The Myths and Legends of Ancient Greece and Rome (25 page)

The most ancient altars were adorned with horns, which in former times were emblems of power and dignity, as wealth, and consequently importance, consisted among most primitive nations in flocks and herds.

In addition to those erected in places of public worship, altars were frequently raised in groves, on highways, or in the market-places of cities.

The gods of the lower world had no altars whatever, ditches or trenches being dug for the reception of the blood of the sacrifices offered to them.

 

 

 

In ancient times the priests were recognized as a special social caste, and were distinguished not only by their sacerdotal vestments, but also by their piety, wisdom, and blameless life. They were the chosen mediators between gods and men, and offered prayers and sacrifices in the name of the people, whom they also instructed as to what vows, gifts, and offerings would be most acceptable to the gods.

Every deity had a different order of priests c
onsecrated to his worship, and in every place a high-priest was appointed, whose duty it was to superintend the rest of his order, and also to carry out the more sacred rites and religious observances.

Priests and priestesses were permitted to marry, but not a second time; some, however, voluntarily adopted a life of celibacy.

 

 

 

There is no doubt that a feeling of gratitude to the gods for their protecting care, and the abundance with which they were believed to bless mankind, has induced men of all nations and in all countries to feel a desire to sacrifice to their divinities some portion of the gifts so generously lavished upon them.

Among the Greeks, sacrifices were of various kinds. They consisted of 
free-will offerings
, 
propitiatory offerings
, etc.

Free-will offerings
 were grateful acknowledgments for benefits received, and usually consisted of the first-fruits of the field, or the finest of the flocks and herds, which were required to be without spot or blemish.

Propitiatory offerings
 were brought with the object of appeasing the anger of the gods.

In addition to those above enumerated, sacrifices were made, either with a view of obtaining success in an enterprise about to be undertaken, or in fulfilment of a vow, or at the command of an oracle.

Every sacrifice was accompanied by salt and also by a libation, which usually consisted of wine, the cup being always filled to the brim, indicating that the offering was made without stint. When sacrificing to the infernal gods the cup containing the libation was filled with blood.

The animals offered to the Olympian divinities were white, whilst those to the gods of the lower world were black. When a man offered a special sacrifice for himself or his family it partook of the nature of his occupation; thus a shepherd brought a sheep, a vine-grower his grapes, and so forth. But in the case of public sacrifices, the supposed individuality of the deity was always consulted. For instance, to Demeter a sow was offered, because that animal is apt to root up the seed-corn; to Dionysus a goat, on account of its being destructive to vineyards, etc.

The value of offerings depended greatly upon the position of the individual; it being regarded as a contempt of the gods for a rich man to bring a sordid offering, whilst from a poor man the smallest oblation was considered acceptable.

Hecatombs consisted of a hundred animals, and were offered by entire communities, or by wealthy individuals who either desired, or had obtained some special favour from the gods.

When a sacrifice was to be offered, a fire was kindled on the altar, into which wine and frankincense were poured, in order to increase the flame. In very ancient times, the victim was laid upon the altar and burned whole; but after the time of Prometheus portions only of the shoulders, thighs, entrails, etc., were sacrificed, the remainder becoming the perquisites of the priests.

The officiating priests wore a crown composed of the leaves of the tree sacred to the deity they invoked. Thus when sacrificing to Apollo the crowns were of laurel; when to Heracles, of poplar. This practice of wearing crowns was, at a later period, adopted by the general public at banquets and other festivities.

On occasions of special solemnity the horns of the victim were overlaid with gold, and the altars decked with flowers and sacred herbs.

The mode of conducting the sacrifices was as follows: - All things being prepared, a salt cake, the sacrificial knife, and the crowns, were placed in a small basket, and carried to the sanctuary by a young maiden, whereupon the victim was conducted into the temple, frequently to the accompaniment of music. If a small animal, it was driven loose to the altar; if a large one, it was led by a long trailing rope, in order to indicate that it was not an unwilling sacrifice.

When all were assembled, the priest, after walking in solemn state round the altar, besprinkled it with a mixture of meal and holy water, after which he also besprinkled the assembled worshippers, and exhorted them to join with him in prayer. The service being ended, the priest first tasted the libation, and after causing the congregation to do the like, poured the remainder between the horns of the victim, after which frankincense was strewn upon the altar, and a portion of the meal and water poured upon the animal, which was then killed. If by any chance the victim escaped the stroke, or became in any way restless, it was regarded as an evil omen; if, on the contrary, it expired without a struggle, it was considered auspicious.

At the sacrifices to the aërial divinities music was added, whilst dances were performed round the altar, and sacred hymns sung. These hymns were generally composed in honour of the gods, and contained an account of their famous actions, their clemency and beneficence, and the gifts conferred by them on mankind. In conclusion, the gods were invoked for a continuance of their favour, and when the service was ended a feast was held.

 

 

 

The desire to penetrate the dark veil of futurity, and thereby to avert, if possible, threatened danger, has animated mankind in all ages of the world. Prophetic knowledge was sought by the Greeks at the mouth of oracles, whose predictions were interpreted to the people by priests, specially appointed for the purpose.

The most famous of these institutions was the oracle of Apollo at Delphi, which was held in general repute all over the world. People flocked from far and near to consult this wonderful mouth-piece of the gods, one month in the year being specially set apart for the purpose.

 

The priestess who delivered the oracles was called the Pythia, after the serpent Python, which was killed by Apollo. Having first bathed in the waters of the Castalian spring, she was conducted into the temple by the priests, and was seated on a sort of three-legged stool or table, called a tripod, which was placed over the mouth of a cave whence issued sulphurous vapours. Here she gradually became affected in a remarkable manner, and fell into an ecstatic condition, in which she uttered wild and extraordinary phrases, which were held to be the utterance of Apollo himself; these the priests interpreted to the people, but in most cases in so ambiguous a manner that the fulfilment of the prediction could not easily be disputed. During the ceremony, clouds of incense filled the temple, and hid the priestess from the view of the uninitiated, and at its conclusion she was reconducted, in a fainting condition, to her cell.

The following is a striking instance of the ambiguity of oracular predictions: - Croesus, the rich king of Lydia, before going to war with Cyrus, king of Persia, consulted an oracle as to the probable success of the expedition. The reply he received was, that if he crossed a certain river he would destroy a great empire. Interpreting the response as being favourable to his design, Croesus crossed the river, and encountered the Persian king, by whom he was entire
ly defeated; and his own empire being destroyed, the prediction of the oracle was said to have been fulfilled.

 

 

 

In addition to the manifestation of the will of the gods by means of oracles, the Greeks also believed that certain men, called soothsayers, were gifted with the power of foretelling future events from dreams, from observing the flight of birds, the entrails of sacrificed animals, and even the direction of the flames and smoke from the altar, etc.

 

 

Augurs

 

The Roman soothsayers were called augurs, and played an important part in the history of the Romans, as no enterprise was ever undertaken without first consulting them with regard to its ultimate success.

 

 

 

Festivals were instituted as seasons of rest, rejoicing, and thanksgiving, and also as anniversaries to commemorate events of national importance. The most ancient festivals were those held after the ingathering of the harvest or vintage, and were celebrated with rejoicings and merry-makings, which lasted many days, during which time the first-fruits of the fields were offered to the gods, accompanied by prayers and thanksgiving.

The festivals held in cities in honour of special divinities, or in commemoration of particular events, were conducted with an elaborate ceremonial. Gorgeous processions, games, chariot races, etc., were conspicuous features on these occasions, and dramatic performances, representing particular episodes in the lives of the gods and heroes, frequently took place.

We subjoin a few of the most interesting of the Greek and Roman festivals.

 

 

 

 

 

One of the most ancient and important among the festivals observed by the Greeks was that of the Eleusinian Mysteries, which was celebrated in honour of Demeter and Persephone. The name was derived from Eleusis, a town in Attica, where the Mysteries were first introduced by the goddess herself. They were divided into the Greater and Lesser Mysteries, and, according to the general account, were held every five years. The Greater, which were celebrated in honour of Demeter, and lasted nine days, were held in autumn; the Lesser, dedicated to Persephone (who at these festivals was affectionately called Cora, or the maiden), were held in spring.

It is supposed that the secrets taught to the initiated by the priests - the expounders of the Mysteries - were moral meanings, elucidated from the myths concerning Demeter and Persephone; but the most important belief inculcated was the doctrine of the immortality of the soul. That the lessons taught were of the highest moral character is universally admitted. “The souls of those who participated in them were filled with the sweetest hopes both as to this and the future world;” and it was a common saying among the Athenians: “In the Mysteries no one is sad.”

The initiation into these solemn rites (which was originally the exclusive privilege of the Athenians) was accompanied with awe-inspiring ceremonies; and secrecy was so strictly enjoined that its violation was punished by death. At the conclusion of the initiation great rejoicings took place, chariot-races, wrestling matches, etc., were held, and solemn sacrifices offered.

The initiation into the Lesser Mysteries served as a preparation
for the Greater.

 

 

 

The Thesmophoria was another festival held in honour of Demeter, in her character as presiding over marriage and social institutions resulting from the spread of agriculture.

This festival was celebrated exclusively by women.

 

 

 

A joyous spring festival was held in honour of Dionysus, in the month of March, and lasted several days.

This festival, which was called the Greater Dionys
ia, was celebrated with particular splendour at Athens, when strangers flocked from all parts of the world to take part in the ceremonies. The city was gaily decorated, the houses were garlanded with ivy-leaves, crowds perambulated the streets, everything wore its holiday garb, and wine was freely indulged in.

 

 

In the processions which took place during these festivities, the statue of Dionysus was carried, and men and women, crowned with ivy and bearing the thyrsus, were dressed in every description of grotesque costume, and played on drums, pipes, flutes, cymbals, etc. Some representing Silenus rode on asses, others wearing fawn-skins appeared as Pan or the Satyrs, and the whole multitude sang paeans in honour of the wine-god. Public shows, games, and sports took place, and the entire city was full of revelry.

What lent additional interest to these festivals was the custom of introducing new comedies and tragedies to the public, representations of which were given, and prizes awarded to those which elicited the greatest admiration.

 

The Lesser Dionysia were vintage festivals, celebrated in rural districts in the month of November, and were characterized by drinking, feasting, and joviality of all kinds.

In connection with some of the festivals in honour of Dionysus were certain mystic observances, into which only women, called Menades or Bacchantes, were initiated. Clad in fawn-skins, they assembled by night on the mountain sides, some carrying blazing torches, others thyrsi, and all animated with religious enthusiasm and frenzy. They shouted, clapped their hands, danced wildly, and worked themselves up to such a pitch of excitement and fury that in their mad frenzy they tore in pieces the animal brought as a sacrifice to Dionysus.

Under the name of Bacchanalia, these mystic rites were introduced into Rome, where men also were allowed to participate in them; but they were attended with such frightful excesses that the state authorities at length interfered and prohibited them.

 

 

 

The Panathenaea was a famous festival celebrated in Athens in honour of Athene-Polias, the guardian of the state. There were two festivals of this name, the Lesser and the Greater Panathenaea. The former was held annually, and the latter, which lasted several days, was celebrated every fourth year.

 

 

For the Greater Panathenaea a garment, embroidered with gold, called the Peplus, was specially woven by Athenian maidens, on which was represented the victory gained by Athene over the Giants. This garment was suspended to the mast of a ship which stood outside the city; and during the festival, which was characterized by a grand procession, the ship (with the Peplus on its mast) was impelled forward by means of invisible machinery, and formed the most conspicuous feature of the pageant. The whole population, bearing olive branches in their hands, took part in the procession; and amidst music and rejoicings this imposing pageant wended its way to the temple of Athene-Polias, where the Peplus was deposited on the statue of the goddess.

At this festival, Homer's poems were declaimed aloud, and poets also introduced their own works to the public. Musical contests, foot and horse races, and wrestling matches were held, and dances were performed by boys in armour.

 

Men who had deserved well of their country were presented at the festival with a crown of gold, and the name of the person so distinguished was announced publicly by a herald.

The victors in the races and athletic games received, as a prize, a vase of oil, supposed to have been extracted from the fruit of the sacred olive-tree of Athene.

 

 

 

The Daphnephoria was celebrated at Thebes in honour of Apollo every ninth year.

The distinguishing feature of this festival was a procession to the temple of Apollo, in which a young priest (the Daphnephorus) of noble descent, splendidly attired and wearing a crown of gold, was preceded by a youth, carrying an emblematical representation of the sun, moon, stars, and days of the year, and followed by beautiful maidens bearing laurel branches, and singing hymns in honour of the god.

 

 

 

 

 

The Saturnalia, a national festival held in December in honour of Saturn, was celebrated after the ingathering of the harvest, and lasted several days.

It was a time of universal rejoicing, cessation from labour, and merry-making. School children had holidays, friends sent presents to each other, the law-courts were closed, and no business was transacted.

Crowds of people from the surrounding country flocked to Rome for this festival attired in every variety of masquerade dress; practical jokes were given and received with the utmost good humour, shouts of exultation filled the air, all classes abandoned themselves to enjoyment, and unrestrained hilarity reigned supreme. Social distinctions were for a time suspended, or even reversed; and so heartily was the spirit of this festival entered into, that masters waited upon their slaves at banquets which they provided for them; the slaves being dressed upon these occasions in the garments of their masters.

There appears little doubt that the modern Carnival is a survival of the ancient Saturnalia.