The Man with Two Left Feet (19 page)

A little, bald, nervous man in spectacles appeared as if out of a trap. As a matter of fact, he had been there all the time, standing by the bookcase; but he was one of those men you do not notice till they move and speak.

‘Er—Jane.'

‘Well, Henry?'

The little man seemed to swallow something.

‘I—I think that you may possibly be wronging Ellen. It is just possible, as regards the money—' He smiled in a ghastly manner and turned to the policeman. ‘Er—officer, I ought to tell you that my wife—ah—holds the purse-strings of our little home; and it is just possible that in an absent-minded moment
I
may have—'

‘Do you mean to tell me, Henry, that
you
have been taking my money?'

‘My dear, it is just possible that in the abs—'

‘How often?'

He wavered perceptibly. Conscience was beginning to lose its grip.

‘Oh, not often.'

‘
How
often? More than once?'

Conscience had shot its bolt. The little man gave up the Struggle.

‘No, no, not more than once. Certainly not more than once.'

‘You ought not to have done it at all. We will talk about that later. It doesn't alter the fact that Ellen is a thief. I have missed money half a dozen times. Besides that, there's the brooch. Step this way, officer.'

Constable Plimmer stepped that way—his face a mask. He knew who was waiting for them behind the locked door at the end of the passage. But it was his duty to look as if he were stuffed, and he did so.

She was sitting on her bed, dressed for the street. It was her afternoon out, the sharp-faced woman had informed Constable Plimmer, attributing the fact that she had discovered the loss of the brooch in time to stop her a direct interposition of Providence. She was pale, and there was a hunted look in her eyes.

‘You wicked girl, where is my brooch?'

She held it out without a word. She had been holding it in her hand.

‘You see, officer!'

‘I wasn't stealing of it. I 'adn't but borrowed it. I was going to put it back.'

‘Stuff and nonsense! Borrow it, indeed! What for?'

‘I—I wanted to look nice.'

The woman gave a short laugh. Constable Plimmer's face was a mere block of wood, expressionless.

‘And what about the money I've been missing? I suppose you'll say you only borrowed that?'

‘I never took no money.'

‘Well, it's gone, and money doesn't go by itself. Take her to the police station, officer.'

Constable Plimmer raised heavy eyes.

‘You make a charge, ma'am?'

‘Bless the man! Of course I make a charge. What did you think I asked you to step in for?'

‘Will you come along, miss?' said Constable Plimmer.

Out in the street the sun shone gaily down on peaceful Battersea. It was the hour when children walk abroad with their nurses; and from the green depths of the park came the sound of happy voices. A cat stretched itself in the sunshine and eyed the two as they passed with lazy content.

They walked in silence. Constable Plimmer was a man with a rigid sense of what was and what was not fitting behaviour in a policeman on duty: he aimed always at a machine-like impersonality. There were times when it came hard, but he did his best. He strode on, his chin up and his eyes averted. And beside him—

Well, she was not crying. That was something.

Round the corner, beautiful in light flannel, gay at both ends with a new straw hat and the yellowest shoes in South-West London, scented, curled, a prince among young men, stood Alf Brooks. He was feeling piqued. When he said three o'clock, he meant three o'clock. It was now three-fifteen, and she had not appeared. Alf Brooks swore an impatient oath, and the thought crossed his mind, as it had sometimes crossed it before, that Ellen Brown was not the only girl in the world.

‘Give her another five min—'

Ellen Brown, with escort, at that moment turned the corner.

Rage was the first emotion which the spectacle aroused in Alf Brooks. Girls who kept a fellow waiting about while they fooled around with policemen were no girls for him. They could understand once and for all that he was a man who could pick and choose.

And then an electric shock set the world dancing mistily before his eyes. This policeman was wearing his belt; he was on duty. And Ellen's face was not the face of a girl strolling with the Force for pleasure.

His heart stopped, and then began to race. His cheeks flushed a dusky crimson. His jaw fell, and a prickly warmth glowed in the parts about his spine.

‘Goo'!'

His fingers sought his collar.

‘Crumbs!'

He was hot all over.

‘Goo' Lor'! She's been pinched!'

He tugged at his collar. It was choking him.

Alf Brooks did not show up well in the first real crisis which life had forced upon him. That must be admitted. Later, when it was over, and he had leisure for self-examination, he admitted it to himself. But even then he excused himself by asking Space in a blustering manner what else he could ha' done. And if the question did not bring much balm to his soul at the first time of asking, it proved wonderfully soothing on constant repetition. He repeated it at intervals for the next two days, and by the end of that time his cure was complete. On the third morning his ‘Milk—oo—oo' had regained its customary carefree ring, and he was feeling that he had acted in difficult circumstances in the only possible manner.

Consider. He was Alf Brooks, well known and respected in the neighbourhood; a singer in the choir on Sundays; owner of a milk-walk in the most fashionable part of Battersea; to all practical purposes a public man. Was he to recognize, in broad daylight and in open street, a girl who walked with a policeman because she had to, a malefactor, a girl who had been pinched?

Ellen, Constable Plimmer woodenly at her side, came towards him. She was ten yards off—seven—five—three—Alf Brooks tilted his hat over his eyes and walked past her, unseeing, a stranger.

He hurried on. He was conscious of a curious feeling that somebody was just going to kick him, but he dared not look round.

Constable Plimmer eyed the middle distance with an earnest gaze. His face was redder than ever. Beneath his blue tunic strange emotions were at work. Something seemed to be filling his throat. He tried to swallow it.

He stopped in his stride. The girl glanced up at him in a kind of dull, questioning way. Their eyes met for the first time that afternoon, and it seemed to Constable Plimmer that whatever it was that was interfering with the inside of his throat had grown larger, and more unmanageable.

There was the misery of the stricken animal in her gaze. He had seen women look like that in Whitechapel. The woman to whom, indirectly, he owed his broken nose had looked like that. As his hand had fallen on the collar of the man who was kicking her to death, he had seen her eyes. They were Ellen's eyes, as she stood there now—tortured, crushed, yet uncomplaining.

Constable Plimmer looked at Ellen, and Ellen looked at Constable Plimmer. Down the street some children were playing with a dog. In one of the flats a woman began to sing.

‘Hop it,' said Constable Plimmer.

He spoke gruffly. He found speech difficult.

The girl started.

‘What say?'

‘Hop it. Get along. Run away.'

‘What do you mean?'

Constable Plimmer scowled. His face was scarlet. His jaw protruded like a granite break-water.

‘Go on,' he growled. ‘Hop it. Tell him it was all a joke. I'll explain at the station.'

Understanding seemed to come to her slowly.

‘Do you mean I'm to go?'

‘Yes.'

‘What do you mean? You aren't going to take me to the station?'

‘No.'

She stared at him. Then, suddenly, she broke down.

‘He wouldn't look at me. He was ashamed of me. He pretended not to see me.'

She leaned against the wall, her back shaking.

‘Well, run after him, and tell him it was all—'

‘No, no, no.'

Constable Plimmer looked morosely at the sidewalk. He kicked it.

She turned. Her eyes were red, but she was no longer crying. Her chin had a brave tilt.

‘I couldn't—not after what he did. Let's go along. I—I don't care.'

She looked at him curiously.

‘Were you really going to have let me go?'

Constable Plimmer nodded. He was aware of her eyes searching his face, but he did not meet them.

‘Why?'

He did not answer.

‘What would have happened to you, if you had have done?'

Constable Plimmer's scowl was of the stuff of which nightmares are made. He kicked the unoffending sidewalk with an increased viciousness.

‘Dismissed the Force,' he said curtly.

‘And sent to prison, too, I shouldn't wonder.'

‘Maybe.'

He heard her draw a deep breath, and silence fell upon them again. The dog down the road had stopped barking. The woman in the flat had stopped singing. They were curiously alone.

‘Would you have done all that for me?' she said.

‘Yes.'

‘Why?'

‘Because I don't think you ever did it. Stole that money, I mean. Nor the brooch, neither.'

‘Was that all?'

‘What do you mean—all?'

‘Was that the only reason?'

He swung round on her, almost threateningly.

‘No,' he said hoarsely. ‘No, it wasn't, and you know it wasn't. Well, if you want it, you can have it. It was because I love you. There! Now I've said it, and now you can go on and laugh at me as much as you want.'

‘I'm not laughing,' she said soberly.

‘You think I'm a fool!'

‘No, I don't.'

‘I'm nothing to you.
He's
the fellow you're stuck on.'

She gave a little shudder.

‘No.'

‘What do you mean?'

‘I've changed.' She paused. ‘I think I shall have changed more by the time I come out.'

‘Come out?'

‘Come out of prison.'

‘You're not going to prison.'

‘Yes, I am.'

‘I won't take you.'

‘Yes, you will. Think I'm going to let you get yourself in trouble like that, to get me out of a fix? Not much.'

‘You hop it, like a good girl.'

‘Not me.'

He stood looking at her like a puzzled bear.

‘They can't eat me.'

‘They'll cut off all of your hair.'

‘D'you like my hair?'

‘Yes.'

‘Well, it'll grow again.'

‘Don't stand talking. Hop it.'

‘I won't. Where's the station?'

‘Next street.'

‘Well, come along, then.'

The blue glass lamp of the police station came into sight, and for an instant she stopped. Then she was walking on again, her chin tilted. But her voice shook a little as she spoke.

‘Nearly there. Next stop, Battersea. All change! I say, mister—I don't know your name.'

‘Plimmer's my name, miss. Edward Plimmer.'

‘I wonder if—I mean it'll be pretty lonely where I'm going—I wonder if—What I mean is, it would be rather a lark, when I come out, if I was to find a pal waiting for me to say “Hallo.”'

Constable Plimmer braced his ample feet against the stones, and turned purple.

‘Miss,' he said, ‘I'll be there, if I have to sit up all night. The first thing you'll see when they open the doors is a great, ugly, red-faced copper with big feet and a broken nose. And if you'll say “Hallo” to him when he says “Hallo” to you, he'll be as pleased as Punch and as proud as a duke. And, miss'—he clenched his hands till the nails hurt the leathern flesh—‘and, miss, there's just one thing more I'd like to say. You'll be having a good deal of time to yourself for awhile; you'll be able to do a good bit of thinking without anyone to disturb you; and what I'd like you to give your mind to, if you don't object, is just to think whether you can't forget that narrow-chested, God-forsaken blighter who treated you so mean, and get halfway fond of someone who knows jolly well you're the only girl there is.'

She looked past him at the lamp which hung, blue and forbidding, over the station door.

‘How long'll I get?' she said. ‘What will they give me? Thirty days?'

He nodded.

‘It won't take me as long as that,' she said. ‘I say, what do people call you?—people who are fond of you, I mean?—Eddie or Ted?'

Mr. Meggs's mind was made up. He was going to commit suicide.

There had been moments, in the interval which had elapsed between the first inception of the idea and his present state of fixed determination, when he had wavered. In these moments he had debated, with Hamlet, the question whether it was nobler in the mind to suffer, or to take arms against a sea of troubles and by opposing end them. But all that was over now. He was resolved.

Mr. Meggs's point, the main plank, as it were, in his suicidal platform, was that with him it was beside the question whether or not it was nobler to suffer in the mind. The mind hardly entered into it at all. What he had to decide was whether it was worth while putting up any longer with the perfectly infernal pain in his stomach. For Mr. Meggs was a martyr to indigestion. As he was also devoted to the pleasures of the table, life had become for him one long battle, in which, whatever happened, he always got the worst of it.

He was sick of it. He looked back down the vista of the years, and found therein no hope for the future. One after the other all the patent medicines in creation had failed him. Smith's Supreme Digestive Pellets—he had given them a more than fair trial. Blenkinsop's Liquid Life-Giver—he had drunk enough of it to float a ship. Perkins's Premier Pain Preventer, strongly recommended by the sword-swallowing lady at Barnum and Bailey's—he had wallowed in it. And so on down the list. His interior organism had simply sneered at the lot of them.

‘Death, where is thy sting?' thought Mr. Meggs, and forthwith began to make his preparations.

Those who have studied the matter say that the tendency to commit suicide is greatest among those who have passed their fifty-fifth year, and that the rate is twice as great for unoccupied males as for occupied males. Unhappy Mr. Meggs, accordingly, got it, so to speak, with both barrels. He was fifty-six, and he was perhaps the most unoccupied adult to be found in the length and breadth of the United Kingdom. He toiled not, neither did he spin. Twenty years before, an unexpected legacy had placed him in a position to indulge a natural taste for idleness to the utmost. He was at that time, as regards his professional life, a clerk in a rather obscure shipping firm. Out of office hours he had a mild fondness for letters, which took the form of meaning to read right through the hundred best books one day, but actually contenting himself with the daily paper and an occasional magazine.

Such was Mr. Meggs at thirty-six. The necessity for working for a living and a salary too small to permit of self-indulgence among the more expensive and deleterious dishes on the bill of fare had up to that time kept his digestion within reasonable bounds. Sometimes he had twinges; more often he had none.

Then came the legacy, and with it Mr. Meggs let himself go. He left London and retired to his native village, where, with a French cook and a series of secretaries to whom he dictated at long intervals occasional paragraphs of a book on British Butterflies on which he imagined himself to be at work, he passed the next twenty years. He could afford to do himself well, and he did himself extremely well. Nobody urged him to take exercise, so he took no exercise. Nobody warned him of the perils of lobster and welsh rabbits to a man of sedentary habits, for it was nobody's business to warn him. On the contrary, people rather encouraged the lobster side of his character, for he was a hospitable soul and liked to have his friends dine with him. The result was that nature, as is her wont, laid for him, and got him. It seemed to Mr. Meggs that he woke one morning to find himself a chronic dyspeptic. That was one of the hardships of his position, to his mind. The thing seemed to hit him suddenly out of a blue sky. One moment, all appeared to be peace and joy; the next, a lively and irritable wildcat with red-hot claws seemed somehow to have introduced itself into his interior.

So Mr. Meggs decided to end it.

In this crisis of his life the old methodical habits of his youth returned to him. A man cannot be a clerk in even an obscure firm of shippers for a great length of time without acquiring system, and Mr. Meggs made his preparations calmly and with a forethought worthy of a better cause.

And so we find him, one glorious June morning, seated at his desk, ready for the end.

Outside, the sun beat down upon the orderly streets of the village. Dogs dozed in the warm dust. Men who had to work went about their toil moistly, their minds far away in shady public houses.

But Mr. Meggs, in his study, was cool both in mind and body.

Before him, on the desk, lay six little slips of paper. They were banknotes, and they represented, with the exception of a few pounds, his entire worldly wealth. Beside them were six letters, six envelopes, and six postage stamps. Mr. Meggs surveyed them calmly.

He would not have admitted it, but he had had a lot of fun writing those letters. The deliberation as to who should be his heirs had occupied him pleasantly for several days, and, indeed, had taken his mind off his internal pains at times so thoroughly that he had frequently surprised himself in an almost cheerful mood. Yes, he would have denied it, but it had been great sport sitting in his armchair, thinking whom he should pick out from England's teeming millions to make happy with his money. All sorts of schemes had passed through his mind. He had a sense of power which the mere possession of the money had never given him. He began to understand why millionaires make freak wills. At one time he had toyed with the idea of selecting someone at random from the London directory and bestowing on him all he had to bequeath. He had only abandoned the scheme when it occurred to him that he himself would not be in a position to witness the recipient's stunned delight. And what was the good of starting a thing like that, if you were not to be in at the finish?

Sentiment succeeded whimsicality. His old friends of the office—those were the men to benefit. What good fellows they had been! Some were dead, but he still kept intermittently in touch with half a dozen of them. And—an important point—he knew their present addresses.

This point was important, because Mr. Meggs had decided not to leave a will, but to send the money direct to the beneficiaries. He knew what wills were. Even in quite straightforward circumstances they often made trouble. There had been some slight complication about his own legacy twenty years ago. Somebody had contested the will, and before the thing was satisfactorily settled the lawyers had got away with about twenty per cent of the whole. No, no wills. If he made one, and then killed himself, it might be upset on a plea of insanity. He knew of no relative who might consider himself entitled to the money, but there was the chance that some remote cousin existed; and then the comrades of his youth might fail to collect after all.

He declined to run the risk. Quietly and by degrees he had sold out the stocks and shares in which his fortune was invested, and deposited the money in his London bank. Six piles of large notes, dividing the total into six equal parts; six letters couched in a strain of reminiscent pathos and manly resignation; six envelopes, legibly addressed; six postage stamps; and that part of his preparations was complete. He licked the stamps and placed them on the envelopes; took the notes and inserted them in the letters; folded the letters and thrust them into the envelopes; sealed the envelopes; and unlocking the drawer of his desk produced a small, black, ugly-looking bottle.

He opened the bottle and poured the contents into a medicine glass.

It had not been without considerable thought that Mr. Meggs had decided upon the method of his suicide. The knife, the pistol, the rope—they had all presented their charms to him. He had further examined the merits of drowning and of leaping to destruction from a height.

There were flaws in each. Either they were painful, or else they were messy. Mr. Meggs had a tidy soul, and he revolted from the thought of spoiling his figure, as he would most certainly do if he drowned himself; or the carpet, as he would if he used the pistol; or the pavement—and possibly some innocent pedestrian, as must infallibly occur should he leap off the Monument. The knife was out of the question. Instinct told him that it would hurt like the very dickens.

No; poison was the thing. Easy to take, quick to work, and on the whole rather agreeable than otherwise.

Mr. Meggs hid the glass behind the inkpot and rang the bell.

‘Has Miss Pillenger arrived?' he inquired of the servant.

‘She has just come, sir.'

‘Tell her that I am waiting for her here.'

Jane Pillenger was an institution. Her official position was that of private secretary and typist to Mr. Meggs. That is to say, on the rare occasions when Mr. Meggs's conscience overcame his indolence to the extent of forcing him to resume work on his British Butterflies, it was to Miss Pillenger that he addressed the few rambling and incoherent remarks which constituted his idea of a regular hard, slogging spell of literary composition. When he sank back in his chair, speechless and exhausted like a Marathon runner who has started his sprint a mile or two too soon, it was Miss Pillenger's task to unscramble her shorthand notes, type them neatly, and place them in their special drawer in the desk.

Miss Pillenger was a wary spinster of austere views, uncertain age, and a deep-rooted suspicion of men—a suspicion which, to do an abused sex justice, they had done nothing to foster. Men had always been almost coldly correct in their dealings with Miss Pillenger. In her twenty years of experience as a typist and secretary she had never had to refuse with scorn and indignation so much as a box of chocolates from any of her employers. Nevertheless, she continued to be icily on her guard. The clenched fist of her dignity was always drawn back, ready to swing on the first male who dared to step beyond the bounds of professional civility.

Such was Miss Pillenger. She was the last of a long line of unprotected English girlhood which had been compelled by straitened circumstances to listen for hire to the appallingly dreary nonsense which Mr. Meggs had to impart on the subject of British Butterflies. Girls had come, and girls had gone, blondes, ex-blondes, brunettes, ex-brunettes, near-blondes, near-brunettes; they had come buoyant, full of hope and life, tempted by the lavish salary which Mr. Meggs had found himself after a while compelled to pay; and they had dropped off, one after another, like exhausted bivalves, unable to endure the crushing boredom of life in the village which had given Mr. Meggs to the world. For Mr. Meggs's hometown was no City of Pleasure. Remove the vicar's magic-lantern and the try-your-weight machine opposite the post office, and you practically eliminated the temptations to tread the primrose path. The only young men in the place were silent, gaping youths, at whom lunacy commissioners looked sharply and suspiciously when they met. The tango was unknown, and the one-step. The only form of dance extant—and that only at the rarest intervals—was a sort of polka not unlike the movements of a slightly inebriated boxing kangaroo. Mr. Meggs's secretaries and typists gave the town one startled, horrified glance, and stampeded for London like frightened ponies.

Not so Miss Pillenger. She remained. She was a business woman, and it was enough for her that she received a good salary. For five pounds a week she would have undertaken a post as secretary and typist to a Polar Expedition. For six years she had been with Mr. Meggs, and doubtless she looked forward to being with him at least six years more.

Perhaps it was the pathos of this thought which touched Mr. Meggs, as she sailed, notebook in hand, through the doorway of the study. Here, he told himself, was a confiding girl, all unconscious of impending doom, relying on him as a daughter relies on her father. He was glad that he had not forgotten Miss Pillenger when he was making his preparations.

He had certainly not forgotten Miss Pillenger. On his desk beside the letters lay a little pile of notes, amounting in all to five hundred pounds—her legacy.

Miss Pillenger was always business-like. She sat down in her chair, opened her notebook, moistened her pencil, and waited expectantly for Mr. Meggs to clear his throat and begin work on the butterflies. She was surprised when, instead of frowning, as was his invariable practice when bracing himself for composition, he bestowed upon her a sweet, slow smile.

All that was maidenly and defensive in Miss Pillenger leaped to arms under that smile. It ran in and out among her nerve-centres. It had been long in arriving, this moment of crisis, but here it undoubtedly was at last. After twenty years an employer was going to court disaster by trying to flirt with her.

Mr. Meggs went on smiling. You cannot classify smiles. Nothing lends itself so much to a variety of interpretations as a smile. Mr. Meggs thought he was smiling the sad, tender smile of a man who, knowing himself to be on the brink of the tomb, bids farewell to a faithful employee. Miss Pillenger's view was that he was smiling like an abandoned old rip who ought to have been ashamed of himself.

‘No, Miss Pillenger,' said Mr. Meggs, ‘I shall not work this morning. I shall want you, if you will be so good, to post these six letters for me.'

Miss Pillenger took the letters. Mr. Meggs surveyed her tenderly.

‘Miss Pillenger, you have been with me a long time now. Six years, is it not? Six years. Well, well. I don't think I have ever made you a little present, have I?'

‘You give me a good salary.'

‘Yes, but I want to give you something more. Six years is a long time. I have come to regard you with a different feeling from that which the ordinary employer feels for his secretary. You and I have worked together for six long years. Surely I may be permitted to give you some token of my appreciation of your fidelity.' He took the pile of notes. ‘These are for you, Miss Pillenger.'

He rose and handed them to her. He eyed her for a moment with all the sentimentality of a man whose digestion has been out of order for over two decades. The pathos of the situation swept him away. He bent over Miss Pillenger, and kissed her on the forehead.