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Authors: David Hewson

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He squirmed on his seat at the head of the table as Agata opened the velvet box. She found herself holding a very ornate gold necklace. One, Costa judged, a little too ostentatious for her
taste.

‘It’s beautiful,’ she declared. ‘Thank you. You don’t need to do this, Leo.’

‘Of course I do,’ Falcone replied. ‘I was your sponsor when you were a child in that orphanage. These ties come with duties. As does friendship.’

He gestured at the waiters. They came out with more gifts: boxes of expensive chocolates from a fancy store in Via Condotti.

‘What exactly is going on?’ Teresa began, in a tone that was only just short of being cross.

‘It’s my way of saying sorry,’ Falcone said quickly. ‘To all of you. I’ve behaved badly of late and I know it. I took my anger out on the people around me. That was
wrong. I want to apologize. Come on.’ He pointed a lean index finger at the menu. ‘Pick the best they have. Lamb and artichokes. Wonderful. Beef with citron. Fish. Nic, they’ll
cook anything a vegetarian can want.’

Peroni was staring at Costa from the other side of the table, a meaningful and deeply suspicious expression clouding his customarily friendly face. They all knew Falcone well by now.

‘This is very kind of you,’ the big cop said in clipped, measured tones. ‘Given that we’re in the middle of a rather nasty murder investigation.’

‘Happy birthday to me!’ Agata announced with a touch of despair, raising her glass to them. ‘Why did I end up with police officers for friends?’

‘Because you were lucky,’ Falcone told her. ‘Who better to help you find your way into the real world?’

‘Who indeed?’ she murmured. Agata looked almost as doubtful about this impromptu party as Peroni did.

‘Tell us about work,’ Costa said quickly, trying to change the conversation. ‘Yours. How is the college? Your students?’

‘My students,’ she said, laughing. ‘Is that what they are? Most are just children and don’t know it. Children with parents who’ve more money than sense and think
that, by sending their offspring to Bella Italia, they will come back transformed. Adults. Civilized. Made into the human beings they should be, by strangers like me.’

No one said anything. The mood, her mood, seemed terribly fragile.

‘Being a teacher’s never easy,’ Teresa suggested.

‘I imagine not,’ Agata replied. ‘But the truth is, I don’t like some of them. They’re coarse. They come late into class in the morning. Hung over. You can see the
alcohol in their eyes. The drugs. The lazy licentiousness. That’s their response to being given their freedom. To throw it away in some bar in the Campo.’

‘Drugs?’ Costa asked.

‘The other teachers talk about it as if it were nothing. I’m sorry.’

‘And the director? Bruno? He knows?’

She put down her glass and toyed with the beautiful necklace.

‘This is my night, isn’t it?’ Agata Graziano asked.

‘Every second of it,’ Falcone declared with a theatrical flourish.

‘Then let’s not talk about the Collegio Raffello. It’s . . . boring. I have to go to some convention on Sunday evening. Four nights. I didn’t expect this. Milan.’
Her dark face became still and thoughtful. ‘With Bruno.’

‘Milan has its beautiful parts,’ Peroni suggested.

‘No,’ Agata insisted. ‘Enough. Tell me something. The truth, now. I have to ask, since it’s in all the papers. On the TV. This awful story has my students, such as they
are, more enthralled than any old paintings I can throw at them . . . The Gabriel family. Well?’

Falcone smiled at her very pleasantly and asked, ‘Well what?’

‘When will it come to an end, Leo? When can I open a newspaper or turn on the TV and not see that poor girl’s face staring back at me? Soon, please. Tell me that.’

‘Soon,’ he agreed. ‘Tomorrow, in fact.’

They all stopped and looked at him.

‘Yes,’ he went on. ‘Tomorrow. I’ve decided. This has gone far enough. I shall file my report to the
commissario
. It will say no more than the obvious. Malise
Gabriel was the monster the papers have been painting him to be. He was murdered, with some guile, by the son, who also killed the American woman. Perhaps because she was involved somehow. Or she
found out. We’ll never know. Only the dead could tell us that. The brother himself was murdered by this unknown Italian drugs outfit we learned about today from the Turks, as was his crooked
policeman friend. This is not unrelated. Had he not killed his father and brought such publicity on himself . . .’

A thought crossed Falcone’s mind, one he kept to himself.

‘That side of the case I shall pass to another inspector who can attach himself to narcotics in order to pursue it fully. I’ve seen enough of this tragedy, as I’m sure have
you. So.’ He chinked his glass with Agata’s. ‘Consider it done with. Despatched, all neat and tidy.’

‘And Mina?’ she asked. ‘Her mother?’

He paused for a moment.

‘I shall say that, while we have plenty of evidence to suggest both of them had good reason to fear and hate Malise Gabriel, there’s no evidence to implicate them in his death, or
that of anyone else. The case will be closed.’

There was silence around the table. Then Agata brightened, chinked her glass all round and said, ‘That’s the best birthday present I could have hoped for. The very best.’

Falcone watched her. In his face was the pride of a parent, Costa thought. And some relief too, some satisfaction that, in his own head, a turning point, a decision, had been reached.

TWELVE

The red Ducati was, as Maria had promised, in pieces. The wheels, engine and frame lay scattered over the downstairs forensic room, each element tidily labelled with a tag. She
and Silvio Di Capua stood next to the bits, along with a couple of forensic assistants they’d called in when the labour became too physical. The Rome number plates were on the desk. Fakes,
naturally.

He felt wiped out. They’d been working twelve hours a day for almost a week. He needed a break. But the discovery of the mattress had energized the young woman next to him. Perhaps she saw
it as a way into a job in the Questura. More likely, Di Capua thought, she just loved the challenge. For all her clumsiness and over-exuberance Maria Romano was a natural forensics officer:
doggedly curious about everything. Even matters she didn’t begin to understand.

‘Remind me. What exactly are we meant to be looking for again?’ he asked, half wishing he’d accepted Falcone’s strange invitation to dinner.

‘Clues, silly!’

Di Capua’s initial disdain had transmuted to desire a few days before. Now it was slowly changing again, into a grinding, subterranean sense of annoyance.

‘Yes,’ he said testily. ‘But what kind exactly?’

It was a rhetorical question. He knew the answers by heart. Prints, stains, smears from leather boots or gloves. If they could find the helmet or some other clothing they might identify an
individual who’d ridden, or worked on, the bike. But there was nothing, only a few marks that would take days to interpret. Scuffs on the paint. Some fabric – wool and cotton, it looked
like – trapped around the tank filler cap. Corroborating material. Nothing that would put a name or a face to the man who had gunned down two people in public on a hot Roman night.

Maria still had evidence bags to sort through. Judging by the bright and energetic expression on her face she seemed willing to work through the night if necessary.

She pulled on her shiny black hair and looked at him, realizing this was a test.

‘We’ve got blood.’

There was some, on the right-hand side, the frame, the seat, the composite casing behind the carb.

‘It’s smear,’ Di Capua said. ‘I told you. We’ll type it but it’s not from the rider. It’s from one of the poor bastards he shot. Look.’ He pointed
to the tell-tale points of soft tissue on the black metal and scarlet paint. ‘Spatter too. He was still bleeding badly when he fell. It’s the brother or the cop. The brother would be my
bet. There was some smear on his clothes that suggested he’d come into contact with the bike.’

‘Why would he do that?’ Maria asked.

‘I don’t know! Does it matter?’

‘Maybe. We’ve got the drugs.’

She’d retrieved two small plastic bags containing what looked like cocaine from the little compartment where tools were kept. Di Capua had had to scream at her when she seemed about to
lick her little finger and taste the stuff. Too many bad movies. He’d had to point out the obvious: why would anyone do such a thing? What if it wasn’t cocaine but something poisonous?
And how was she supposed to know what cocaine tasted like anyway? This was so often the problem with the work-experience kids. They thought they knew more than they did.

‘The drugs don’t give us a name,’ he said. ‘That’s what we’re looking for. Some form of identity.’

Still, she was supposed to be there for training.

‘What about the road tax?’ he asked.

‘It’s gone.’

There was a clean spot on the frame where the licence should have been displayed. A rather feeble attempt to hide something, it seemed to him. Why not burn the entire machine to make sure?

‘Is there any other way we can identify this bike?’ he asked.

She looked blank.

He got down on his knees and poked around at the frame.

‘All vehicles come with a serial number somewhere,’ Di Capua told her. ‘Usually you need the manual to know where to look. We can get in touch with Ducati tomorrow and ask them
where to find it on this one. I’ve spent enough time scrabbling around on the floor. It could be anywhere.’

‘Anywhere?’ she asked.

‘Well,’ he corrected himself. ‘On the frame usually, I think.’

‘The engine,’ said one of the assistants, a youth with long, lank hair and an unfortunate, cadaverous face. ‘You normally get a Ducati number on the case. My brother had
one.’

Maria crouched down too and said, ‘The engine’s very big.’

Di Capua felt his eyes were going wrong. Everything was a little blurry and it was impossible to focus.

‘What about this?’ Maria asked. She was pointing to a patch on the right hand case, beneath the cylinders. The metal looked different, recently scoured or scratched.

He got as close as he could, then asked for a magnifying glass. They were all watching him.

‘Amateurs,’ Silvio Di Capua said, shaking his head. ‘They should have just torched this thing somewhere. Or got it out of the country. Rank amateurs.’

‘What is it?’ she asked.

‘They tried to file off the number. Terrible job. Even you could have done better.’

Her blank young face went pink with a touch of anger.

‘Get a photograph,’ he said to one of the assistants. ‘Put it on the system upstairs. I can make out three numbers just looking. Given we know the model I’m guessing we
could identify it from that. Tomorrow we’ll call Ducati and track down the dealer who sold it.’

‘I’ll stay behind and call them now,’ Maria said.

Di Capua sighed.

‘It’s the evening. Motorbike companies don’t work evenings. They’re sensible people. Tomorrow.’

‘So what can I do?’ she asked.

‘I don’t care. I’m going home to bed.’ He bent down and stared into her wide, guileless eyes. ‘And nothing any of you can do will stop me. I feel old. I feel tired.
I feel stupid. I feel . . .’

To his amazement she’d pulled an evidence bag out of the items tray on the bench beside the Ducati. It contained a phone, with some kind of gadget strapped to the base.

‘You got that from the bike?’ he asked.

‘No. The dead boy. The brother. It was in his jacket pocket. Dead like him. Remember?’

‘Dead like him,’ he repeated.

Forensics staff had to be around the bereaved on a regular basis. He wondered how on earth he’d train her for that.

He remembered the phone. The battery was flat.

‘I asked for someone to take out the SIM so we could look at it.’

She shuffled and said, ‘I know. But there wasn’t anyone around and I have this neat charger thing for my iPod. You plug it into your USB socket and then, when it’s full, you
plug it into the phone. You get plugs for phones, iPods, all kind of things. Ten euros down the market . . .’

‘Maria!’ he barked. ‘Enough information! Tell me something or I go.’

‘The battery’s full,’ she said, holding up the evidence bag. ‘I set it to charge while we were working. That way we’d get things sooner.’

The bars on the Nokia were all there.

‘We don’t get things off phones any more,’ Di Capua scoffed. ‘It’s got to have a PIN code on it. You can’t just recharge the thing and . . .’

She pressed the power button. It came to life straight away. No PIN, no password. These really were the worst bunch of crooks Silvio Di Capua had encountered in a very long time. Either that or,
more likely, there was nothing of value on the phone.

He watched Maria Romano working the keypad with that eager ease the young had, one that made him feel old at the age of twenty-nine. He knew from looking at her face that once again he was about
to be proved wrong.

The girl tapped a few more times then broke into a broad, toothy grin.

‘Tell me,’ Di Capua said.

‘It’s a cool phone. No messages. No call records. But it’s got the Internet. Look. This . . .’

The brother had been using it for email. There was a single message in the inbox, received from Mina Gabriel the previous week. Two days before the death of her father. A little paper clip by
the side indicated it had an attachment.

He took the Nokia from her and looked at the message. There was no subject and the body didn’t add up to much either. It just said, ‘You’ll need this.’

The attachment was a large pdf file, an image or a document or something. He tried opening it on the phone but it was too slow and the file was too big to be practical on the little screen, even
if his eyesight would allow him to see. So he wandered over to the nearest laptop and beamed the file over. Maria was behind him following every move, purring all the time.

The thing was so large it took almost a minute to transfer. When it finally arrived in its entirety Di Capua hit the enter key. The pdf opened straight away: a big technical document, the kind
companies posted on the web for their customers. Line drawings of wheels and pulleys and stays, and how they had to be joined together in order to be safe.

BOOK: The Fallen Angel
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ads

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