The Gods of Atlantis (23 page)

‘The reverse swastika on the letterhead of those order papers, marked Top Secret,’ Penn said. ‘Was that it?’

Hiebermeyer nodded. ‘Himmler clearly envisaged a future for himself, rather than the self-immolation that Hitler and his cronies saw as their only way out. But before then, when the palladion had become like the Holy Grail, Himmler had it sent from Wewelsburg to a place of even greater secrecy. I mentioned salt mines? Well, Jack visited one of them last year on his hunt for this object. The man we now believe knows the use to which the palladion was to be put had blackmailed him into going there to retrieve it, by kidnapping his daughter. It had been put deep in the Wieliczka salt mine, in a shaft now flooded under almost a hundred metres of water, near the death camp at Auschwitz. All Jack found was a box containing an impression like this where the palladion had been stored. As the Soviets advanced towards that part of Poland, we believe the palladion was removed from the box and taken by another of Himmler’s chosen few on the march with the last inmates from Auschwitz to the west, to Belsen and this place. Among them was the girl who drew that image for Captain Frazer.’

‘And then someone took it from here, from this crate, in those final days.’

‘Perhaps on Himmler’s orders. Perhaps when the Agamemnon Code was activated.’

Penn was silent for a moment, then took a ruler from his tool belt, leaned over and quickly measured the impression. ‘There is one place where I’ve seen a swastika shape like this, the same wide arms and distinctive cross. The more I look at it, the more I think it might be an exact fit. It’s on the door to the laboratory. It’s an indent just like this but within a roundel. We’re fairly sure it’s some kind of locking mechanism. Sergeant Jones thought it might be magnetic, but we won’t know until we inspect it. The door’s very slightly ajar. Maybe the palladion was a key to unlock what was in there. Maybe it unlocked other places like this, part of some scheme of Himmler’s that never came to fruition.’

Hiebermeyer could barely breathe. Of course.
It was a key
.

‘Major Penn.’ A voice sounded through both of their intercoms. ‘You need to come to the laboratory door, now.’

‘Okay.’ Penn straightened up. ‘That’s my two sappers. And I just saw Sergeant Jones and Auxelle come through the chamber. Let’s move now.’

Hiebermeyer followed Penn from the crates on to the main walkway. He glanced back, seeing where the Raphael was propped up, the mottled colours lost in the haze of green. Listening to the rasp of his own breathing, he was reminded of film he had seen of Jack and Costas rising from an underwater site, features of the archaeology clearly visible and then suddenly lost in a green-blue haze, as if they had passed through some kind of lens in the water. He thought about the painting again. Whatever Himmler had devised, whatever ghastly wonder-weapon he had been developing, he had not been above collecting the choicest Old Masters for his own private enjoyment: not for some Nazi Valhalla, but for a real future that he envisaged for himself, perhaps a new Wewelsburg arising in his imagination like Atlantis reborn. Hiebermeyer now knew something with cold certainty. Himmler may have been a fantasist, but there was a ruthless calculating streak to him. All of this had been carefully planned, and had been thwarted only by a misplaced gamble at the end. And if Himmler had planned to hold the world to ransom with his wonder-weapon, that threat remained for
others like Saumerre to find and use. For the first time Hiebermeyer forced himself to face the reality of what might be in that laboratory ahead. He hoped that the nightmare would come to an end here and now.

‘Major Penn.’ The voice of one of the sappers came through their intercom. ‘The inspector and Sergeant Jones have already gone into the laboratory. I couldn’t stop them.’

Penn snorted angrily and made his way over. The door was now half open, and there were lights moving inside. Hiebermeyer saw the swastika in the roundel that Penn had described. As they came closer, one of the sappers stepped up and stopped Penn. ‘Sir, you’ll see there’s a body in front of the door, mostly skeleton. We found it when we first arrived here twenty minutes ago, but he’s long dead and we didn’t see the need to disturb you. There was a smear of old blood on the door when we were cutting through. He was shot at close range in the back of the head, massive skull damage. You’ll see more of the same when you go in through that door. Been a little life-and-death struggle here with no winner as far as we can see. This one’s American, by the way.’

Penn went straight to the form on the floor and leaned over it. ‘A lieutenant colonel’s silver oak leaf on the lapel,’ he murmured. ‘No division or corps insignia on the shoulders. He’s got a holstered Colt automatic, but he’s wearing a dress uniform, not a field uniform. Not a combat soldier.’ He peered at Hiebermeyer. ‘Sounds like our Monuments and Fine Arts man, Colonel Stein, wouldn’t you say?’

Hiebermeyer nodded, staring at the body, his head swimming. There was a sudden commotion from within the laboratory, and the sound of something falling heavily. A voice came over the intercom. ‘Quick!’ They heard the French accent of the inspector. ‘Come and help! Sergeant Jones has collapsed!’

Penn pushed into the chamber, the other two sappers following and Hiebermeyer bringing up the rear. He saw two more decomposed bodies lying entangled together just inside the door, and Sergeant Jones in his white suit stretched out beside them. The nearest body was wearing tattered striped prisoner clothes, but the one beneath it, lying
face-down, wore British battledress, a major’s crown clearly visible on one shoulder. Hiebermeyer stared. It could only be Major Mayne. His revolver was still holstered, but his skeletal hand was behind his back, clutching a commando knife that poked up through the other man’s ribcage. The man in the prisoner’s uniform held a rusted pistol, a Walther, and there was a spent casing on the floor. Hiebermeyer saw a tattoo on a piece of skin that clung to the bones of the forearm.
It was the SS mark
. He barely had time to register it when Penn pulled his arm.

‘We’ve got to get Jones out of here,’ he said urgently. He looked angrily at Auxelle. ‘How long has he been like this?’

‘Only moments. But he had been breathing heavily. Maybe it was seeing the bodies.’

‘That’s not like Jones. More likely a malfunction with his oxygen. If that’s the case, we’ve only got minutes.’ He looked at the other two sappers. ‘You each take a leg, Auxelle and Hiebermeyer take the arms. I’ll support his waist. Let’s move.’

Hiebermeyer lifted Jones’ arm but had forgotten his own twisted wrist and slipped with the weight, twisting round and falling back against the wall, his other hand clutching a rail and slipping into something glutinous. He pushed himself up with his back against the wall, and as he did so he tripped the electric light switch. The bare overhead bulbs flickered and then came on with a sudden dazzling glare, blinding him for a moment. Then he saw walls of a sickly pale blue, like the colour of a hospital operating room. The layer of yellow-green was still there, but the light rendered it opaque, a bilious colour. He saw a small refrigerator in front of Jones’ legs, its door ajar and the interior gleaming, empty. He stared at it, transfixed, his mind blank, and then he turned to look where he had put his hand.

What he saw was an image of unspeakable horror. Along the side wall of the room were five gurneys, metal trolleys with their upper surfaces formed like shallow basins. Four contained human bodies, naked but grotesquely adiposed, as if they had been covered with a layer of white plaster. The two furthest bodies were strapped down but horribly
twisted, like the plaster casts of bodies from Pompeii preserved in their death throes. His mind reeled. He forced himself to look. These people must have been strapped down alive in this laboratory, and were still alive when they were abandoned here. The third and fourth bodies were older cadavers that had been decapitated and disembowelled, with autopsy tools half rusted on a tray in front. The fifth gurney, the one he was holding, contained two severed heads, wax-like and hairless, staring at him blindly through sockets closed up with fatty secretion, the skulls held in the clutches of a three-armed forceps like the severed talons of some bird. They seemed to be embedded in a congealed layer, the glutinous substance he had put his hand into. He lifted it out, tendrils of congealed white and yellow dripping from his fingers. His stomach lurched as he realized what it was. He had seen this once inside a two-hundred-year-old lead coffin he had watched being excavated from a church crypt. The archaeologists had called it body liquor.
He had put his hand into decomposed human fat
.

He doubled over and threw up inside his helmet, coughing and retching as the oxygen from his regulator bubbled through the vomit. He clutched Jones’ hand tight, but he felt other hands heaving him up, pushing him forward as he staggered over the two corpses on the floor. He kept his eyes shut and his mouth wide open, breathing in oxygen and vomit, coughing it out again, retching. As they staggered out of the laboratory and back towards the entrance, he fixed his mind on the refrigerator he had seen, its interior gleaming and empty. Something had been stored there, something the Nazi scientists must have extracted from those bodies, and something they had experimented with on the living. Something unimaginable.
But it was gone
.

He was conscious of only one thought.

He had to call Jack
.

C
ostas took a last dejected look at the blank screen in front of the ROV monitor, and then swivelled round to join Jack in front of Lanowski’s computer. The clock showed 1415 hours, less than an hour before Jack was due on the helipad to leave
Seaquest II
in advance of the arrival of the inspection team. A few moments before, they had felt the ship lurch as she repositioned herself, her new location visible on the digital wall map some two nautical miles north-west of the volcano and the site of Atlantis. Captain Macalister was clearly taking few chances after the images Jack and Costas had brought back with them from their dive into the caldera that morning, but he had agreed to keep the ship within range should a minor miracle happen and the ROV spring back to life. Costas pulled his chair up until he was between the other two men and then rested his elbows on their chair backs. Jeremy had left the room to deal on the phone with an urgent problem at Troy, a statue with Egyptian hieroglyphics that had appeared just as the excavation was winding down; with Hiebermeyer preoccupied at the bunker in Germany and out of contact, Jeremy had wanted to speak to Hiebermeyer’s wife Aysha to see whether she could return from Alexandria to judge whether they should excavate now or rebury it for the next season. Costas nudged Lanowski. ‘Okay, Jacob. I’m itching to
know where you think the new Atlantis might lie. We’re not getting anywhere waiting for Little Joey to reveal more about that inner sanctum. I think he’s left us for good.’

Jack pointed at the screen. ‘Remember this?’

Costas leaned forward and stared at the image, a torn brown scrap of papyrus with ancient Greek script that had been seen over the last five years by thousands of visitors who had stood in front of the original in the archaeological museum in Alexandria. ‘The Atlantis papyrus,’ he murmured. ‘The tail end of the account written by the Greek traveller Solon at the temple of Saïs in the Nile delta, the part of the Atlantis story that somehow never reached Plato when he used Solon’s account to write his version of the Atlantis myth in the fifth century
BC
.’ He pointed to a word visible at the top of the screen, letters in Greek spelling out ATLANTIS. ‘That’s what Hiebermeyer and Aysha saw when they pulled this scrap from the mummy wrapping. I’ve never heard Maurice so excited by something that wasn’t actually Egyptian. I can still remember the look on your face when we came up from the dive on the Bronze Age shipwreck and you took his call.’

Lanowski tapped the keyboard, then sat back and craned his head round at Costas. ‘Gladstone. William Ewart Gladstone.’

Costas stared back at him. ‘Huh?’

‘British prime minister in the late nineteenth century. Does that ring a bell?’

Costas screwed up his eyes, then peered at Lanowski cautiously. ‘The guy who was so fascinated with Heinrich Schliemann’s discoveries at Troy, who helped push Schliemann to international fame.’

Lanowski nodded. ‘Well, like a lot of the Victorian intelligentsia, Gladstone was also fascinated by archaeological discoveries that might illuminate the Bible, especially with the wealth of clay tablets being found at ancient Mesopotamian sites that were seen as part of the backdrop to the Old Testament. One of the most famous discoveries was the Epic of Gilgamesh.’

‘It’s what we were talking about,’ Costas said. ‘About the tension it represents between the wild and the civilized, and how it might derive
from conflict between the old shamans and the new priests in the early Neolithic.’

Lanowski nodded enthusiastically. ‘For the Victorians, the biggest revelation in the Epic of Gilgamesh was the story of a flood that paralleled the Biblical deluge. Gladstone attended a lecture in 1873 at the Society for Biblical Archaeology in London, where the tablet containing the flood account was first revealed. An obsessive genius named George Smith had been sifting through thousands of tablets from Nineveh in the British Museum, and when he came across the flood tablet, he was so excited he rushed about the room and stripped naked.’

‘Don’t get any ideas, Jacob,’ Costas muttered.

Lanowski’s eyes glinted. ‘Don’t worry. I’ve already had my eureka moment. What George Smith found was the flood tablet in the version of the epic written down in the early first millennium
BC
, but since the nineteenth century, fragments have been found that are a lot earlier, dating to the first period of cuneiform writing in Sumerian and Akkadian in the third millennium
BC
. The fact that the story of Gilgamesh seems to have been well formed that early strongly suggests that it had been passed down orally for a long time before then, conceivably from as far back as the early Neolithic.’