Authors: Kelsey Sutton
I don't see her;
our shoulders crash together
in a painful meeting
of skin and bone.
Mary Mosley
whirls to face me.
“You're the girl helping Matthew,” she says
with narrowed eyes.
I rub my shoulder,
say, “I'm Fain.”
“Fain,” she repeats. “What kind of name is that?”
I don't know what to say
how to respond
but it doesn't matter.
She's already
turned around
moved on
forgotten.
I hear the sounds
as I approach.
I'm returning from a trip
to the wilds of Africa
and discover the war in my house raging on.
I stay outside
where it is easier to pretend
things are different
better.
Tyler and Dana
are off doing the same,
having adventures of their own
without me.
I'm standing on the lawn,
stones heavy in my hand,
when she approaches.
“What are you doing?” Anna asks.
Before I can answer,
the voices of my parents
hard and desperate as a knife
slice through the air.
For a moment
we just watch them.
They stand in front of
the wide window,
exposing our war to the world.
Anna steps closer,
her expression unreadable
in the moonlight.
She says, “That's the Little Dipper,”
finger pointed to the sky.
I follow with my eyes,
but I don't find utensils or simplicity
in the smattering of stars.
I see something else entirely.
That maybe,
just maybe,
I'm not so alone after all.
“Do you see it?” my neighbor questions.
She looks at the sky,
I look at her.
“I see it,” I lie.
Today
my time at the quarry,
my solace and writing,
is interrupted
by a fox.
It picks its way
over the rocks,
sniffing at the water
and the air.
I stare at it for
a while,
but it doesn't
notice me.
I go still,
hardly dare
to breathe.
I watch it
for a few minutes,
admire its grace
and strength.
We have so much in common,
this creature and I.
Both alone
cautious
quiet.
We learn
think
explore.
Just beneath the surface
we are each a stealthy breed,
staying out of sight of others
whenever we feel threatened.
But whenever people look at us,
they only see
Fain or fox.
Three words
I will never forget.
Three words
I will frame in my head like a picture.
“You won, Fain,”
my teacher says.
She puts the letter down
on the table,
the letter that says
Congratulations.
Mrs. Olsen
tells the class I won
makes the class clap
says my story will appear in a magazine.
I sit there,
stunned,
basking in the sun of this moment.
For the first time
since the monsters appeared,
I don't want night to come.
Nothing
can touch me.
I float
through the hallways,
oblivious
to Mary Mosley and her friends.
I stand
in gym class,
unfazed
by whacking balls and deep sneers.
I drift
to the courtyard,
unaware
of my sister's presence.
All that matters
is my story.
I am no longer invisible.
I ride the bus home,
Congratulations
in my hands.
Walk through the front door
to find a familiar scene:
Mom resting on the couch,
one hand tucked against her cheek.
Peter sits on the rug,
distracting himself
with blocks.
They don't know
my wish has come trueâ
that everything has changed.
“Are you awake?” I whisper.
“Can I show you something?”
The magazine liked it,
I want to tell her.
Someone found it worthy
of first place.
Before she can answer,
Peter's pile of blocks
topples over.
I feel the collapse
inside my soul.
Mom's eyes snap open,
irritation written
between red veins.
“Careful, careful,” she says,
as if saying something twice
will make it heard
make it matter.
“Look, look,”
I say.
She closes her eyes.
Tonight we explore
caves buried deep beneath
the earth.
The ceilings are low,
something drips
in the distance.
I follow my friends,
heart pounding
louder than any echo.
It's as though
every light in the world
has gone out
and nothing beautiful
could possibly exist
down here.
Finally
we reach complete darkness,
too thick and cold
to bear.
I hesitate,
draw back,
tell them
I don't want to go any farther.
“Just to those big rocks,” they insist,
clicking and scrabbling
along the stone floor.
Nervous,
scared to be alone,
I follow them
reluctantly.
Just when I think
I can't go another step,
I see it.
Up ahead,
a single light,
blinking like a beacon.
One light
turns into dozens
hundreds
thousands.
Green and glowing,
like tiny galaxies
hidden far underground.
We take hold
of one another
and walk through space.
Later,
after I've climbed into bed,
I think about how
beauty can be found
in the most unexpected
of places.
A piece of paper
lands on my desk,
made of sharp edges
and possibility.
Matthew smiles at me
as my fingers
unfold his words.
His handwriting
is boyish and small
and I want to tattoo it
on my skin.
Have you ever seen such a horrible toupee?
A giggle escapes me,
so unexpected
there's no way to stop it.
Mr. Pars
spins toward me,
his scowl as crooked
as the piece of hair
adorning his scalp.
“Is there something funny about particles?” he demands.
I bite the insides of my cheeks
to keep from smiling,
shake my head.
He turns away
and Matthew makes a face
behind his back.
I laugh so hard,
I don't even care
when Mr. Pars
yells at me again.
After dinner
I lie in the dry grass,
face tilted toward
the sky.
I hear a door open,
feel someone rustle
the grass beside me.
At first
neither of us speaks.
Then,
as if she's been holding on
to the words
too tight
too long
Anna tells me
how her parents
try so hard
to make everything perfect.
I tell her
how my parents don't try
to do anything at all.
One house full of false cheer,
the other swollen with silence.
It feels easier speaking
to someone I hardly know
with only the twilight sky
as my witness.
After all,
nothing bad can happen
once the sun has gone down.
After the quarry
when I come home
from school the next day
our house is dark,
everything shrouded
in shadow.
But there is nothing hidden
about the fight
between my parents.
White lips,
red eyes,
blue veins,
their anger I can see
as they argue
about who was supposed to pay the electric bill.
A horn honks outside,
Dana rushes out.
Music crackles through the air,
Tyler's door slams.
I huddle in my room with Peter,
whisper
of mermaids and mountains and dragons.
But I don't tell him
how much I enjoy the darkness,
how the night
is where I truly belong.
How it makes some things easier to hide
others more difficult to find
how it gives the feared and misunderstood
a place of comfort and understanding.
Then Mom comes in
with a candle.
Pale and silent,
she leaves us
with its light.
I resist the temptation
to blow it out.
Days pass,
leaves darken.
I sit with Matthew,
forget the quarry.
I talk with Anna,
don't hold back.
Then
the phone rings.
“Here.”
My sister
relinquishes it,
impatience written
in the lines of her face.
I stare at her,
some part of my mind
certain this is a trick or a lie.
Dana says my name,
shakes the phone in my face
till I take it.
“I'm bored,” Matthew announces in my ear.
“Talk to me.”
I press his voice
to my head so hard
it hurts.
He dialed my number.
He called me.
He wants to talk to me.
“What should I say?” I breathe,
slipping away
so no one else can hear,
not monsters
or parents
or siblings.
The boy from New Orleans laughs and says,
“Tell me anything.”
I smile
and tell him everything.
They're leaning against the lockers
when I walk past.
It starts quietly,
snippets sung under the breath
until it swells from a trickle of water
to a dull roar.
Mary's voice,
the loudest.
“Fain, Fain, go away,” they chant.
I hunch my shoulders
and hurry to class.
But not before
I see Anna
standing among them.
As the rest of my family
slumbers and dreams,
I am wild and awake.
A castle awaits
in the backyard,
towering over my house
like a giant.
When the clock sounds
I join my friends,
who whisper
of a dangerous beast.
We rush through the night
with armor that
clanks like a drum
shines like a star
protects like a stone.
Past the gates
the dragon crouches,
rumbling the ground
with the strength
of its growl.
I clutch the hilt of my sword
and we storm the hall
like knights of old,
shining and bright and true.
Flames climb the walls,
blackening
burning
reaching.
We duck our heads
and press on,
wielding our weapons
with discordant cries.
The chamber is high and wide,
swallowing the sounds of battle,
the clang of metal
the bellow of the beast.
There is no mercy here,
there is no hesitation.
But as soon as I pierce the dragon,
see it lying there with heaving sides
resigned eyes
I feel a twinge of regret.
Somehow
the end of October has arrived
without any of us noticing,
like loneliness or sorrow.
On the night
of candy and costumes
our parents are busy,
too busy to take Peter out.
Dana and Tyler
are busy, too,
busy avoiding the house.
My heart aches
to see my baby brother
press his face to the window,
watching families
witches
superheroes
princesses
pass by.
He shouldn't be
stuck inside looking out
on the outside looking in.
The other children laugh loudly,
buckets clanking
wrappers crinkling
doorbells ringing.
For a few minutes
I watch Halloween go on without us.
Then I run,
find a pair of scissors,
yank the sheets up
off my bed.
There are some things
we have the power to change.
We step outside just as
Anna walks past.
Marker lines
sweep across her cheeks
like whiskers.
“Hey,” she says,
“mind if I tag along?”
I almost agree,
but then I hear Mary's cruel words
in my head,
see Anna standing beside her
doing nothing.
“Maybe next year,” I tell her.
Hurt flashes across Anna's face
like a bolt of lightning,
there and gone so quickly
I wonder if I imagined it.
Then door to door we go,
me and Peter the ghost,
clutching sticky hands
seeking treats and childhood.
Though his costume
hides his face,
I can feel his smile
pulse through.
I'm so focused on Peter,
it takes me a while to notice
something moving in the shadows,
the swish of a tail
the sound of a growl
such sure signs
that my friends are following me.
But I don't crave
their presence tonight.
We turn the corner,
bump into Dana
having fun with her friends.
“What are you supposed to be?”
my sister demands,
eyeing my jeans and sneakers.
“Myself,” I answer.
Disapproval
tugs at her mouth,
and I realize
she has no idea who that is.