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Authors: J. M. Roberts,Odd Arne Westad

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T’ang culture reflects the stimulus of contacts with the outside world, but especially with central Asia, unprecedentedly close under this dynasty. The capital was then at Ch’ang-an, in Shensi, a western province. Its name means ‘long-lasting peace’ and to this city at the end of the Silk Road came Persians, Arabs and central Asians who made it one of the most cosmopolitan cities in the world. It contained Nestorian churches, Zoroastrian temples, Muslim mosques, and was probably the most splendid and luxurious capital of its day, as the objects which remain to us show. Many of them reflect Chinese recognition of styles other than their own – the imitation of Iranian silverware, for example – while the flavour of a trading entrepôt is preserved in the pottery figures of horsemen and loaded camels, which reveal the life of central Asia swirling in the streets of Ch’ang-an. These figures were often finished with the new polychromatic glazes achieved by T’ang potters; their style was imitated as far away as Japan and Mesopotamia. The presence of the court was as important in stimulating such craftsmanship as the visits of merchants from abroad, and from tomb-paintings something of the life of the court aristocracy can be seen. The men relax in hunting, attended by central Asian retainers; the women, vacuous in expression, are luxuriously dressed and, if servants, elaborately equipped with fans, cosmetic boxes, back-scratchers and other paraphernalia of the boudoir. Great ladies, too, favour central Asian styles borrowed from their domestic staff.

The history of women, though, is the history of one of those other Chinas always obscured by the bias of the documentation towards the official culture. We hear little of them, even in literature, except in sad little poems and love stories. Yet presumably they must have made up about half of the population, or perhaps slightly less, for in hard times girl babies were exposed by poor families to die. That fact, perhaps, characterizes women’s place in China until very recent times even better than the
more familiar and superficially striking practice of foot-binding, which produced grotesque deformations and could leave a high-born lady almost incapable of walking. Another China still all but excluded from the historical evidence by the nature of the established tradition was that of the peasants. They become shadowly visible only as numbers in the census returns and as eruptions of revolt; after the Han pottery figures, there is little in Chinese art to reveal them, and certainly nothing to match the uninterrupted (and often idealized) recording of the life of the common man in the fields, which runs from medieval European illumination, through the vernacular literature to the Romantics, and into the peasant subjects of the early Impressionists.

Official culture also excluded the tenth or so of the Chinese population who lived in the cities, some of which grew as time passed to become the biggest in the world. Ch’ang-an, when the T’ang capital, is said to have had two million inhabitants. No eighteenth-century European city was as big as contemporary Canton or Peking, which were even larger. Such huge cities housed societies of growing complexity. Their development fostered a new commercial world; the first Chinese paper money was issued in 650. Prosperity created new demands, among other things for a literature which did not confine itself to the classical models and in colloquial style far less demanding than the elaborate classical Chinese. City life thus gradually secreted a literate alternative to the official culture, and because it was literate, it is the first part of unofficial China to which we have some access. Such popular demand could be satisfied because of two enormously important inventions, that of paper in the second century
BC
, and of printing before
AD
700. This derived from the taking of rubbed impressions from stone under the Han. Printing from wood blocks was taking place under the T’ang and movable type appeared in the eleventh century
AD
. Soon after this large numbers of books were published in China, long before they appeared anywhere else. In the cities, too, flourished popular poetry and music which abandoned the classical tradition.

The culture of Ch’ang-an never recovered from its disruption by rebellion in 756, only two years after the foundation of an Imperial Academy of Letters (about nine hundred years before any similar academy in Europe). After this the T’ang dynasty was in decline. The Sung ascendancy produced more great pottery; the earlier, northern phase of Sung history was marked by work still in the coloured, patterned tradition, while southern Sung craftsmen came to favour monochromatic, simple products. Significantly, they attached themselves to another tradition: that of the forms evolved by the great bronze-casters of earlier China. For all the beauty of its ceramics, though, Sung is more notable for some of the highest achievements of
Chinese painting, their subject-matter being, above all, landscape. As a phase of Chinese development, though, the Sung era is more remarkable still for a dramatic improvement in the economy.

In part this can be attributed to technological innovation – gunpowder, movable type and the sternpost all can be traced to the Sung era – but it was also linked to the exploitation of technology already long available. Technological innovation may indeed have been as much a symptom as a cause of a surge in economic activity between the tenth and thirteenth centuries which appears to have brought most Chinese a real rise in incomes in spite of continuing population growth. For once in the pre-modern world economic growth seems for a long period to have outstripped demographic trends. One change making this possible was certainly the discovery and adoption of a rice variety which permitted two crops a year to be taken from well-irrigated land and one from hilly ground only watered in the spring. The evidence of rising production in a different sector of the economy has been dramatically distilled into one scholar’s calculation that within a few years of the battle of Hastings, China was producing nearly as much iron as the whole of Europe six centuries later. Textile production, too, underwent dramatic development (notably through the adoption of water-driven spinning machinery) and it is possible to speak of Sung ‘industrialization’ as a recognizable phenomenon.

It is not easy (the evidence is still disputed) to say why this remarkable burst of growth took place. Undoubtedly there was a real input to the economy by public – that is, governmental – investment in public works, above all, communications. Prolonged periods of freedom from foreign invasion and domestic disorder also must have helped, though the second benefit may be explained as much by economic growth as the other way around. The main explanation, though, seems likely to be an expansion in markets and the rise of a money economy which owed something to factors already mentioned, but which rested fundamentally on a great expansion in agricultural productivity. So long as this kept ahead of population increase, all was well. Capital became available to utilize more labour, and to tap technology by investment in machines. Real incomes rose.

It is even harder to say why, after temporary and local regression at the end of the Sung era, and the resumption of economic growth, this intensive growth, which made possible rising consumption by greater numbers, came to an end. None the less, it did, and was not resumed. Instead, average real incomes in China stabilized for something like five centuries, as production merely kept pace with population growth. (After that time, incomes began to fall, and continued to do so to a point at which the early twentieth-century Chinese peasant could be described as a man standing neck-deep
in water, whom even ripples could drown.) But the economic relapse after Sung times is not the only factor to be taken into account in explaining why China did not go on to produce a dynamic, progressive society. In spite of printing, the mass of Chinese remained illiterate down to the present century. China’s great cities, for all their growth and commercial vitality, produced neither the freedom and immunities which sheltered men and ideas in Europe, nor the cultural and intellectual life which in the end revolutionized European civilization, nor effective questioning of the established order. Even in technology, where China achieved so much so soon, there is a similar strange gap between intellectual fertility and revolutionary change. The Chinese could invent (they had a far more efficient wheelbarrow than other civilizations), but once Chou times were over, it was the use of new land and the introduction of new crops rather than technical change which raised production. Other examples of a low rate of innovation are even more striking. Chinese sailors already had the magnetic compass in Sung times, but though naval expeditions were sent to Indonesia, the Persian Gulf, Aden and East Africa in the fifteenth century, their aim was to impress those places with the power of the Ming, not to accumulate information and experience for further voyages of exploration and discovery. Masterpieces had been cast in bronze in the second millennium
BC
and the Chinese knew how to cast iron fifteen hundred years before Europeans, yet much of the engineering potential of this metallurgical tradition was unexplored even when iron production rose so strikingly. What he called ‘a sort of black stone’ was burnt in China when Marco Polo was there; it was coal, but there was to be no Chinese steam engine.

This list could be much lengthened. Perhaps the explanation lies in the very success of Chinese civilization in pursuit of a different goal, the assurance of continuity and the prevention of fundamental change. Neither officialdom nor the social system favoured the innovator. Moreover, pride in the Confucian tradition and the confidence generated by great wealth and remoteness made it difficult to learn from the outside. This was not because the Chinese were intolerant. Jews, Nestorian Christians, Zoroastrian Persians, and Arab Muslims long practised their own religion freely, and the last even made some converts, creating an enduring Islamic minority. Contacts with the West multiplied, too, later under Mongol rule. But what has been called a ‘neo-Confucian’ movement was by then already manifesting tendencies of defensive hostility, and formal tolerance had never led to much receptivity in Chinese culture.

Invasion by the Mongols showed China’s continuing seductive power over its conquerors. By the end of the thirteenth century, all China had
been overrun by them – and this may have cost the country something like thirty million lives, or well over a quarter of its whole population in 1200 – but the centre of gravity of the Mongol empire had moved from the steppes to Peking, Kubilai’s capital. This grandson of Chinghis was the last of the Great Khans and after his time Mongol China can be considered Chinese, not Mongol; Kubilai adopted a dynastic life in 1271 and the remainder of the Mongol era is recorded as that of the Yuan dynasty. China changed the Mongols more than the Mongols changed China, and the result was the magnificence reported by the amazed Marco Polo. Kubilai made a break with the old conservatism of the steppes, the distrust of civilization and its works, and his followers slowly succumbed to Chinese culture in spite of their initial distrust of the scholar officials. They were, after all, a tiny minority of rulers in an ocean of Chinese subjects; they needed collaborators to survive. Kubilai spent nearly all his life in China, though his knowledge of Chinese was poor.

But the relationship of Mongol and Chinese was long ambiguous. Like the British in nineteenth-century India, who set up social conventions to prevent their assimilation by their subjects, so the Mongols sought by positive prohibition to keep themselves apart. Chinese were forbidden to learn the Mongol language or marry Mongols. They were not allowed to carry arms. Foreigners, rather than Chinese, were employed in administration where possible, a device paralleled in the western khanates of the Mongol empire: Marco Polo was for three years an official of the Great Khan; a Nestorian presided over the imperial bureau of astronomy; Muslims from Transoxiana administered Yunan. For some years the traditional examination system was also suspended. Some of the persistent Chinese hostility to the Mongols may be explained by such facts, especially in the south. When Mongol rule in China collapsed, seventy years after Kubilai’s death, there appeared an even more exaggerated respect for tradition and a renewed distrust of foreigners among the Chinese ruling class.

The short-run achievement of the Mongols was, none the less, very impressive. It was most obvious in the re-establishment of China’s unity and the realization of its potential as a great military and diplomatic power. The conquest of the Sung south was not easy, but once it was achieved (in 1279) Kubilai’s resources were more than doubled (they included an important fleet) and he began to rebuild the Chinese sphere of influence in Asia. Only in Japan was he totally unsuccessful. In the south, Vietnam was invaded (Hanoi was captured three times) and after Kubilai’s death Burma was occupied for a time. These conquests were not, it is true, to prove long-lasting and they resulted in tribute rather than prolonged occupation. In Java, too, success was qualified; a landing was made there
and the capital of the island taken in 1292, but it proved impossible to hold. There was also further development of the maritime trade with India, Arabia and the Persian Gulf, which had been begun under the Sung.

Since it failed to survive, the Mongol regime cannot be considered wholly successful, but this does not take us far. Much that was positive was done in just over a century. Foreign trade flourished as never before. Marco Polo reports that the poor of Peking were fed by the largesse of the Great Khan, and it was a big city. A modern eye finds something attractive, too, about the Mongols’ treatment of religion. Only Muslims were hindered in the preaching of their doctrine; Taoism and Buddhism were positively encouraged, for example by relieving Buddhist monasteries of taxes (this, of course, meant heavier impositions on others, as any state support for religion must; the peasants paid for religious enlightenment).

In the fourteenth century, natural disasters combined with Mongol exactions to produce a fresh wave of rural rebellions, the telling symptom of a dynasty in decline. They may have been made worse by Mongol concessions to the Chinese gentry. Giving landlords new rights over their peasants can hardly have won the regime popular support. Secret societies began to appear again and one of them, the ‘Red Turbans’, attracted support from gentry and officials. One of its leaders, Chu Yuan-chang, a monk, seized Nanking in 1356. Twelve years later he drove the Mongols from Peking and the Ming era began. Yet like many other Chinese revolutionary leaders Chu Yuan-chang became an upholder of the traditional order. The dynasty he founded, though it presided over a great cultural flowering and managed to maintain the political unity of China, which was to last from Mongol times to the twentieth century, confirmed China’s conservatism and isolation. In the early fifteenth century the maritime expeditions by great fleets came to an end. An imperial decree forbade Chinese ships to sail beyond coastal waters or individuals to travel abroad. Soon, Chinese shipyards lost the capacity to build the great ocean-going junks; they did not even retain their specifications. The great voyages of the eunuch Cheng Ho, a Chinese Vasco Da Gama, were almost forgotten. At the same time, the merchants who had prospered under the Mongols were harassed.

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