Authors: Karen Armstrong
Closely allied to the “warfare” myth in atheistic polemic was the view that belief in itself was immoral, which has also become an essential ingredient of atheist ideology. It dates from the publication of
Ethics of Belief
(1871) by William Kingdon Clifford (1845–79), professor of mathematics at University College, London, who argued that it was not only intellectually but morally perverse to accept any opinion—religious, scientific, or ethical—without sufficient evidence. He illustrated his thesis with the story of a shipowner who knew that his ship needed extensive repairs but decided to spare himself the expense, reflecting that it had survived many voyages and that God would not allow it to sink with so many passengers on board. When the ship went down in midocean, he was able to collect the insurance.
Clifford’s book struck an instant chord. By the late 1860s, widespread veneration for science as the only path to truth had made the idea of “belief” without verification offensive not only intellectually but morally. For the American sociologist Lester Ward (1841–1913), superstition (a term that he applied indiscriminately to any religious idea) led to neurological softening of the brain and weakened moral
fiber. Once you had accepted the idea that some matters lay beyond human comprehension, you would swallow anything.
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For the English philosopher John Stuart Mill (1806–73), the delusions of faith “would sanction half the mischievous illusions recorded in history.”
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Credulity was an act of abject cowardice: “Give me the storm and tempest of thought and action, rather than the dead calm of ignorance and faith!” Ingersoll protested with his usual bravura, “Banish me from Eden if you will; but first let me eat of the fruit of the tree of knowledge!”
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Today we are so used to the idea that science and religion are at loggerheads that these ideas no longer surprise us. But in the late nineteenth century, most churchmen still looked up to science; they had not yet fully appreciated how thoroughly Darwinism had undermined the natural theology on which their “belief” was based. At this time, it was not the religious who were fueling the antagonism between the two disciplines but the advocates of science. Most scientists had no interest in bashing religion; they were content to get on quietly with their research and objected only when theologians tried to obstruct their inquiries.
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It was the popularizers of Darwin who went on the offensive in an antireligious crusade. During the last decades of the nineteenth century, Karl Vogt (1817–95), Ludwig Buchner (1824–99), and Ernst Haeckel (1834–1919) toured Europe, lecturing enthusiastically to packed audiences.
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Vogt was a good scientist (though some of his colleagues feared that he reached his conclusions too hastily) but was so vehemently anticlerical that when he discussed religion, he lost all perspective. His method was to present faith at its most simplistic—inveighing fiercely against the myth of Noah’s Ark, for example, as though it were a real impediment to scientific advance—and then to devote a disproportionate amount of time and energy to attacking the straw dog he had set up.
When they turned their attention to religion, all three were liable to depart from the precision that characterized their discussion of science, so their critique was marred by wild generalizations. When he read Haeckel’s best seller
The Riddle of the Universe
, the philosopher Friedrich Paulsen said that he burned with shame to think that it had been written by a German scholar in the land of scholarship.
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Haeckel had, for example, argued that at the Council of Nicaea, the bishops had compiled the New Testament by simply picking the four
gospels at random from a pile of forged documents—information he had acquired from an exceptionally scurrilous English pamphlet. He even got the date of Nicaea wrong. When he discussed science, Haeckel was careful, methodical, and accurate; none of these qualities was in evidence when he wrote about religion.
Huxley had little time for this polemic, because he understood that no investigation of the physical world could provide evidence for or against God. He thought Draper a bore, Vogt a fool, and utterly despised Büchner’s best-selling
Force and Matter
, which argued that the universe had no purpose, that everything had derived from a single cell, and that only an idiot could believe in God. Pascal had explained that “the heart has its reasons” for beliefs that were not accessible to our reasoning powers, and this also seems true of late-nineteenth-century unbelief. The proselytizing atheists did not exemplify the precision, objectivity, and impartial examination of the evidence that was now characteristic of the scientific rationalism they glorified. Nevertheless, their emotional diatribes attracted huge crowds. There had always been an intolerant strain in modernity; it had long seemed necessary to abjure recent orthodoxy as a condition for the creation of new truth. Atheism was still a minority passion, but people who nurtured subterranean doubts yet were not ready to let their faith go may have found this passionate critique vicariously cathartic.
Others relinquished their faith with sorrow and felt no Promethean defiance, no heady liberation. In “Dover Beach,” the British poet Matthew Arnold (1822–88) heard the “melancholy, long, withdrawing roar” of faith as it receded, bringing “the eternal note of sadness in.” Human beings could only cling to one another for comfort, for the world that once seemed
So various, so beautiful, so new
,
Hath really neither joy, nor love, nor light
,
Nor certitude, nor peace, nor help for pain;
And we are here as on a darkling plain
Swept with confused alarms of struggle and flight
,
Where ignorant armies clash by night.
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At its best, religion had helped people to build within themselves a haven of peace that enabled them to live creatively with the sorrow of life; but during the scientific age, that interiorized security had been exchanged for an unsustainable certainty. As their faith ebbed, many Victorians sensed the void that it left behind.
When the German philosopher Friedrich Nietzsche (1844–1900) looked into the hearts of his contemporaries, he found that God had already died, there, but as yet very few people were aware of this.
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In
The Gay Science
(1882), he told the story of a madman who ran one morning into the marketplace, crying: “I seek God!” In mild amusement, the sophisticated bystanders asked him if God had run away or emigrated. “Where has God gone?” the madman demanded. “We have killed him—you and I! We are all his murderers!”
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The astonishing progress of science had made God quite irrelevant; it had caused human beings to focus so intently on the physical world that they would soon be constitutionally unable to take God seriously. The death of God—the fact that the Christian God had become incredible—was “beginning to cast its first shadows over Europe.” The tiny minority who were able to understand the implications of this unprecedented event were already finding that “some sun seems to have set and profound trust has been turned to doubt.”
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By making “God” a purely notional truth attainable by the rational and scientific intellect, without ritual, prayer, or ethical commitment, men and women had killed it for themselves. Like the Jewish Marranos, Europeans were beginning to experience religion as tenuous, arbitrary, and lifeless. The madman longed to believe in God but he could not. The unthinkable had happened: everything that the symbol of God had pointed to—
absolute
goodness, beauty, order, peace, truthfulness, justice—was being slowly but surely eliminated from European culture. Morality would no longer be measured by reference to an ultimate value that transcended human interests but simply by the needs of the moment. For Marx the death of God had been a project—something to be achieved in the future; for Nietzsche it had already occurred: it was only a matter of time before “God” would cease to be a presence in the scientific civilization of the West. Unless a new absolute could be found to take its place, everything would become unhinged and relative: “What were we about when we uncoupled this earth from the sun?” the madman demanded.
“Where is the earth moving to now? Are we falling continuously? And backwards and sideways and forwards in all directions? Is there still an above and below? Do we not stray, as though through an infinite nothingness?”
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Nietzsche was, of course, familiar with the philosophical and scientific arguments for the denial of God, but he did not bother to rehearse them. God had not died because of the critique of Feuerbach, Marx, Vogt, and Buchner. There had simply been a change of mood. Like the ancient Sky God, the remote modern God was retreating from the consciousness of his former worshippers.
The century that had begun with a conviction of boundless possibility was giving way to a nameless dread. But, Nietzsche believed, human beings could counter the danger of nihilism by making themselves divine. They must become the new absolute and take the place of God. The God they had projected outside themselves could be born within the human spirit as the
Übermensch
(“Superman”) who would provide the universe with ultimate meaning. To achieve this, we had to rebel against the Christian God who had marked the limit of human aspiration, estranged us from our bodies and passions, and enfeebled us with the ideal of compassion. As an incarnation of its will to power, the Ü
bermensch
would push the evolution of the species into a new phase so that humanity would finally become supreme. But what would happen when human beings did indeed imagine that they were the highest reality and a law unto themselves? What if the ideal of
kenosis
was replaced by the naked lust for empowerment, backed by the immense capacity of scientific technology?
Sigmund Freud (1856–1939), founder of the science of psychoanalysis, illustrates the shift in mood that Nietzsche had diagnosed.
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Although he grew up in a Jewish household that took religion very seriously—or, perhaps,
because
of his religious upbringing—God was indeed dead for Freud. He did not become an atheist as a result of his study of psychology; he was a psychoanalyst because he was an atheist. For Freud, the idea of God was simply untenable. In 1875, he had discovered the writings of Feuerbach, who had fallen into eclipse since the 1840s, and believed implicitly in the “warfare” myth: in this seemingly interminable conflict, religion must be eliminated.
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Science alone could ensure the physical and mental health of humanity,
and, in fact, its victory was inevitable. Human rationality was coming into its own, gradually breaking the fetters that had impeded its development. “The voice of the intellect is a soft one,” he wrote, and it would eventually succeed in quashing religion, but only in “a distant, distant future.”
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It was dangerous to force people into atheism prematurely, as this could lead to unhealthy denial.
Freud had studied medicine at the University of Vienna but always had a deep interest in religion and philosophy. His religious studies, however, were conducted in light of the death of God in his heart. There was no need to justify his atheism, because its truth was self-evident. The idea of God was “so patently infantile, so foreign to reality, that to anyone with a friendly attitude to humanity, it is painful to think that the great majority of mortals would never be able to rise above this view of life.”
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Observing the similarity between religious rites and the obsessive rituals of some of his patients, Freud concluded that religion was a neurosis that bordered on insanity. The desire for God sprang from the infant’s experience of helplessness and his yearning for a protector; it reflected the child’s passion for justice and fairness and his longing for life to continue forever.
Freud had already worked out his theory of the origins of faith before he began to study religion. He simply selected texts, which he interpreted somewhat eccentrically, that supported his conviction that religion sprang from psychological pressures reflecting our evolutionary development. He had been influenced by the theories of Jean-Baptiste Lamarck (1744–1829), who thought all living creatures had an innate urge to adapt to their environment. To reach the leaves on a high branch, a giraffe learned how to stretch its neck and passed this acquired characteristic to the next generation. In a Lamarckian theory, since dismissed as simplistic, Freud suggested that religion was an acquired trait of this kind, which had developed in response to a specific event. At a very early stage of human history, he suggested in
Totem and Taboo
(1913), the patriarch had exclusive rights to the females of the tribe. This aroused the hostility and resentment of his sons, who overthrew and killed him but later, tormented by remorse, invented rituals to assuage their guilt. In
Moses and Monotheism
(1938), Freud argued that Moses had been killed by the Israelites in the wilderness during a ritual reenactment of this primal murder.
His definition of religion in
The Future of an Illusion
(1927) is also
reductive: religion is wish fulfillment of instinctual, unconscious desires, a fantasy that was once consoling but is now doomed to failure, because its myths and rituals belong to such a primitive stage of human evolution. It was time to allow science to allay our fears and provide a new basis for morality. These explanations won respect because they were rooted in science, but Freud’s critique was flawed by a rather unscientific view of the female as
homme manqué:
religion was a female activity, while atheism represented the postreligious, healthy masculine human being.
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His view of religion as rooted in the infant’s veneration of the father also prompts the question of whether Freud’s rejection of God did not spring from an unconscious hostility to his own father.