The Reluctant Film Art of Woody Allen (63 page)

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——. “Fogged In” (review of
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——. “Guy and Doll” (review of
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——. “Beyond Good and Evil” (review of
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——. “Imitation of Life” (review of
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——. “Rear Hallway” (review of
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——. “Woe Unto Woody” (review of
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——. “The Five Women of
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Farrow, Mia.
What Falls Away
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Feldstein, Richard. “Displaced Female Representation in Woody Allen’s Cinema.”
Discontented Discourses: Feminism/Textual Intervention/Psychoanalysis,
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Freadman, Richard. “Love Among the Stereotypes, or Why Woody’s Women Leave.”
Semites and Stereotypes: Characteristics of Jewish Humor,
ed. Avvner Ziv and Anat Zajdman. Westport, Connecticut: Greenwood Press, 1993, pp. 107–20.

Gado, Frank.
The Passion of Ingmar Bergman
. Durham, North Carolina: Duke University Press, 1986.

Geist, William E. “Interview with Woody Allen.”
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Gelmis, Joseph. Review of
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Girgus, Sam B.
The Films ofWoody Allen
. Cambridge: Cambridge University Press, 1993.

——. “Philip Roth and Woody Allen: Freud and the Humor of the Repressed.”
Semites andStereotypes: Characteristics of Jewish Humor,
ed. Avner Ziv and Anat Zajdman. Westport, Connecticut: Greenwood Press, 1993, pp. 121–30.

Gittelson, Natalie. “The Maturing ofWoody Allen.”
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Gleick, Elizabeth. “Her Silence Is Golden.”
Time
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Gopnik, Adam. “The Outsider.”
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Groteke, Kristi with Marjorie Rosen.
Mia and Woody: Love and Betrayal
. New York: Carroll and Graf, 1994.

Guthrie, Lee.
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. New York: Drake Publishers, 1978.

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Hirsch, Foster.
Love, Sex, Death, and the Meaning of Life: Woody Allen’s Comedy
. New York: McGraw-Hill, 1981.

Hirschorn, Michael. “Woody Sings” (review of
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(September 9, 1996), pp. 49–53.

Hoban, Phoebe. “Everything You Always Wanted to Know About Woody and Mia (But Were Afraid to Ask).”
New York
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Hoberman, J. “Just Desserts” (review of
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Irving, John.
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Isaacson, Walter. “The Heart Wants What It Wants.”
Time
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Jacobs, Diane. …
but we need the eggs: The Magic ofWoody Allen
. New York: St. Martin s Press, 1982.

James, Nick. Review of
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(April, 1996), pp. 48–49.

Johnson, Brian. “Constant Cravings” (review of
Mighty Aphrodite). Macleans
(October 20, 1995), p. 27.

Kael, Pauline.
Hooked
. New York: E. Dutton, 1989.

——.
For Keeps
. New York: E. Dutton, 1994.

——.
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. New York: E. Dutton, 1991.

——.
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. New York: E. Dutton, 1985.

Kakutani, Michiko. “Woody Allen: The Art of Humor I.”
The Paris Review
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Kauffman, Stanley. “The Food of Love” (review of
Everyone Says I Love You). The New Republic
(November 11, 1996), p. 40.

——. “Return of a Trouble” (review of
Manhattan Murder Mystery). New Republic
(November 27, 1995), p. 30.

Kemp, Philip. Review of
Manhattan Murder Mystery. Sight and Sound!
(February 2, 1994), p. 51.

Kerbel, Michael. “The Redemptive Power of Art.”
Cineaste
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Koppel, Barbara.
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Kroll, Jack. “The Inner Woody.”
Newsweek
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——. “Comedy 50, Tragedy 50” (review of
Crimes and Misdemeanors). Newsweek
(October16, 1989), p. 67.

——. “Woody’s Bow to Broadway” (review of
Broadway Danny Rose). Newsweek
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Lahr, John. “The Imperfectionist.”
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Lane, Anthony. “Scarlet Women” (review of
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Lax, Eric.
Woody Allen: A Biography
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McCann, Graham.
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. Cambridge, England: Polity Press, 1990.

McCarthy, Todd. “Tin Pan Allen” (review of
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McGrady, Mike. “Getting Away with Murder, Woody Allen Style” (review of
Crimes and Misdemeanors). Newsday
(October 13, 1989), III, p. 3.

Martin, Jay.
Who Am I This Time? New
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Maslin, Janet. “A Greek Chorus Warns, But Does Allen Take Heed?” (review of
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——.
“Sweet and Lowdown
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——. “When Everyone Sings, Just for the Joy of It” (review of
Everyone Says I Love You). TheNew York Times
(December 6, 1996), III, p. 1.

Mast, Gerald. “Woody Allen: The Neurotic Jew as American Clown,” in
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Mathews, Jack. “Too True, Too True” (review of
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(September 18,1992), II, p. 67.

Meade, Marion.
The Unruly Life of Woody Allen
. New York: Scribners, 2000.

Merkin, Daphne. “Comedy on Three Levels” (review of
Broadway Danny Rose). New Leader
(March 5, 1984), pp. 19–20.

Nehamas, Alexander.
Nietzsche: Life as Literature
. Cambridge: Harvard Univ. Press, 1985.

Nichols, Mary P.
Reconstructing Woody: Art, Love and Life in the Films ofWoody Allen
. Lanham, Maryland: Rowman & Littlefield, 1998.

Nuecterlein, James, Eugene Borowitz and Mary Erler. “Woody Allen Counts the Wages of Sin.”
The New York Times
(October 15, 1979), III, pp. 15, 20, 22.

Ozick, Cynthia. “Saul Bellows Broadway.”
Fame and Folly
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Pally, Marcia. “The Cinema as Secular Religion.”
Cineaste
XXIII, 3 (1998), pp. 32–33.

Pogel, Nancy.
Woody Allen
. Boston: Twayne Publishers, 1987.

Preussner, Arnold. “Woody Allen’s
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Pym, John. Review of
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Quart, Leonard. “Woody Allen’s Reflexive Critics.”
Cineaste
XXIII, 3 (1998), pp. 34–35.

Rafferty, Terrence. “Getting Old” (review of
Husbands and Wives). The New Yorker
(September 21, 1992), pp. 102–5.

Rainer, Peter. “There’s an Art to Allen’s Shots at ‘Broadway’” (review of
Bullets Over Broadway)
.
Los Angeles Times
(October 21, 1994), F, pp. 1.

Rapping, Elayne. “A Feminist’s Love/Hate Relationship with Woody.”
Cineaste
XXIII, 3 (1998), pp. 37–38.

Rich, Frank. “An Interview with Woody.”
Time
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Romney, Jonathan. “Scuzzballs Like Us.”
Sight and Sound
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When the Shooting Stops … the Cutting Begins
. NewYork: Penguin Books, 1979.

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Mia: Flowerchild, Madonna, Muse
. New York: St. Martin’s Press, 1989.