laughter. Karega was surprised at the man’s love of talk. It was as if he was striving to impress them. But why should he want to show off in front of them, prisoners? Why?

‘A spirited old man. I will send somebody.’ And without another word he left the room.

Karega looked at both Wanja and Njuguna. They had been turned into statues. He crept to the door and tried it with his foot. It was so strange, a scene in a melodramatic film or a novel, a thriller. The door was locked, and the experience was not particularly thrilling.

After a few minutes the man who had locked them in came. His face seemed mellower, he looked as if he was going to say something to them all and then changed his mind. He cut off the ropes and said the gentleman wanted to see the lady. Karega moved as if to accompany her. But the man said: only the lady.

Wanja, woken from her statuesque posture, bit her lower lip and followed him out, with a heart that trembled and a mind that tried to arrive at a decision. They went through so many corridors: a huge mansion, it was. She was shown into the man’s room, which looked like an office.

He stood up at her entrance, shut the door behind her. He showed her a seat but she refused to take it.

‘Do you mind if I sit down? At long last, Wanja, at long last,’ he said, in a tone halfway between a question and a statement.

‘Why are you doing this? To us, to an old man, to a child who is desperately ill?’

‘Do you think I believed your little story, Wanja? I sent two of my men to the gate to bring the others in. For your sake, I was willing to help them all. But they were not there.’

‘It is not true. You are lying. They are there and with a donkey-cart.’

‘I don’t want your little lies, Wanja. Maybe you thought this was somebody else’s house. Maybe you were coming to visit a friend. Because I could see you were rather surprised to see me. Tell me – but why won’t you sit down? I will not bite you. I will not harm you – tell me, why did you run away from me?’

‘Can’t we talk of something else? You ruined my life once. Is that not enough?’

‘How? It was you who ran away. I only teased you about your being pregnant. I just wanted to test you and see if you were telling the truth. Tell me, what happened to the child? Where is he? Was he a boy or a girl? You see, I married a woman who has been bearing only female rabbits.’

She looked at him and there was cruelty in her eyes. There was cruelty in her heart. One day you’ll pay for this, she said inside her, one day you’ll pay for this. Aloud she only pleaded:

‘Why don’t you let me, us, go in peace? What harm have we done to you? We were only seeking for a little help because a child was ill.’

He stood up and walked to where she stood. She moved to one side. The man never seemed to grow old, Wanja thought, and hated herself for thinking even that much about him. He moved nearer her, she moved further back. She tripped over the sofa. He pressed a button and the sofa settee spread into a bed.

‘Kimeria! If you come near me, I shall scream, and your wife will hear,’ she warned him, eyeing something like a knife on the desk.

He stopped. She sat up and moved to the far end of the bed. He stood and rested his eyes on her. Then he suddenly knelt on one knee, edging toward her as he spoke.

‘My wife is not here tonight, but that is not the point. You are a witch, do you know that? My witch. Will you, will you come back to me? I can give you a nice little flat in the city centre. Muindi Mbingu Street. Or in Haile Selassie Avenue. Anywhere you choose. I shall pay the rent. You need not do anything. Just paint your nails or something. Or wait. You can join a Secretarial College. There are so many in the city. You need only know how to bang! bang! the typewriter. Then I can find you a job. I know a few people. Kenya is a black
man’s country, you know. What are you really doing with these funny-looking fellows? What are you doing in Ilmorog? I love you, Wanja. The years, the hardships, seem not to have impaired your beauty.’

He sat beside her and placed one arm tentatively around her.

‘Stop that, Kimeria,’ she said and pushed him away with all her might, at the same time feeling a kind of weakness through her intense hatred. ‘Why can’t you leave me alone? How can’t you – but you were always like that – without feelings – you only cared about your thing. And the power of instant conquest.’

Then suddenly she sprung up and grabbed the knife. Then he looked at her, malice on his frowning face. His voice was now gritty, hard, cruel.

‘Is that all you can say and do? When I have offered you everything? Listen to me, then. You will not leave this place until I say so. I could lift that telephone and have you all arrested and charged with the offence of trespassing in Blue Hills. You could be remanded in custody for over six months. All we need, for the sake of a semblance of justice, is to keep on making you appear in court for mention. We are law-abiding citizens. No woman ever treated me the way you did. Running and hiding from me. Am I a monster? And you dare lift a knife at me? Now that fate has brought you to my house, I shall not let you go until you have lain, legs spread, on that bed. Remember you are no longer a virgin. Think about it. The choice is yours to make, and freedom is mine to withhold or to give. Go.’

BOOK: Petals of Blood
2.97Mb size Format: txt, pdf, ePub
ads

Other books

Ordinary Beauty by Wiess, Laura
Weight Till Christmas by Ruth Saberton
The Power of a Woman: A Mafia Erotic Romance by Gina Whitney, Leddy Harper
Wings of War by John Wilson
Our Magic Hour by Jennifer Down
El simbolo by Adolfo Losada Garcia