Tender Buttons (6 page)

A success, a success is alright when there are there rooms and no vacancies, a success is alright when there is a package, success is alright anyway and any curtain is wholesale. A curtain diminishes and an ample space shows varnish.

One taste one tack, one taste one bottle, one taste one fish, one taste one barometer. This shows no distinguishing sign when there is a store.

Any smile is stern and any coat is a sample. Is there any use in changing more doors than there are committees. This question is so often asked that squares show that they are blotters. It is so very agreeable to hear a voice and to see all the signs of that expression.

Cadences, real cadences, real cadences and a quiet color. Careful and curved, cake and sober, all accounts and mixture, a guess at anything is righteous, should there be a call there would be a voice.

A line in life, a single line and a stairway, a rigid cook, no cook and no equator, all the same there is higher than that another evasion. Did that mean shame, it meant memory. Looking into a place that was hanging and was visible looking into this place and seeing a chair did that mean relief, it did, it certainly did not cause constipation and yet there is a melody that has white for a tune when there is straw color. This shows no face.

Star-light, what is star-light, star-light is a little light that is not always mentioned with the sun, it is mentioned with the moon and the sun, it is mixed up with the rest of the time.

Why is the name changed The name is changed because in the little space there is a tree, in some space there are no trees, in every space there is a hint of more, all this causes the decision.

Why is there education, there is education because the two tables which are folding are not tied together with a ribbon, string is used and string being used there is a necessity for another one and another one not being used to hearing shows no ordinary use of any evening and yet there is no disgrace in looking, none at all. This came to separate when there was simple selection of an entire preoccupation.

A curtain, a curtain which is fastened discloses mourning, this does not mean sparrows or elocution or even a whole preparation, it means that there are ears and very often much more altogether.

Climate, climate is not southern, a little glass, a bright winter, a strange supper an elastic tumbler, all this shows that the back is furnished and red which is red is a dark color. An example of this is fifteen years and a separation of regret.

China is not down when there are plates, lights are not ponderous and incalculable.

Currents, currents are not in the air and on the floor and in the door and behind it first. Currents do not show it plainer. This which is mastered has so thin a space to build it all that there is plenty of room and yet is it quarreling, it is not and the insistence is marked. A change is in a current and there is no habitable exercise.

A religion, almost a religion, any religion, a quintal in religion, a relying and a surface and a service in indecision and a creature and a question and a syllable in answer and more counting and no quarrel and a single scientific statement and no darkness and no question and an earned administration and a single set of sisters and an outline and no blisters and the section seeing yellow and the centre having spelling and no solitude and no quaintness and yet solid quite so solid and the single surface centred and the question in the placard and the singularity, is there a singularity, and the singularity, why is there a question and the singularity why is the surface outrageous, why is it beautiful why is it not when there is no doubt, why is anything vacant, why is not disturbing a centre no virtue, why is it when it is and why is it when it is and there is no doubt, there is no doubt that the singularity shows.

A climate, a single climate, all the time there is a single climate, any time there is a doubt, any time there is music that is to question more and more and there is no politeness, there is hardly any ordeal and certainly there is no tablecloth.

This is a sound and obligingness more obligingness leads to a harmony in hesitation.

A lake a single lake which is a pond and a little water any water which is an ant and no burning, not any burning, all this is sudden.

A canister that is the remains of furniture and a looking-glass and a bed-room and a larger size, all the stand is shouted and what is ancient is practical. Should the resemblance be so that any little cover is copied, should it be so that yards are measured, should it be so and there be a sin, should it be so then certainly a room is big enough when it is so empty and the corners are gathered together.

The change is mercenary that settles whitening the coloring and serving dishes where there is metal and making yellow any yellow every color in a shade which is expressed in a tray. This is a monster and awkward quite awkward and the little design which is flowered which is not strange and yet has visible writing, this is not shown all the time but at once, after that it rests where it is and where it is in place. No change is not needed. That does show design.

Excellent, more excellence is borrowing and slanting very slanting is light and secret and a recitation and emigration. Certainly shoals are shallow and nonsense more nonsense is sullen. Very little cake is water, very little cake has that escape.

Sugar any sugar, anger every anger, lover sermon lover, centre no distractor, all order is in a measure.

Left over to be a lamp light, left over in victory, left over in saving, all this and negligence and bent wood and more even much more is not so exact as a pen and a turtle and even, certainly, and even a piece of the same experience as more.

To consider a lecture, to consider it well is so anxious and so much a charity and really supposing there is grain and if a stubble every stubble is urgent, will there not be a chance of legality. The sound is sickened and the price is purchased and golden what is golden, a clergyman, a single tax, a currency and an inner chamber.

Checking an emigration, checking it by smiling and certainly by the same satisfactory stretch of hands that have more use for it than nothing, and mildly not mildly a correction, not mildly even a circumstance and a sweetness and a serenity. Powder, that has no color, if it did have would it be white.

A whole soldier any whole soldier has no more detail than any case of measles.

A bridge a very small bridge in a location and thunder, any thunder, this is the capture of reversible sizing and more indeed more can be cautious. This which makes monotony careless makes it likely that there is an exchange in principle and more than that, change in organization.

This cloud does change with the movements of the moon and the narrow the quite narrow suggestion of the building. It does and then when it is settled and no sounds differ then comes the moment when cheerfulness is so assured that there is an occasion.

A plain lap, any plain lap shows that sign, it shows that there is not so much extension as there would be if there were more choice in everything. And why complain of more, why complain of very much more. Why complain at all when it is all arranged that as there is no more opportunity and no more appeal and not even any more clinching that certainly now some time has come.

A window has another spelling, it has “f” all together, it lacks no more then and this is rain, this may even be something else, at any rate there is no dedication in splendor. There is a turn of the stranger.

Catholic to be turned is to venture on youth and a section of debate, it even means that no class where each one over fifty is regular is so stationary that there are invitations.

A curving example makes righteous finger-nails. This is the only object in secretion and speech.

To being the same four are no more than were taller. The rest had a big chair and a surveyance a cold accumulation of nausea, and even more than that, they had a disappointment.

Nothing aiming is a flower, if flowers are abundant then they are lilac, if they are not they are white in the centre.

Dance a clean dream and an extravagant turn up, secure the steady rights and translate more than translate the authority, show the choice and make no more mistakes than yesterday.

This means clearness, it means a regular notion of exercise, it means more than that, it means liking counting, it means more than that, it does not mean exchanging a line.

Why is there more craving than there is in a mountain. This does not seem strange to one, it does not seem strange to an echo and more surely is in there not being a habit. Why is there so much useless suffering. Why is there.

Any wet weather means an open window, what is attaching eating, anything that is violent and cooking and shows weather is the same in the end and why is there more use in something than in all that.

The cases are made and books, back books are used to secure tears and church. They are even used to exchange black slippers. They can not be mended with wax. They show no need of any such occasion.

A willow and no window, a wide place stranger, a wideness makes an active center.

The sight of no pussy cat is so different that a tobacco zone is white and cream.

A lilac, all a lilac and no mention of butter, not even bread and butter, no butter and no occasion, not even a silent resemblance, not more care than just enough haughty.

A safe weight is that which when it pleases is hanging. A safer weight is one more naughty in a spectacle. The best game is that which is shiny and scratching. Please a pease and a cracker and a wretched use of summer.

Surprise, the only surprise has no occasion. It is an ingredient and the section the whole section is one season.

A pecking which is petting and no worse than in the same morning is not the only way to be continuous often.

A light in the moon the only light is on Sunday. What was the sensible decision. The sensible decision was that notwithstanding many declarations and more music, not even notwithstanding the choice and a torch and a collection, notwithstanding the celebrating hat and a vacation and even more noise than cutting, notwithstanding Europe and Asia and being overbearing, not even notwithstanding an elephant and a strict occasion, not even withstanding more cultivation and some seasoning, not even with drowning and with the ocean being encircling, not even with more likeness and any cloud, not even with terrific sacrifice of pedestrianism and a special resolution, not even more likely to be pleasing. The care with which the rain is wrong and the green is wrong and the white is wrong, the care with which there is a chair and plenty of breathing. The care with which there is incredible justice and likeness, all this makes a magnificent asparagus, and also a fountain.

Originally published in 1914

Cover design by Andrea Worthington

ISBN: 978-1-4976-7934-4

This 2014 edition published by Open Road Integrated Media, Inc.

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