The Cruel Prince (17 page)

“I like
you
,” I tell him. “I like playing pretend with you.”

“Pretend?” he echoes, as though he's not sure if I'm insulting him.

“Of course,” I say, going to the windows of the hall and looking out. Moonlight streams onto the leafy entrance to the maze. Torches are burning nearby, the flames flickering and wavering in the wind. “Of course we're pretending! We don't belong together, but it's fun anyway.”

He gives me an evaluating, conspiratorial look. “Then let's keep doing it.”

“Okay,” I say helplessly. “I'll stay. I'll go to your party.” I have had little fun in my life so far. The promise of more is difficult to resist.

He leads me through several rooms until we come to double doors. For a moment, he hesitates, glancing back at me. Then he pushes them open, and we're in an enormous bedroom. A thick, oppressive layer of dust blankets everything. There are footprints—two sets. He's come in here before, but not many times.

“The dresses in the closet were my mother's. Borrow whatever you like,” he says, taking my hand.

Looking around this untouched room at the heart of the house, I understand the grief that made him lock it up for so long. I am glad to be let in. If I had a room full of my mother's things, I do not know if I would let anyone inside. I don't even know if I would brave it myself.

He opens one of the closets. Much of the clothing is moth-eaten, but I can see what they once were. A skirt with a beaded pattern of pomegranates, another that pulls up, like a curtain, to show a stage with jeweled mechanical puppets underneath. There is even one stitched with the silhouette of dancing fauns as tall as the skirt itself. I've admired Oriana's dresses for their elegance and opulence, but these awaken in me a hunger for a dress that's riotous. They make me wish I'd seen Locke's mother in one of her gowns. They make me think she must have liked to laugh.

“I don't think I've ever seen a dress like any of these,” I tell him. “You really want me to wear one?”

He brushes a hand over a sleeve. “I guess they're a bit rotted.”

“No,” I say. “I like them.”

The one with the fauns is the least damaged. I dust it off and tug it on behind an old screen. I struggle, because it's the sort of dress that's difficult to put on without Tatterfell's help. I have no idea how to arrange my hair any differently, so I leave it as is—braided in a crown around my head. When I wipe off a silver mirror with my hand and see myself dressed in a dead faerie's clothes, a shudder goes through me.

Suddenly, I do not know why I am here in this place. I am not sure of Locke's intentions. When he tries to drape me in his mother's jewels, I refuse them.

“Let's go out to the garden,” I say. I no longer want to be in this empty, echoing room.

He puts away the long string of emeralds he was holding. As we leave, I look back at the closet of moldering clothes. Despite my feelings of unease, there's a part of me that can't help imagining what it would be like to be the mistress of this place. Imagining Prince Dain with the crown. Imagining entertaining at the long table we kissed against, my classmates all drinking the pale green wine and pretending they had never tried to murder me. Locke, with his hand in mine.

And me, spying on them all for the king.

The hedge maze is taller than the height of an ogre and formed of dense, glossy leaves in a deep green. Apparently, Cardan's circle meets here often. I can hear them laughing at the center of the maze when I walk outside with Locke, late to his own gathering. The smell of pine liquor is alive in the air. The firelight of the torches makes long shadows and limns everything in scarlet. My steps slow.

Reaching into the pocket of the borrowed dress, I touch my knife, still stained with Valerian's blood. When I do, my fingers light on something else, something Locke's mother must have left years before. I pull out her bauble—a golden acorn. It doesn't look like jewelry—there is no chain—and I cannot imagine what purpose it might have had other than to be pretty. I drop it back into my pocket.

Locke holds my hand as we move through the turns of the hedge maze. It does not seem as though there are many. I try to map it in my mind as I go, in case I have to find my way out alone. The simplicity of the maze makes me nervous rather than confident. I do not believe there are many simple things in Faerie. At home, dinner will be coming to a close without me. Taryn will be whispering to Vivi how I went somewhere with Locke. Madoc will be frowning and stabbing his meat, annoyed with me for missing his lessons.

I have braved worse things.

At the center of the maze, a piper is playing a lilting, wild song. White rose petals blow through the air. Folk are gathered, eating and drinking from a long banquet table that seems mostly piled with different distillations—cordials in which mandrake roots float, sour plum wine, a clear liquor infused with handfuls of red clover. And beside those, vials of golden nevermore.

Cardan is lying on a blanket, his head tipped back and his loose white shirt unbuttoned. Although it is still early in the night, he appears to be very drunk. His mouth is flaked with gold. A horned girl I don't know is kissing his throat, and another, this one with daffodil hair, presses her mouth against the calf of his leg, just above the top of his boot.

To my relief, I do not see Valerian. I hope he's home, nursing that wound I gave him.

Locke brings me a thimbleful of liquor, and I take a tiny scalding
sip for the sake of politeness. I start coughing immediately. At that
moment, Cardan's gaze goes to me. His eyes are barely open, but I can see the shine of them, wet as tar. He watches me as the girl kisses his mouth, watches me as she slides her hand beneath the hem of his silly, ruffly shirt.

My cheeks heat. I look away and then am angry with myself for giving him the satisfaction of seeming uncomfortable. He's the one who's making a spectacle of himself.

“I see a member of the
Circle of Worms
has chosen to grace us with her presence tonight,” Nicasia says, swanning up to us in a dress with all the colors of the sunset in it. She peers into my face. “But which one is it?”

“The one you don't like,” I tell her, ignoring her jibe.

That makes her give a high, false laugh. “Oh, you might be surprised how some of us feel about both of you.”

“I promised you better amusements than this,” Locke says stiffly, taking my elbow. I am grateful when he pulls me toward a low table with pillows strewn haphazardly around it, but I can't help giving Nicasia a small, antagonizing wave as I go. I pour out my thimble of liquor onto the grass when Locke isn't looking. The piper finishes, and a naked boy, shining with gold paint, takes out a lyre and sings a filthy song about broken hearts: “
O lady fair! O lady cruel! How I miss your sweet misrule. I miss your hair. I miss your eyes. But most of all, I miss your thighs.
”

Locke kisses me again, in front of the fire. Everyone can see it, but I don't know if they're looking, because I close my eyes as tightly as they will go.

I
wake in Locke's house on a bed covered in tapestries. My mouth tastes of sour plums and is swollen from kissing. Locke is beside me on the bed, eyes shut, still in his party clothes. I pause in the act of rising to study him, his sharp ears and fox-fur hair, the softness of his mouth, his long limbs spread out in sleep. His head is pillowed on one ruffle-covered wrist.

The night comes back in a rush of memory. There was dancing and a chase through the maze. I remember falling on my hands in the dirt and laughing, totally unlike myself. Indeed, when I look down at the borrowed ball gown I slept in, there are grass stains on it.

Not that I'd be the first to green gown her.

Prince Cardan watched me all night, a shark restlessly circling, waiting for the right moment to bite. Even now I can conjure the memory of the scorched black of his eyes. And if I laughed louder for the sake of angering him, if I smiled wider, and kissed Locke longer, that is a kind of deceit that even the Folk cannot condemn.

Now, however, the night feels like one long, impossible dream.

Locke's bedroom is messy—books and clothes scattered on divans and low couches. I wade through to the door and pad over the empty halls of the house. Finding my way back to the dusty room of his mother's, I take off her gown and tug on yesterday's clothes. I reach to take my knife from her pocket, and when I do, the golden acorn comes out with it.

Impulsively, I tuck both knife and acorn into my tunic. I want some memento of the night, something to recall it, should nothing like it ever happen again. Locke told me I could borrow anything in the room, and I am borrowing this.

On my way out, I pass the long dining table. Nicasia is there, sectioning an apple with a little knife.

“Your hair looks like a thicket,” she says, popping a slice of fruit into her mouth.

I glance at a silver plate on the wall, which shows only a distorted and blurred image of myself. Even in that, I can tell she's right—a halo of brown surrounds my head. Reaching up, I begin undoing my braid, combing it out with my fingers.

“Locke's asleep,” I say, assuming that she's waiting to see him. I expect to feel as though I have something over her, being the one that came from his bedroom, but what I actually feel is a little bit of panic.

I don't know how to do this. I don't know how to wake up in a boy's house and talk to the girl with whom he had a relationship. That she's also a girl who probably wants me dead is, oddly, the only part of this that feels at all normal.

“My mother and his brother thought we were to be wed,” she says, seeming as though she might be talking to the air and not to me at all. “It was going to be a useful alliance.”

“With Locke?” I ask, confused.

She gives me an annoyed look, my question seeming to bring her briefly out of her story. “Cardan and me. He ruins things. That's what he likes. To ruin things.”

Of course Cardan likes to ruin things. I wonder how that could be something she only just realized. I would have thought that would be something they had in common.

I leave her to her apple and her reminiscences and head toward the palace. A cool breeze blows through the trees, lifting my loose hair and bringing me the scent of pine. In the sky, I hear the call of gulls. I am grateful for the lecture today, glad to have an excuse for not going home and hearing whatever Oriana has to say to me.

Today the lecture is in the tower, my least favorite location. I climb the steps and settle myself. I am late, but I find a spot on a bench near the back. Taryn is sitting on the other side. She looks at me once, raising her brows. Cardan is beside her, dressed in green velvet, with golden stitching picking out thorns tipped in blue thread. He lounges in his seat, long fingers tapping restlessly against the wood of the bench beside him.

Looking at him makes me feel equally restless.

At least Valerian hasn't shown up. It is too much to hope that he never returns, but at least I have today.

A new instructor, a knight named Dulcamara, is talking about rules of inheritance, probably in anticipation of the coming coronation.

The coronation, which will mark my rise to power as well. Once Prince Dain is the High King, his spies can haunt the shadows of Elfhame with only Dain himself to keep us in check.

“In some of the lower Courts, a king or queen's murderer can take the throne,” Dulcamara says. She goes on to tell us that she is part of the Court of Termites, which has not yet joined Eldred's banner.

Although she is not wearing armor, she stands as though she's used to the weight of it. “And that is why Queen Mab bargained with the wild fey to make the crown King Eldred wears, which can only be passed down to her descendants. It would be tricky to get it by force.” She grins wickedly.

If Cardan were to try to stop her lesson, she looks like she would eat him alive and crack his bones for marrow.

The Gentry children look at Dulcamara uncomfortably. Rumor has it that Lord Roiben, her king, is planning to swear to the new High King, bringing with him his large Court, one that has held off Madoc's forces for years. Roiben's joining the High Court of Elfhame is widely considered to be a masterstroke of diplomacy, negotiated by Prince Dain against Madoc's wishes. I suppose she's come for the coronation.

Larkspur, one of the youngest of us, pipes up. “What happens when there are no more children in the Greenbriar line?”

Dulcamara's smile gentles. “Once there are fewer than two descendants—one to wear the crown and the other to place it on the ruler's head—the High Crown and its power crumble. All of Elfhame will be free from their oaths to it.

“Then, who knows? Maybe a new ruler will make a new crown. Maybe you'll return to warring with smaller Seelie and Unseelie Courts. Maybe you will join our banners in the Southwest.” Her smile makes it clear which of those she would prefer.

I stick my hand up. Dulcamara nods in my direction. “What if someone
tries
to take the crown?”

Cardan gives me a look. I want to glare, but I can't help thinking of him sprawled out on the ground with those girls. My cheeks heat all over again. I drop my gaze.

“An interesting question,” Dulcamara says. “Legend has it that the crown will not allow itself to be placed on the brow of anyone who isn't an heir of Mab, but Mab's line has been very fruitful. So long as a pair of descendants try to take the crown, it could be done. But the most dangerous part of a coup would be this: The crown is cursed so that a murder of its wearer causes the death of the person responsible.”

I think of the note I found in Balekin's house, about blusher mushrooms, about vulnerability.

After the lecture, I go down the steps carefully, remembering taking them at a run after stabbing Valerian. My vision blurs, and I feel dizzy for a moment, but the moment passes. Taryn, coming behind me, all but pushes me into the woods once we're outside.

“First of all,” she says, tugging me over patches of curling ferns, “no one knows you weren't home all last night except for Tatterfell, and I gave her one of your nicest rings to make sure she wouldn't say anything. But you have to tell me where you were.”

“Locke had a party at his house,” I say. “I stayed—but it wasn't, I mean, nothing much happened. We kissed. That was it.”

Her chestnut braids fly as she shakes her head. “I don't know if I believe that.”

I let out my breath, perhaps a little dramatically. “Why would I lie? I'm not the one hiding the identity of the person courting me.”

Taryn frowns. “I just think that sleeping in someone's room, in someone's bed, is more than kissing.”

My cheeks heat, thinking of the way it had felt to wake up with his body stretched out beside mine. To get the attention off me, I start speculating about her. “Ooooh, maybe it's Prince Balekin. Are you going to marry Prince Balekin? Or perhaps it's Noggle and you can count the stars together.”

She smacks me in the arm, a little too hard. “Stop guessing,” she says. “You know I'm not allowed to say.”

“Ow.” I pick a white campion flower and stick it behind my ear.

“So you like him?” she asks. “Really like him?”

“Locke?” I ask. “Of course I do.”

She gives me a look, and I wonder how much I worried her, not coming home the night before.

“Balekin I like less well,” I say, and she rolls her eyes.

When we get back to the stronghold, I find that Madoc has left word he will be out until late. With little else to do for once, I look for Taryn, but although I saw her go upstairs just minutes before, she's not in her room. Instead, her dress is on the bed and her closet open, a few gowns hanging roughly, as though she pulled them out before finding them wanting.

Has she gone to meet her suitor? I take a turn around the room, trying to see it as a spy might, alert for signs of secrets. I notice nothing unusual but a few rose petals withering on her dressing table.

I go to my room and lie on my bed, going over my memories of the night before. Reaching into my pocket, I remove my knife to finally clean it. When I bring it out, I am holding the golden acorn, too. I turn the bauble over in my hand.

It's a solid lump of metal—a beautiful object. At first I take it only for that, before I notice the tiny lines running across it, tiny lines that seem to indicate moving parts. As though it were a puzzle.

I can't screw off the top, although I try. I can't seem to do anything else with it, either. I am about to give up and toss it onto my dressing table when I glimpse a tiny hole, so small as to be nearly invisible, right at the bottom. Hopping off my bed, I rattle through my desk, looking for a pin. The one I find has a pearl on one end. I try to fit the point into the acorn. It takes a moment, but I manage, pushing past resistance until I feel a click and it opens.

Mechanized steps swing out from a shining center, where a tiny golden bird rests. Its beak moves, and it speaks in a creaky little voice.
“My dearest friend, these are the last words of Liriope. I have three golden birds to scatter. Three attempts to get one into your hand. I am too far gone for any antidote, and so if you hear this, I leave you with the burden of my secrets and the last wish of my heart. Protect him. Take him far from the dangers of this Court. Keep him safe, and never, ever tell him the truth of what happened to me.”

Tatterfell comes into the room, bringing with her a tray with tea things. She tries to peek at what I am doing, but I cup my hand over the acorn.

When she goes out, I set down the bauble and pour myself a cup of tea, holding it to warm my hands. Liriope is Locke's mother. This seems like a message asking someone—her dearest friend—to spirit him—Locke—away. She calls the message her “last words,” so she must have known she was about to die. Perhaps the acorns were to be sent to Locke's father, in the hopes Locke might spend the rest of his life exploring wild places with him rather than be caught up in intrigues.

But since Locke is still here, it seems as if none of the three acorns were found. Maybe none of them even left her bower.

I should give it to him, let him decide for himself what to do with it. But all I keep thinking about is the note on Balekin's desk, the note that seemed to implicate Balekin in Liriope's murder. Should I tell Locke everything?

I know the provenance of the blusher mushroom that you ask after, but what you do with it must not be tied to me.

I turn the words over in my mind the way I turned the acorn in my hand, and I feel the same seams.

There's something odd about that sentence.

I copy it out again on a piece of paper to be sure I remember it correctly. When I first read it, the note seemed to imply that Queen Orlagh had located a deadly poison for Balekin. But blusher mushrooms—while rare—grow wild, even on this island. I picked blusher mushrooms in the Milkwood, beside the black-thorned bees, who build their hives high in the trees (an antidote can be made with their honey, I learned recently from all my reading). Blusher mushrooms aren't dangerous if you don't drink the red liquid.

What if Queen Orlagh's note didn't mean that she'd
found
blusher mushrooms and she was going to give them to Balekin? What if by “know the provenance,” Orlagh literally just meant that she
knew
where
particular
blusher mushrooms had come from? After all, she says “what you do with
it
” and not “what you do with
them.
” She's cautioning him about what he's going to do with the knowledge, not the actual mushrooms.