The Strain, the Fall, the Night Eternal (7 page)

“What is it?” Nora asked.

“My guess is Viagra,” said Eph, returning the contents to the pouch and the pouch to the briefcase.

He paused next to a mother and young daughter traveling together. The young girl’s hand was still nestled inside her mother’s. Both appeared relaxed.

Eph said, “No panic, no nothing.”

Nora said, “Doesn’t make sense.”

Viruses require transmission, and transmission takes time. Passengers becoming sick or falling unconscious would have caused an uproar, no matter what the
FASTEN SEAT BELTS
sign said. If this was a virus, it was unlike any pathogen Eph had ever encountered in his years as an epidemiologist with the CDC. All signs instead pointed to a lethal poisoning agent introduced into the sealed environment of the airplane cabin.

Eph said, “Jim, I want to retest for gas.”

Jim’s voice said, “They took air samples, measured in parts per million. There was nothing.”

“I know but … it’s as if these people were overcome by something without any warning whatsoever. Maybe the substance dissipated once that door opened. I want to test the carpeting and any other porous surfaces. We’ll test lung tissue once we get these people in post.”

“Okay, Eph—you got it.”

Eph moved quickly past the widely spaced, leather-appointed seats of first class to the closed cockpit door. The door was grated and framed in steel along each edge, with an overhead camera in the ceiling. He reached for the handle.

Jim’s voice in his suit hood said, “Eph, they’re telling me it works on a keypad lock, you won’t be able to get—”

The door pushed open under his gloved hand.

Eph stood very still at the open doorway. The lights from the taxiway shone through the tinted cockpit windshield, illuminating the flight deck. The system displays were all dark.

Jim said, “Eph, they’re saying to be very careful.”

“Tell them thanks for the expert technical advice,” said Eph before moving inside.

The system displays around the switches and throttles were all dark. One man wearing a pilot’s uniform sat slumped in a jump seat to Eph’s immediate right as he entered. Two more, the captain and his first officer, were seated in the twin chairs before the controls. The first officer’s hands lay curled and empty in his lap, his head drooped to the left with his hat still on. The captain’s left hand remained on a control lever, his right arm hanging off the armrest, knuckles brushing the carpeted floor. His head was forward, his hat resting in his lap.

Eph leaned over the control console between the two seats in order to push up the captain’s head. He checked the captain’s open eyes with his flashlight, the pupils fixed and dilated. He eased the man’s head back down gently onto his chest, and then stiffened.

He felt something. He sensed something. A presence.

He stepped back from the console and scanned the flight deck, turning in one complete circle.

Jim said, “What is it, Eph?”

Eph had spent enough time around corpses not to be jumpy. But there was something here … somewhere. Here or nearby.

The strange sensation passed, like a dizzy spell, leaving him blinking. He shook it off. “Nothing. Claustrophobia, probably.”

Eph turned to the third man inside the cockpit. His head hung low, his right shoulder propped up against the side wall. His jump seat harness straps hung down.

Eph said aloud, “Why isn’t he belted in?”

Nora said, “Eph, are you in the cockpit? I’m coming to you.”

Eph looked at the dead man’s silver tie pin with the Regis Air logo. The nameplate over his pocket read
REDFERN
. Eph dropped to one knee before him, pressing his thickly gloved fingers against the man’s temples to raise his face. His eyes were open and down turned. Eph checked his pupils, and thought he saw something. A glimmer. He looked again, and suddenly Captain Redfern shuddered and emitted a groan.

Eph jerked backward, falling between the two captains’ chairs and against the control console with a clatter. The first officer slumped
against him, and Eph pushed back at him, trapped for a moment by the man’s limp, dead weight.

Jim’s voice called to him sharply, “Eph?”

Nora’s voice held a note of panic. “Eph, what is it?”

With a surge of energy, Eph propelled the first officer’s body back into its chair and got to his feet.

Nora said, “Eph, are you all right?”

Eph looked at Captain Redfern, spilled onto the floor now, eyes open and staring. His throat, though, was working, bucking, his open mouth seeming to gag on the air.

Eph said, wide-eyed, “We have a survivor here.”

Nora said, “What?”

“We have a man alive here. Jim, we need a Kurt isolation pod for this man. Brought directly to the wing. Nora?” Eph was talking fast, looking at the pilot twitching on the floor. “We have to go through this entire airplane, passenger by passenger.”

INTERLUDE I
Abraham Setrakian

T
HE OLD MAN STOOD ALONE ON THE CRAMPED SALES
floor of his pawnshop on East 118th Street, in Spanish Harlem. An hour after closing and his stomach was rumbling, yet he was reluctant to go upstairs. The gates were all pulled down over the doors and windows, like steel eyelids, the night people having claimed the streets outside. At night, you don’t go out.

He went to the bank of dimmers behind the loan desk, and darkened the store lamp by lamp. He was in an elegiac mood. He looked at his shop, the display cases of chrome and streaked glass. The wristwatches showcased on felt instead of velvet, the polished silver he couldn’t get rid of, the bits of diamond and gold. The full tea sets under glass. The leather coats and now-controversial furs. The new music players that went fast, and the radios and televisions he didn’t bother taking in anymore. And there were, here and there, treasures: a pair of beautiful antique safes (lined with asbestos, but just don’t eat it); a suitcase-size wood-and-steel Quasar VCR from the 1970s; an antique 16mm film projector.

But, on balance, lots of low-turnover junk. A pawnshop is part bazaar, part museum, part neighborhood reliquary. The pawnbroker provides a service no one else can. He is the poor man’s banker, someone people can come to and borrow twenty-five dollars with no concern
as to credit history, employment, references. And, in the grip of an economic recession, twenty-five dollars is real money to many people. Twenty-five dollars can mean the difference between shelter or homelessness. Twenty-five dollars can put life-prolonging medicine within reach. So long as a man or woman has collateral, something of value to borrow against, he or she can walk out of his door with cash in hand. Beautiful.

He trudged on upstairs, turning out more lights as he went. He was fortunate to own his building, bought in the early 1970s for seven dollars and change. Okay, maybe not for so little, but not for so much either. They were burning down buildings for heat back then. Knickerbocker Loans and Curios (the name came with the shop) was never a means to wealth for Setrakian, but rather a conduit, a point of entry into the pre-Internet underground marketplace of the crossroads city of the world, for a man interested in Old World tools, artifacts, curios, and other arcana.

Thirty-five years of haggling over cheap jewelry by day, while amassing tools and armaments by night. Thirty-five years of biding his time, of preparation and waiting. Now his time was running out.

At the door, he touched the mezuzah and kissed his crooked, wrinkled fingertips before entering. The ancient mirror in the hallway was so scratched and faded that he had to crane his neck in order to find a reflective patch in which to view himself. His alabaster white hair, starting high up on his creased forehead and sweeping back below his ears and neck, was long overdue for a trim. His face continued to fall, his chin and earlobes and eyes succumbing to that bully named gravity. His hands, so broken and badly mended so many decades before, had curved into arthritic talons that he kept permanently hidden behind wool gloves with cut-off fingertips. Yet, beneath and within this crumbling facade of a man: strength. Fire. Grit.

The secret of his interior wellspring of youth? One simple element.

Revenge.

Many years before, in Warsaw and later in Budapest, there was a man named Abraham Setrakian who had been an esteemed professor of Eastern European literature and folklore. A Holocaust survivor who survived the scandal of marrying a student, and whose field of study took him to some of the darkest corners of the world.

Now, an aged pawnbroker in America, still haunted by unfinished business.

He had good soup left over, delicious chicken soup with kreplach and egg noodles, that a regular had brought him all the way from Liebman’s, in the Bronx. He put the bowl in the microwave and worked at his loose necktie knot with his gnarled fingers. After the beeping, he carried the hot bowl over to the table, pulling a linen napkin—never paper!—from the holder and tucking it snugly into his collar.

Blowing on soup. A ritual of comfort, of reassurance. He remembered his grandmother, his
bubbeh
—but this was more than mere memory; it was
sense
, a
feeling
—blowing on it for him when he was a boy, sitting next to him at the rickety wooden table in the cold kitchen of their house in Romania. Before the troubles. Her old breath stirring the rising steam into his young face, the quiet magic of that simple act. Like blowing life into the child. And now, as he blew, an old man himself, he watched his breath given shape by the steam, and wondered just how many of these respirations he had left.

He took the spoon, one of a drawer full of fancy, mismatched implements, into the crooked fingers of his left hand. Blowing onto the spoon now, rippling the tiny pool of broth there, before taking it into his mouth. Taste came and went, the buds on his tongue dying like old soldiers: the victims of many decades of pipe smoking, a professor’s vice.

He found the thin remote for the outdated Sony TV—a kitchen model finished in white—and the thirteen-inch screen warmed up, further illuminating the room. He rose and walked to the pantry, leaning his hands on the stacks of books squeezing the hallway into a narrow tread of worn rug—books were everywhere, piled high against the walls, many of them read, all of them impossible to part with—and lifting the cover off the cake tin to retrieve the last of the good rye bread he had been saving. He carried the paper-wrapped loaf back to his cushioned kitchen chair, settling heavily, and went about picking off the little bits of mold as he enjoyed another tender sip of the delicious broth.

Slowly, the image on the screen claimed his attention: a jumbo jet parked on a tarmac somewhere, lit up like an ivory piece upon jeweler’s black felt. He pulled on the black-rimmed glasses that hung at his
chest, squinting in order to make out the bottom graphic. Today’s crisis was taking place across the river, at JFK Airport.

The old professor watched and listened, focused on the pristine-looking airplane. One minute became two, then three, the room fading around him. He was transfixed—nearly transported—by the news report, the soup spoon still in his no-longer-tremulous hand.

The television image of the dormant airplane played across the lenses of his eyeglasses like a future foretold. The broth in the bowl cooled, its steam fading, dying, the picked-apart slice of rye bread remaining uneaten.

He
knew
.

Pick-pick-pick.

The old man
knew—

Pick-pick-pick.

His malformed hands began to ache. What he saw before him was not an omen—it was an incursion. It was the act itself. The thing he had been waiting for. That he had been preparing for. All his life until now.

Any relief he had felt initially—at not having been outlived by this horror; at getting one last-minute chance at vengeance—was replaced immediately by sharp, painlike fear. The words left his mouth on a gust of steam.

He is here … He is here…

ARRIVAL

Regis Air Maintenance Hangar

B
ecause JFK needed the taxiway cleared, the entire aircraft was towed as is into the Regis Air long-span maintenance hangar in the hour before dawn. No one spoke as the lame 777 full of dead passengers rolled past like an enormous white casket.

Once the wheel chocks were put down and the airplane was secured, black tarpaulins were laid out to cover the stained cement floor. Borrowed hospital screens were erected to curtain off a wide containment zone between the left wing and the nose. The plane was isolated in the hangar, like a corpse inside a massive morgue.

At Eph’s request, the Office of the Chief Medical Examiner of New York dispatched several senior medicolegal investigators from Manhattan and Queens, bringing with them several cartons of rubber crash bags. The OCME, the world’s largest medical examiner’s office, was experienced in multiple-casualty disaster management, and helped devise an orderly process of cadaver retrieval.

Port Authority HAZMAT officers in full contact suits brought out the air marshal first—solemnly, officers saluting the bagged corpse as it appeared at the wing door—and then, laboriously, everyone else in the first row of coach. They then removed those emptied seats, using the added space to bag the corpses before evacuating them. Each body,
one at a time, was strapped to a stretcher and lowered from the wing to the tarp-covered floor.

The process was deliberate and, at times, gruesome. At one point, about thirty bodies in, one of the Port Authority officers suddenly stumbled away from the retrieval line moaning and gripping his hood. Two fellow HAZMAT officers converged on him, and he lashed out, shoving them into the hospital screens, in effect breaching the containment border. Panic erupted, people clearing the way for this possibly poisoned or infected officer clawing at his containment suit on his way out of the cavernous hangar. Eph caught up with him out on the apron, where, in the light of the morning sun, the officer succeeded in throwing off his hood and peeling off his suit, like a constricting skin. Eph grabbed the man, who then sank down onto the tarmac, sitting there with sweaty tears in his eyes.