The Myths and Legends of Ancient Greece and Rome (23 page)

 

 

It is well to observe that the shrines of this divinity, which were usually built in healthy places, on hills outside the town, or near wells which were believed to have healing powers, offered at the same time means of cure for the sick and suffering, thus combining religious with sanitary influences. It was the custom for the sufferer to sleep in the temple, when, if he had been earnest in his devotions, Asclepias appeared to him in a dream, and revealed the means to be employed for the cure of his malady. On the walls of these temples were hung tablets, inscribed by the different pilgrims with the particulars of their maladies, the remedies practised, and the cures worked by the god: - a custom undoubtedly productive of m
ost beneficial results.

Groves, temples, and altars were dedicated to Asclepias in many parts of Greece, but Epidaurus, the chief seat of his worship, - where, indeed, it is said to have originated, - contained his principal temple, which served at the same time as a hospital.

The statue of Asclepias in the temple at Epidaurus was formed of ivory and gold, and represented him as an old man with a full beard, leaning on a staff round which a serpent is climbing. The serpent was the distinguishing symbol of this divinity, partly because these reptiles were greatly used by the ancients in the cure of diseases, and partly also because all the prudence and wisdom of the serpent were deemed indispensable to the judicious physician.

His usual attributes are a staff, a bowl, a bunch of herbs, a pineapple, a dog, and a serpent.

His children inherited, for the most part, the distinguished talents of their father. Two of his sons, Machaon and Podalirius, accompanied Agamemnon to the Trojan war, in which expedition they became renowned, not only as military heroes, but also as skilful physicians.

Their sisters, 
Hygeia
 (health), and 
Panacea
 (all-healing), had temples dedicated to them, and received divine honours. The function of Hygeia was to maintain the health of the community, which great blessing was supposed to be brought by her as a direct and beneficent gift from the gods.

 

 

Aesculapius

 

The worship of AEsculapius was introduced into Rome from Epidaurus, whence the statue of the god of healing was brought at the time of a great pestilence. Grateful for their deliverance from this plague, the Romans erected a temple in his honour, on an island near the mouth of the Tiber.

 

 

 

 

 

From the earliest ages Janus was regarded by the Romans with the utmost affection and veneration, as a divinity who ranked only second to Jupiter himself, and through whom all prayers and petitions were transmitted to the other gods.

He was believed to preside over the beginnings of all things, hence it was he who inaugurated the years, months, and seasons, and in course of time came to be considered as specially protecting the beginnings of all human enterprises. The great importance which the Romans attached to an auspicious commencement, a
s contributing to the ultimate success of an enterprise, accounts for the high estimation in which Janus was held as the god of beginnings.

This divinity would appear to have been the ancient sun-god of the Italian tribes, in which capacity he opens and closes the gates of heaven every morning and evening. Hence he was regarded as the door-keeper of heaven, and also as the presiding deity over all gates, entrances, etc., on earth.

The fact of his being the god of city gates, which were called Jani after him, is ascribed, however, to the following myth: - After the abduction of their women by the Romans, the Sabines, in revenge, invaded the Roman state, and were already about to enter the gates of the city, when suddenly a hot sulphur spring, which was believed to have been sent by Janus for their special preservation, gushed fo
rth from the earth, and arrested the progress of the enemy.

 

In his character as guardian of gates and doors, he was also regarded as a protecting deity of the home, for which reason little shrines were erected to him over the doors of houses, which contained an image of the god, having two faces.

Janus possessed no temples in the ordinary acceptation of the word, but all the gates of cities were dedicated to him. Close to the Forum of Rome stood the so-called temple of Janus, which, however, was merely an arched passage, closed by massive gates. This temple was open only in time of war, as it was supposed that the god had then taken his departure with the Roman army, over whose welfare he personally presided. It is worthy of notice, as an evidence of the
many wars in which the Romans were engaged, that the gates of this sanctuary were only closed three times during 700 years.

As the god who ushers in the new year, the first month was called after him, and on the 1st of January his most important festival was celebrated, on which occasion all entrances of public and private buildings were decorated with laurel branches and garlands of flowers.

His sacrifices, consisting of cakes, wine, and barley, were offered to him at the beginning of every month; and before sacrificing to the other gods his name was always invoked, and a libation poured out to him.

Janus is usually represented with two faces; in his special function as door-keeper of heaven he stands erect, bearing a key in one hand, and a rod or sceptre in the other.

It is supposed that Janus was the most ancient king of Italy, who, during his life, governed his subjects with such wisdom and moderation that, in gratitude for the benefits conferred upon them, his people deified him after death and placed him in the foremost rank among their divinities. We have already seen in the history of Cronus that Saturn, who was identified with the Greek Cronus (god of time), was the friend and colleague of Janus. Anxious to prove his gratitude to his benefactor, Cronus endowed him with the knowledge of past and future events, which enabled him to adopt the wisest measures for the welfare of his subjects, and it is on this account that Janus is represented with two faces looking in opposite directions, the one to the past, the other to the future.

 

 

 

Flora was the goddess of flowers, and was regarded as a beneficent power, who watched over and protected the early blossoms.

She was held in the highest estimation by the Romans, and a festival, called the Floralia, was celebrated in her honour from the 28th of April to the 1st of May. This festival was a season of universal merriment, in which flowers were used profusely in adorning houses, streets, etc., and were worn by young girls in their hair.

Flora, who typified the season of Spring, is generally represented as a lovely maiden, garlanded with flowers.

 

 

 

In opposition to Flora we find an antagonistic divinity, called Robigus, a worker of evil, who delighted in the destruction of the tender herbs by mildew, and whose wrath could only be averted by prayers and sacrifices, when he was invoked under the title of Averuncus, or the Avertor.

The festival of Robigus (the Robigalia) was celebrated on the 25th of April.

 

 

 

Pomona was the goddess of orchards and fruit-trees, who, according to Ovid, cares not for woods or streams, but loves her gardens and the boughs that bear the thriving fruit.

Pomona, who typifies Autumn, is represented as a lovely maiden, laden with branches of fruit-trees.

 

 

 

Vertumnus was the god of garden and field produce. He personifies the change of seasons, and that process of transformation in nature by means of which the leaf-buds become developed into blossoms, and the blossoms into fruit.

The change of seasons is symbolized in a myth which represents Vertumnus as metamorphosing himself into a variety of different forms in order to gain the affection of Pomona, who so loved her vocation that she abjured all thoughts of marriage. He first appears to her as a ploughman, typifying Spring; then as a reaper, to represent Summer; afterwards as a vine-gatherer, to indicate Autumn; and finally as a gray-haired old woman, symbolical of the snows of Winter; but it was not until he assumed his true form, that of a beautiful youth, that he succeeded in his suit.

Vertumnus is generally represented crowned with wheat-sheaves, and bearing in his hand a cornucopia.

 

 

 

Pales, a very ancient Italian divinity, is represented sometimes as a male, sometimes as a female power.

As a male divinity he is more particularly the god of shepherds and flocks.

As a female deity, Pales presides over husbandry and the fruitfulness of herds. Her festivals, the Palilia, were celebrated on the 21st of April, the day on which the city of Rome was founded. During this festival it was customary for shepherds to ignite a mass of straw, through which they rushed with their flocks, believing that this ordeal would purify them from sin.

The name Palatine, which originally signified a pastoral colony, is derived from this divinity. Her offerings were cakes and milk.

 

 

 

Picus, the son of Saturn and father of Faunus, was a woodland divinity, gifted with prophetic powers.

An ancient myth relates that Picus was a beautiful youth, united to a nymph called Canens. The sorceress Circe, infatuated by his beauty, endeavoured to secure his love, but he rejected her advances, and she, in revenge, changed him into a woodpecker, under which form he still retained his powers of prophecy.

Picus is represented as a youth, with a woodpecker perched upon his head, which bird became henceforth regarded as possessed of the power of prophecy.

 

 

 

Picumnus and Pilumnus were two household divinities of the Romans, who were the special presiding deities of new-born infants.

 

 

 

Silvanus was a woodland divinity, who, like Faunus, greatly resembled the Greek Pan. He was the presiding deity of plantations and forests, and specially protected the boundaries of fields.

Silvanus is represented as a hale old man, carrying a cypress-tree, for, according to Roman mythology, the transformation of the youth Cyparissus into the tree which bears his name was attributed to him.

His sacrifices consisted of milk, meat, wine, grapes, wheat-ears, and pigs.

 

 

 

Terminus was the god who presided over all boundaries and landmarks.

He was originally represented by a simple block of stone, which in later times became surmounted by a head of this divinity. Numa Pompilius, the great benefactor of his people, anxious to inculcate respect for the rights of property, specially enjoined the erection of these blocks of stone, as a durable monument to mark the line dividing one property from another. He also caused altars to be raised to Terminus, and instituted his festival (the Terminalia), which was celebrated on the 23rd of February.

Upon one occasion, when Tarquin wished to remove the altars of several deities, in order to build a new temple, it is said that Terminus and Juventas alone objected to being displaced. This obstinate refusal on their part was interpreted as a good omen, signifying that the city of Rome would never lose her boundaries, and would remain ever young and vigorous.

 

 

 

Consus was the god of secret counsel.

The Romans believed that when an idea developed itself spontaneously within the mind of an individual, it was Consus who had prompted the suggestion. This applied, however, more particularly to plans which resulted satisfactorily.

An altar was erected to this divinity on the Circus Maximus, which was kept always covered, except during his festival, the Consualia, which was celebrated on the 18th of August.