The Man with Two Left Feet (18 page)

He gave a little shiver.

‘And yet—I don't know. There's something rather gruesome still to my near-artist soul in living in luxury on murdered piggies. Have you ever seen them persuading a pig to play the stellar role in a Boyd Premier Breakfast Sausage? It's pretty ghastly. They string them up by their hind legs, and—b-r-r-r-r!'

‘Never mind,' said Elizabeth soothingly. ‘Perhaps they don't mind it really.'

‘Well, I don't know,' said James Boyd, doubtfully. ‘I've watched them at it, and I'm bound to say they didn't seem any too well pleased.'

‘Try not to think of it.'

‘Very well,' said James dutifully.

There came a sudden shout from the floor above, and on the heels of it a shock-haired youth in pyjamas burst into the apartment.

‘Now what?' said James. ‘By the way, Miss Herrold, my fiancée; Mr. Briggs—Paul Axworthy Briggs, sometimes known as the Boy Novelist. What's troubling you, Paul?'

Mr. Briggs was stammering with excitement.

‘Jimmy,' cried the Boy Novelist, ‘what do you think has happened! A black cat has just come into my apartment. I heard him mewing outside the door, and opened it, and he streaked in. And I started my new novel last night! Say, you
do
believe this thing of black cats bringing luck, don't you?'

‘Luck! My lad, grapple that cat to your soul with hoops of steel. He's the greatest little luck-bringer in New York. He was boarding with me till this morning.'

‘Then—by Jove! I nearly forgot to ask—your play was a hit? I haven't seen the papers yet'

‘Well, when you see them, don't read the notices. It was the worst frost Broadway has seen since Columbus's time.'

‘But—I don't understand.'

‘Don't worry. You don't have to. Go back and fill that cat with fish, or she'll be leaving you. I suppose you left the door open?'

‘My God!' said the Boy Novelist, paling, and dashed for the door.

‘Do you think Joseph
will
bring him luck?' said Elizabeth, thoughtfully.

‘It depends what sort of luck you mean. Joseph seems to work in devious ways. If I know Joseph's methods, Briggs's new novel will be rejected by every publisher in the city; and then, when he is sitting in his apartment, wondering which of his razors to end himself with, there will be a ring at the bell, and in will come the most beautiful girl in the world, and then—well, then, take it from me, he will be all right.'

‘He won't mind about the novel?'

‘Not in the least.'

‘Not even if it means that he will have to go away and kill pigs and things.'

‘About the pig business, dear. I've noticed a slight tendency in you to let yourself get rather morbid about it. I know they string them up by the hind legs, and all that sort of thing; but you must remember that a pig looks at these things from a different standpoint. My belief is that the pigs like it. Try not to think of it.'

‘Very well,' said Elizabeth, dutifully.

Crossing the Thames by Chelsea Bridge, the wanderer through London finds himself in pleasant Battersea. Rounding the park, where the female of the species wanders with its young by the ornamental water where the wild-fowl are, he comes upon a vast road. One side of this is given up to nature, the other to Intellect. On the right, green trees stretch into the middle distance; on the left, endless blocks of residential flats. It is Battersea Park Road, the home of the cliff-dwellers.

Police constable Plimmer's beat embraced the first quarter of a mile of the cliffs. It was his duty to pace in the measured fashion of the London policeman along the front of them, turn to the right, turn to the left, and come back along the road which ran behind them. In this way he was enabled to keep the king's peace over no fewer than four blocks of mansions.

It did not require a deal of keeping. Battersea may have its tough citizens, but they do not live in Battersea Park Road. Battersea Park Road's speciality is brain, not crime. Authors, musicians, newspaper men, actors, and artists are the inhabitants of these mansions. A child could control them. They assault and batter nothing but pianos; they steal nothing but ideas; they murder nobody except Chopin and Beethoven. Not through these shall an ambitious young constable achieve promotion.

At this conclusion Edward Plimmer arrived within forty-eight hours of his installation. He recognized the flats for what they were—just so many layers of big-brained blamelessness. And there was not even the chance of a burglary. No burglar wastes his time burgling authors. Constable Plimmer reconciled his mind to the fact that his term in Battersea must be looked on as something in the nature of a vacation.

He was not altogether sorry. At first, indeed, he found the new atmosphere soothing. His last beat had been in the heart of tempestuous Whitechapel, where his arms had ached from the incessant hauling of wiry inebriates to the station, and his shins had revolted at the kicks showered upon them by haughty spirits impatient of restraint. Also, one Saturday night, three friends of a gentleman whom he was trying to induce not to murder his wife had so wrought upon him that, when he came out of hospital, his already homely appearance was further marred by a nose which resembled the gnarled root of a tree. All these things had taken from the charm of Whitechapel, and the cloistral peace of Battersea Park Road was grateful and comforting.

And just when the unbroken calm had begun to lose its attraction and dreams of action were once more troubling him, a new interest entered his life; and with its coming he ceased to wish to be removed from Battersea. He fell in love.

It happened at the back of York Mansions. Anything that ever happened, happened there; for it is at the back of these blocks of flats that the real life is. At the front you never see anything, except an occasional tousle-headed young man smoking a pipe; but at the back, where the cooks come out to parley with the tradesmen, there is at certain hours of the day quite a respectable activity. Pointed dialogues about yesterday's eggs and the toughness of Saturday's meat are conducted
fortissimo
between cheerful youths in the road and satirical young women in print dresses, who come out of their kitchen doors on to little balconies. The whole thing has a pleasing Romeo and Juliet touch. Romeo rattles up in his cart. ‘Sixty-four!' he cries. ‘Sixty-fower, sixty-fower, sixty-fow—' The kitchen door opens, and Juliet emerges. She eyes Romeo without any great show of affection. ‘Are you Perkins and Blissett?' she inquires coldly. Romeo admits it. ‘Two of them yesterday's eggs was bad.' Romeo protests. He defends his eggs. They were fresh from the hen; he stood over her while she laid them. Juliet listens frigidly. ‘I
don't
think,' she says. ‘Well, half of sugar, one marmalade, and two of breakfast bacon,' she adds, and ends the argument. There is a rattling as of a steamer weighing anchor; the goods go up in the tradesman's lift; Juliet collects them, and exits, banging the door. The little drama is over.

Such is life at the back of York Mansions—a busy, throbbing thing.

The peace of afternoon had fallen upon the world one day towards the end of Constable Plimmer's second week of the simple life, when his attention was attracted by a whistle. It was followed by a musical ‘Hi!'

Constable Plimmer looked up. On the kitchen balcony of a second-floor flat a girl was standing. As he took her in with a slow and exhaustive gaze, he was aware of strange thrills. There was something about this girl which excited Constable Plimmer. I do not say that she was a beauty; I do not claim that you or I would have raved about her; I merely say that Constable Plimmer thought she was All Right.

‘Miss?' he said.

‘Got the time about you?' said the girl. ‘All the clocks have stopped.'

‘The time,' said Constable Plimmer, consulting his watch, ‘wants exactly ten minutes to four.'

‘Thanks.'

‘Not at all, miss.'

The girl was inclined for conversation. It was that gracious hour of the day when you have cleared lunch and haven't got to think of dinner yet, and have a bit of time to draw a breath or two. She leaned over the balcony and smiled pleasantly.

‘If you want to know the time, ask a pleeceman,' she said. ‘You been on this beat long?'

‘Just short of two weeks, miss.'

‘I been here three days.'

‘I hope you like it, miss.'

‘So-so. The milkman's a nice boy.'

Constable Plimmer did not reply. He was busy silently hating the milkman. He knew him—one of those good-looking blighters; one of those oiled and curled perishers; one of those blooming fascinators who go about the world making things hard for ugly, honest men with loving hearts. Oh, yes, he knew the milkman.

‘He's a rare one with his jokes,' said the girl.

Constable Plimmer went on not replying. He was perfectly aware that the milkman was a rare one with his jokes. He had heard him. The way girls fell for anyone with the gift of the gab—that was what embittered Constable Plimmer.

‘He—' she giggled. ‘He calls me Little Pansy-Face.'

‘If you'll excuse me, miss,' said Constable Plimmer coldly, ‘I'll have to be getting along on my beat.'

Little Pansy-Face! And you couldn't arrest him for it! What a world! Constable Plimmer paced upon his way, a blue-clad volcano.

It is a terrible thing to be obsessed by a milkman. To Constable Plimmer's disordered imagination it seemed that, dating from this interview, the world became one solid milkman. Wherever he went, he seemed to run into this milkman. If he was in the front road, this milkman—Alf Brooks, it appeared, was his loathsome name—came rattling past with his jingling cans as if he were Apollo driving his chariot. If he was round at the back, there was Alf, his damned tenor doing duets with the balconies. And all this in defiance of the known law of natural history that milkmen do not come out after five in the morning. This irritated Constable Plimmer. You talk of a man ‘going home with the milk' when you mean that he sneaks in in the small hours of the morning. If all milkmen were like Alf Brooks the phrase was meaningless.

He brooded. The unfairness of Fate was souring him. A man expects trouble in his affairs of the heart from soldiers and sailors, and to be cut out by even a postman is to fall before a worthy foe; but milkmen—no! Only grocers' assistants and telegraph-boys were intended by Providence to fear milkmen.

Yet here was Alf Brooks, contrary to all rules, the established pet of the mansions. Bright eyes shone from balconies when his ‘Milk—oo—oo' sounded. Golden voices giggled delightedly at his bellowed chaff. And Ellen Brown, whom he called Little Pansy-Face, was definitely in love with him.

They were keeping company. They were walking out. This crushing truth Edward Plimmer learned from Ellen herself.

She had slipped out to mail a letter at the pillar box on the corner, and she reached it just as the policeman arrived there in the course of his patrol.

Nervousness impelled Constable Plimmer to be arch.

‘'Ullo, 'ullo, 'ullo,' he said. ‘Posting love letters?'

‘What, me? This is to the Police Commissioner, telling him you're no good.'

‘I'll give it to him. Him and me are taking supper tonight.'

Nature had never intended Constable Plimmer to be playful. He was at his worst when he rollicked. He snatched at the letter with what was meant to be a debonair gaiety, and only succeeded in looking like an angry gorilla. The girl uttered a startled squeak.

The letter was addressed to Mr. A. Brooks.

Playfulness, after this, was at a discount. The girl was frightened and angry, and he was scowling with mingled jealousy and dismay.

‘Ho!' he said. ‘Ho! Mr. A. Brooks!'

Ellen Brown was a nice girl, but she had a temper, and there were moments when her manners lacked rather noticeably the repose which stamps the caste of Vere de Vere.

‘Well, what about it?' she cried. ‘Can't one write to the young gentleman one's keeping company with, without having to get permission from every—' She paused to marshal her forces from the assault. ‘Without having to get permission from every great, ugly, red-faced copper with big feet and a broken nose in London?'

Constable Plimmer's wrath faded into a dull unhappiness. Yes, she was right. That was the correct description. That was how an impartial Scotland Yard would be compelled to describe him, if ever he got lost. ‘Missing. A great, ugly, red-faced copper with big feet and a broken nose.' They would never find him otherwise.

‘Perhaps you object to my walking out with Alf? Perhaps you've got something against him? I suppose you're jealous!'

She threw in the last suggestion entirely in a sporting spirit. She loved battle, and she had a feeling that this one was going to finish far too quickly. To prolong it, she gave him this opening. There were a dozen ways in which he might answer, each more insulting than the last; and then, when he had finished, she could begin again. These little encounters, she held, sharpened the wits, stimulated the circulation, and kept one out in the open air.

‘Yes,' said Constable Plimmer.

It was the one reply she was not expecting. For direct abuse, for sarcasm, for dignity, for almost any speech beginning, ‘What! Jealous of you. Why—' she was prepared. But this was incredible. It disabled her, as the wild thrust of an unskilled fencer will disable a master of the rapier. She searched in her mind and found that she had nothing to say.

There was a tense moment in which she found him, looking her in the eyes, strangely less ugly than she had supposed, and then he was gone, rolling along on his beat with that air which all policemen must achieve, of having no feelings at all, and—as long as it behaves itself—no interest in the human race.

Ellen posted her letter. She dropped it into the box thoughtfully, and thoughtfully returned to the flat. She looked over her shoulder, but Constable Plimmer was out of sight.

Peaceful Battersea began to vex Constable Plimmer. To a man crossed in love, action is the one anodyne; and Battersea gave no scope for action. He dreamed now of the old Whitechapel days as a man dreams of the joys of his childhood. He reflected bitterly that a fellow never knows when he is well off in this world. Any one of those myriad drunk and disorderlies would have been as balm to him now. He was like a man who has run through a fortune and in poverty eats the bread of regret. Amazedly he recollected that in those happy days he had grumbled at his lot. He remembered confiding to a friend in the station house, as he rubbed with liniment the spot on his right shin where the well-shod foot of a joyous costermonger had got home, that this sort of thing—meaning militant costermongers—was ‘a bit too thick.' A bit too thick! Why, he would pay one to kick him now. And as for the three loyal friends of the would-be wife-murderer who had broken his nose, if he saw them coming round the corner he would welcome them as brothers.

And Battersea Park Road dozed on—calm, intellectual, law-abiding.

A friend of his told him that there had once been a murder in one of these flats. He did not believe it. If any of these white-corpuscled clams ever swatted a fly, it was much as they could do. The thing was ridiculous on the face of it. If they were capable of murder, they would have murdered Alf Brooks.

He stood in the road, and looked up at the placid buildings resentfully.

‘Grr-rr-rr!' he growled, and kicked the sidewalk.

And, even as he spoke, on the balcony of a second-floor flat there appeared a woman, an elderly, sharp-faced woman, who waved her arms and screamed, ‘Policeman! Officer! Come up here! Come up here at once!'

Up the stone stairs went Constable Plimmer at the run. His mind was alert and questioning. Murder? Hardly murder, perhaps. If it had been that, the woman would have said so. She did not look the sort of woman who would be reticent about a thing like that. Well, anyway, it was something; and Edward Plimmer had been long enough in Battersea to be thankful for small favours. An intoxicated husband would be better than nothing. At least he would be something that a fellow could get his hands on to and throw about a bit.

The sharp-faced woman was waiting for him at the door. He followed her into the flat.

‘What is it, ma'am?'

‘Theft! Our cook has been stealing!'

She seemed sufficiently excited about it, but Constable Plimmer felt only depression and disappointment. A stout admirer of the sex, he hated arresting women. Moreover, to a man in the mood to tackle anarchists with bombs, to be confronted with petty theft is galling. But duty was duty. He produced his notebook.

‘She is in her room. I locked her in. I know she has taken my brooch. We have missed money. You must search her.'

‘Can't do that, ma'am. Female searcher at the station.'

‘Well, you can search her box.'