Read The Myths and Legends of Ancient Greece and Rome Online

Authors: E. M. Berens

Tags: #Greece, #Rome, #god, #gods, #zeus, #Jupiter, #Aphrodite, #Poseidon, #Neptune, #Roman, #Greek, #Italian, #History, #Divinities, #Harpy, #Harpies, #Pegasus, #Pan, #Sacrifice, #Jason, #Argonauts, #Oedipus, #Troy

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Libitina

 

Libitina was the goddess who presided over funerals. This divinity was identified with Venus, possibly because the ancients considered that the power of love extended even to the realms of death.

Her temple in Rome, which was erected by Servius Tullius, contained all the requisites for funerals, and these could either be bought or hired there. A register of all deaths which occurred in the city of Rome was kept in this temple, and in order to ascertain the rate of mortality, a piece of money was paid by command of Servius Tullius, on the demise of each person.

 

 

Laverna

 

Laverna was the presiding goddess of thieves, and of all artifice and fraud. There was an altar erected to her near the Porta Lavernalis, which was called after her, and she possessed a sacred grove on the Via Salavia.

 

 

Comus

 

Comus was the presiding genius of banquets, festive scenes, revelry, and all joyous pleasures and reckless gaiety.

He is represented as a young man crowned with flowers, his face heated and flushed with wine, leaning against a post in a half-sleepy and drunken attitude, with a torch falling from his hand.

 

 

The Camenae

 

The Camenae were prophetic nymphs held in high veneration by the ancient Italians. They were four in number, the best known of whom are Carmenta and Egeria.

Carmenta was celebrated as being the mother of Evander, who led an Arcadian colony into Italy, and founded a town on the river Tiber, which became afterwards incorporated with the city of Rome. Evander is said to have been the first who introduced Greek art and civilization into Italy, and also the worship of Greek divinities.

A temple was erected to Carmenta on the Capitoline Hill, and a festival, called the Carmentalia, was celebrated in her honour on the 11th of January.

Egeria is said to have initiated Numa Pompilius in the forms of religious worship, which he introduced among his people. She was regarded as the giver of life, and was therefore invoked by women before the birth of their children.

The Camenae are frequently identified by Roman writers with the Muses.

 

 

Genii

 

A comforting and assuring belief existed among the Romans, that each individual was accompanied through life, from the hour of his birth to that of his death, by a protecting spirit, called his genius, who prompted him to good and noble deeds, and acted towards him as a guardian angel, comforting him in sorrow, and guiding him throughout his earthly career.

In the course of time a second genius was believed to exist, of an evil nature, who, as the instigator of all wrong-doing, was ever at war with the beneficent genius; and on the issue of the conflict between these antagonistic influences, depended the fate of the individual. The genii were depicted as winged beings, greatly resembling our modern representations of guardian angels.

Every state, town, or city, (as well as every man), possessed its special genius. The sacrifices to the genii consisted of wine, cakes, and incense, which were offered to them on birthdays.

The genius which guided a woman was called, after the queen of heaven, Juno.

Among the Greeks, beings called Daemons were regarded as exercising similar functions to those of the Roman genii. They were believed to be the spirits of the righteous race which existed in the Golden Age, who watched over mankind, carrying their prayers to the gods, and the gifts of the gods to them.

 

 

Manes

 

Lemures (Larvae) And Lares

 

The Manes were the spirits of the departed, and were of two kinds, viz., Lemures (or Larvae) and Lares.

The Lemures were those Manes who haunted their former abodes on earth as evil spirits, appearing at night under awful forms and hideous shapes, greatly to the alarm of their friends
and relatives. They were so feared that a festival, called the Lemuralia, was celebrated in order to propitiate them.

It appears extremely probable that the superstitions with regard to ghosts, haunted houses, etc., which exist even at the present day, owe their origin to this very ancient pagan source.

The Lares Familiares were a much more pleasing conception. They were the spirits of the ancestors of each family, who exercised after death a protecting power over the well-being and prosperity of the family to which they had in life belonged. The place of honour beside the hearth was occupied by the statue of the Lar of the house, who was supposed to have been the founder of the family. This statue was the object of profound veneration, and was honoured on all occasions by every member of the family; a portion of each meal was laid before it, and it was believed to take an active part in all family affairs and domestic events, whether of a sad or joyful nature. Before starting on any expedition the master of the house saluted the statue of the Lar, and, on his return, a solemn thanksgiving was offered to this, the presiding deity of his hearth and home, in grateful acknowledgment of his protection; whereupon the statue was crowned with garlands of flowers, these being the favourite offerings to the Lares on all occasions of especial family rejoicing.

The first act of a bride on entering her new abode was to do homage to the Lar, in the belief that he would exercise over her a protecting influence and shield her from evil.

In addition to those above enumerated there were also public Lares, who were guardians of the state, highroads, country, and sea. Their temples were always open for any pious worshipper to enter, and on their altars public sacrifices were offered for the welfare of the state or city.

 

 

Penates

 

The Penates were deities selected by each family, and frequently by its individual members, as a special protector. Various causes led to this selection. If, for instance, a child were born on the festival of Vesta, it was thought that that deity would henceforward
act as its special guardian. If a youth possessed great business talents he adopted Mercury as his tutelary deity; should he, on the other hand, develop a passion for music, Apollo was selected as his patron god, and so forth. These became regarded as the special divinities of the household, small images of them adorned the surroundings of the hearth, and honours similar to those paid to the Lares were accorded to them.

Just as there were public Lares so there were public Penates, which were worshipped by the Roman people under the form of two youthful warriors, who, in later times, were regarded as identical with Castor and Pollux. They are generally represented on horseback, with conical caps on their heads, and bearing long spears in their hands.

 

 

Public Worsh
ip Of The Ancient Greeks And Romans

 

 

Temples

 

In very remote times the Greeks had no shrines or sanctuaries devoted to public worship, but performed their devotions beneath the vast and boundless canopy of heaven, in the great temple of nature its
elf. Believing that their divinities throned above the clouds, pious worshippers naturally sought the highest available points, in order to place themselves in the closest communion possible with their gods; hence the summits of high mountains were selected for devotional purposes, and the more exalted the rank and importance of the divinity invoked, the more elevated was the site selected for his or her worship. But the inconvenience attending this mode of worship gradually suggested the idea of erecting edifices which would afford means of shelter from the inclemency of the weather.

 

 

These structures were, in the first instance, of the most simple form, and without decoration; but when, with the progress of civilization, the Greeks became a wealthy and powerful people, temples were built and adorned with the greatest splendour and magnificence, talent, labour, and wealth being lavished unsparingly on their erection and decoration; indeed so massively were they constructed, that some of them have, to a certain extent, withstood the ravages of time. The city of Athens especially contains numerous remains of these buildings of antiquity. On the Acropolis we may still behold, among other monuments of ancient art, the temple of Athene-Polias, and that of Theseus, the latter of which is the most entire ancient edifice in the world. In the island of Delos, also, are to be seen the ruins of the temples of Apollo and Artemis, both of which are in a wonderful state of preservation. These ruins are most valuable, being sufficiently complete to enable us to study, by their aid, the plan and character of the original structure.

Among the Lacedaemonians, however, we find no vestiges of these stately temples, for they were specially enjoined by a law of Lycurgus to serve the gods with as little outlay as possible. When the great lawgiver was asked the reason of this injunction, he replied that the Lacedaemonians, being a poor nation, might otherwise abstain altogether from the observance of their religious duties, and wisely added that magnificent edifices and costly sacrifices were not so pleasing to the gods, as the true piety and unfeigned devotion of their worshippers.

The most ancient temples known to us served a double purpose: they were not only consecrated to the service of the gods, but were at the same time venerable monuments in honour of the dead. Thus, for instance, the temple of Pallas-Athene, in the tower of the city of Larissa, served as the sepulchre of Acrisius, and the Acropolis at Athens received the ashes of Cecrops, founder of the city.

A temple was frequently dedicated to two or more gods, and was always built after the manner considered most acceptable to the particular divinities to whom it was consecrated; for just as
trees, birds, and animals of every description were held to be sacred to certain deities, so almost every god had a form of building peculiar to himself, which was deemed more acceptable to him than any other. Thus the Doric style of architecture was sacred to Zeus, Ares, and Heracles; the Ionic to Apollo, Artemis, and Dionysus; and the Corinthian to Hestia.

In the porch of the temple stood a vessel of stone or brass, containing holy water (which had been consecrated by putting into it a burning torch, taken from the altar), with which all those admitted to take part in the sacrifices were besprinkled. In the inmost recess of the sanctuary was the most holy place, into which none but the priests were suffered to enter.

Temples in the country were usually surrounded with groves of trees. The solitude of these shady retreats naturally tended to inspire the worshipper with awe and reverence, added to which the delightful shade and coolness afforded by tall leafy trees is peculiarly gratef
ul in hot countries. Indeed so general did this custom of building temples in groves become, that all places devoted to sacred purposes, even where no trees existed, were called groves. That this practice must be of very remote antiquity is proved by the Biblical injunction, having for its object the separation of the Jews from all idolatrous practices: “Thou shalt not plant thee a grove of trees near unto the altar of the Lord thy God.”

 

 

Statues

 

The Greeks worshipped their gods without any visible representations of them until the time of Cecrops. The most ancient of these representations consisted of square blocks of stone, upon which the name of the deity intended to be represented was engraved. The first attempts at sculpture were rude stocks, with a head at one end and a shapeless trunk at the other, tapering slightly down to the feet, which, however, were not divided, the limbs being in no way defined. But the artists of later times devoted all their genius to thesuccessful production of the hig
hest ideals of their gods, some of which are preserved to this day, and are regarded as examples of purest art.

On a pedestal in the centre of the edifice stood the statue of the divinity to whom the temple was dedicated, surrounded by images of other gods, all of which were fenced off by rails.

 

 

Altars

 

The altar in a Greek temple, which stood in the centre of the building and in front of the statue of the presiding deity, was generally of a circular form, and constructed of stone. It was customary to engrave upon it the name or distinguishing symbol of the divinity to whom it was dedicated; and it was held so sacred that if any malefactor fled to it his life was safe from his pursuers, and it was considered one of the greatest acts of sacrilege to force him from this asylum.

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