Sea of Terror (13 page)

Like all cruise ships, the Atlantis Queen adhered to a particular theme, in this case the fabulous lost city of Atlantis. Each of the various nightclubs, theaters, restaurants, bars, and other popular gathering spots on board was named for some icon or myth connected with either Atlantis or, with an exclusively Atlantean mythology being a bit sparse, the gods and goddesses of ancient Greece, and with just a sprinkling of ancient Egypt and Mesoamerica thrown in as well.

The twelve passenger decks, for instance, were named for the twelve gods of Olympus, with two notable exceptions made in the name of good public relations. The First Deck, where passengers came aboard in the Grand Atrium with its myriad shops, tour offices, and computer center, was called the Neptune Deck. The ship's owners had substituted the Roman Neptune for the Greek Poseidon, fearing that the Greek version would conjure unsettling images of the doomed ship of the popular adventure movie. And there was no Ares Deck, again for obvious PR reasons, there being no need for a god of warfare, battle, and strife on a vacation cruise ship. Instead, the uppermost Twelfth Deck was called the Ouranos Deck, that predecessor of the classical deities of ancient Greece having been promoted to Olympian status because of his traditional association with astronomy and the sky. The view of the night sky from the Atlantean Grotto Terrace while the ship was at sea, far from smog and the light pollution of cities, was fantastic.

Hades wasn't included, in part because he'd not been one of the traditional Olympian twelve and, again, due to PR reasons. The Greek god of the underworld was remembered in the Hades Hot Spot, however, a bar and nightclub on the Aphrodite Deck featuring a DJ, loud music, and the raucously energetic Santorini Dancers, who, after ten in the evening, performed topless.

The ship was luxuriously appointed throughout--plenty of rich wood paneling, thick carpeting, and expensively modern furnishings. Many of the windows and skylights were stained glass with intricate patterns; some decks were laid out in highly polished mosaic tiles instead of carpet, with traditional marine scenes from Greek, Roman, or Cretan artistic traditions, showing octopi, dolphins, and other sea creatures. The Grand Atrium was a cavernous circular mall with huge aquaria built into the bulkheads between the shops, and deck-to-overhead tube-pillars filled with bubbling water, the whole subtly lit to create a shifting, eerie, deep-sea feel to the place. The Cayce Library was small but well appointed, with an emphasis on books about Greece, Atlantis, mythology, history, and travel books about Mediterranean countries. The Pyramid Club Casino went for the ultra-modern look--lots of chrome, lots of flashing lights, lots of electronic gambling machines, and, of course, the newly installed Blackjack Rosie, who promised to be quite a hit with the techno-geek crowd.

The Queen could manage a passenger complement of three thousand. With the world economy in its current shaky state, Royal Sky Line had been hard pressed to book that many guests. Even a last-minute sales blitz offering the cruise at 40 percent off the usual ticket price hadn't been as successful as the corporate office had hoped, and during the final week they'd been offering staterooms for less than half price.

As it was, there were 2,442 paying passengers on board, enough for the company to turn a profit for this cruise, but only just. If anything went wrong--a delay due to weather, excessive fuel consumption, mechanical difficulties, an outbreak of food poisoning, rowdy guests getting out of hand and generating lawsuits, anything-- then the voyage could well end up showing a loss, which would reflect badly on Royal Sky Line's credit, which was already stretched beyond acceptable limits. Failure to get another loan at the end of the year might well force the company into bankruptcy.

Kleito's Temple, Atlantis Queen English Channel 49deg 2V N, 8deg 13' W Friday, 1905 hours GMT

Carolyn Howorth had been waiting in Kleito's Temple for less than ten minutes, and she'd been early to begin with.

Located on the Tenth Deck--the Demeter Deck--all the way forward and two levels down from the bridge, the club bar and restaurant had been lavishly decorated to resemble a Greek or, presumably, an Atlantean temple, complete with massive marble columns, marble tables and countertops, and a bigger-than-life-sized gilded statue of a gracefully nude woman. Smaller statues, all male, occupied niches in the bulkheads to either side, and an elaborate waterfall burbled and splashed happily down rugged faux rocks into a large central pool half-shrouded in vegetation.

Legend had it that the god Poseidon had taken a human woman, Kleito, as his wife and that she'd born him five sets of twins who'd become the kings of Atlantis. A temple had been erected on the spot, or so claimed the philosopher Plato in his telling of the tale, and that temple had become the exact center of the city of Atlantis.

This club, Howorth decided, was a worthy successor to the temple described by Plato. It was a bit flamboyant for her tastes, but the broad sweep of the windows across the forward wall gave an absolutely staggering, gorgeous view of the water ahead. At the moment, the Atlantis Queen was sailing almost exactly due west, and the sunset--a blaze of flaming oranges, reds, and coral pinks, with cooler blues, greens, and ambers--flooded the sky with colored light.

"Ms. Carroll?" a man's voice said behind her.

"I'm Judith Carroll," Carolyn Howorth said, standing and extending her hand. "You must be David."

"David Llewellyn," he said, shaking her hand. "Director of Security. Pleased to meet you, Ms. Carroll."

"Call me Judy," Howorth said. "Everyone else does."

"Judy," he said, waiting for her to sit again, then seating himself. "Charming. A gorgeous sunset."

"Absolutely spectacular," she agreed. 'Tm surprised everybody on board the ship isn't crowded in here to see it."

"It is a bit more crowded than it usually is," Llewellyn agreed. "And a lot of people are on the decks outside."

"I don't blame them. Thank you for agreeing to see me, David."

"My pleasure. Ah . . . your e-mail said something about you being with British law enforcement?"

Carolyn pulled her wallet out of her handbag and let it fall casually open to her ID. At least, it was one of her IDs, one provided for her for this specific mission. "SOCA, actually," she said.

SOCA was a relatively new agency within British law enforcement. The Serious Organised Crime Agency had been created in 2006 specifically to combat drug trafficking, money laundering, people smuggling, and organized crime, a product of the Serious Organised Crime and Police Act of 2005. Some called it Britain's answer to the American FBI, though any comparison was superficial at best. If anything, SOCA was closer in the nature of its work to the U. S. Immigration and Customs Enforcement. Unlike MI5, certain designated SOCA agents had the authority to arrest suspects. Unlike MI5, SOCA had no role in either counterterrorism or national security.

So far as Howorth or her Menwith Hill colleagues could tell, it was a political figurehead agency as much as anything else, a means of looking as though the government was doing something about the nation's drug and crime problems, without having to actually do anything about them.

But most people wouldn't be aware of that particular twist in the government's knickers. It did provide a convenient cover for Howorth. Like the American NSA, GCHQ didn't care to advertise its presence. Ever.

"Thank you, Judy," Llewellyn said, studying the ID carefully before meeting her eyes again. "I've heard of SOCA, of course. I gather lots of you are former MI5, MI6?"

"A lot of us are," she said. It sounded like a test question, something to perhaps catch her in an inconsistency. She'd already planned to be as noncommittal--and therefore as hard to pin down--as possible.

SOCA did draw many of its members from the existing British MI5, which handled domestic security issues, and from MI6, which handled foreign security and intelligence work, like America's CIA. SOCA's current head was a former head of MI5, and there was a lot of traffic between the two.

"I was wondering if you might know a Mr. Thomas Mitchell?"

"No, can't say that I do."

"Or a Mr. Samuel Franks?"

"Nope. Should I?"

Llewellyn shrugged. "Tom Mitchell is MI5. And Mr. Franks is MI5, but currently seconded, I understand, to SOCA. I suppose I was wondering why we have so many of you people running around on board!"

Howorth kept her smile in place. "They're passengers?"

"Of a sort. Are you aware of the .. . incident on the docks yesterday afternoon?"

"No. Should I be?"

Llewellyn seemed to relax a little. "So you're not with Mitchell or Franks?"

"No, Mr. Llewellyn. I'm not. I know neither of the gentlemen. SOCA has about forty-two hundred employees and operates out of over forty offices scattered all over the UK. It's impossible to meet or to remember everyone in the firm." Time to change the subject, she thought. Despite what she'd just said, the last thing she wanted was a face-to-face introduction to Mitchell or Franks, especially Franks, who might ask her questions only a real SOCA agent could answer. "Why? What happened on the docks?"

"Nothing important," Llewellyn told her. "And if you didn't ask to see me about that, why did you ask to see me?" His smile broadened. "Not that I at all mind meeting a beautiful woman on a romantic cruise."

"Why, Mr. Llewellyn," she said. "I didn't think ship's crew was allowed to fraternize with the paying passengers!"

"Strictly speaking, no . .. though officers have a bit more leeway than the housekeeping staff, say. And it is after hours. I'm off-duty. May I buy you a drink?"

"That would be great. Thank you." Her glass was empty.

"What are you having?"

"Coke."

"Nothing stronger?"

"Coke is fine. My God, will you just look at that sky?" The colors, if anything, were becoming more intense. The sky appeared to be on fire. "What is it they say . .. 'red sky at night, sailor's delight'?"

"That's what they say. Never having been a sailor, I couldn't tell you." He flagged down a server, ordered two soft drinks, and turned back to face her. "Now, you were telling me what you wanted to talk to Security about?"

"Actually, David, I was hoping to get a private tour of your security facilities on the ship. See how they work, day-to-day."

"Indeed? Why?"

"Because SOCA is concerned with smuggling into the United Kingdom. Drugs. Also people."

Llewellyn's eyebrows rose. "People?"

"Twenty-first-century slaves, David. People who answer ads for work in the United Kingdom in countries like Indonesia, the Philippines, Malaysia, and Pakistan. They're brought in by professional smugglers--usually by the Italian Mafia or other Mediterranean organized-crime groups, though we've been seeing a bit of activity from Russia lately, as well. The Russian mafiya. Men are brought in and put to work in illegal sweatshops, sometimes drug factories. Same for women and children, except they're also exploited sexually, often. They end up in brothels, or working for almost nothing as housekeepers or servants for people who abuse them. They're required to pay for their passage from their wages and, of course, somehow they never manage to get enough to buy their freedom."

"And what does all this have to do with the Atlantis Queen!"

She shrugged. "Nothing directly. My boss wants me to have a look at the security arrangements on board your ships. How do you know you don't have a few hundred stowaways? How do you control access to sensitive areas of your ship, such as the computers? We hope to build an intelligence network that includes all methods of entry through our borders--airlines, the Chunnel, Channel ferries, passenger liners--to help us monitor the people who come into the UK every day."

"I. . . see. It all seems rather comprehensive."

"It's also low-key and off the record, David. I can show you a letter from my boss authorizing me to see your system. If you'd rather not go that route, I'll let him know and SOCA can make a more . . . formal request of Royal Sky's board of directors."

Howorth could almost see the wheels turning in Llewellyn's mind. If he turned down her informal request, he might soon be dealing with a formal order--and questions from his own boss as to why he'd not been more cooperative with the government.

"If I say no," Llewellyn said, "do we have to send you home?"

She grinned. "Technically," she said, "I'm on vacation.

This is informal."

"And if I say yes .. . will you let me buy you dinner first?"

"Plying me with food? I think I could manage that."

"Then let me see what I can do," he told her.

Pyramid Club Casino, Atlantis Queen English Channel 49deg 21' N, 8deg 13' W Friday, 1935 hours GMT

Rosie, bless her little Intel chip of a heart, was an unqualified success.

Jerry Esterhausen leaned against the bar, turned on his stool so he could watch the activity at the blackjack table. On the bar in front of him, his laptop was open, the screen showing the feed from Rosie's camera as she dealt out another hand.

The Atlantis Queen's onboard casino was doing a fair business this evening. Men in formal black and women in colorful gowns and plunging decolletage mingled with men and women in more casual attire, feeding coins to electronic slot machines, sitting around green-felt tables studying fans of playing cards, or hanging out at the bar. By far the largest group, though, had clustered around Rosie at her station in front of the broad, glass doors leading out to the after pool deck. Only three were playing; the rest kibitzed with raucous good humor. But when one human player decided he or she had had enough and stood up, another would slip into the vacated seat.

Esterhausen was flanked at the bar by Sharon Reilly, the Queen's CD, or Cruise Director, and by William Paulson, the Hotel Manager--or "hotman," in cruise ship parlance. The CD was in charge of the staff devoted to the care and entertainment of the ship's passengers--hostesses, entertainers, stage managers, fitness instructors, teen counselors, and all the rest who provided recreation for the guests. The hotman, in turn, was a ship's officer and the CD's boss, reporting directly to the staff captain, who was the ship's second in command. The hotman ran the immense floating hotel that was the Atlantis Queen.