Tinker, Tailor, Soldier, Spy (2 page)

I warmed to Blake, on the other hand, because he was half a Dutchman and half a Jew, and in both capacities a most unlikely recruit to the secret ranks of the British Establishment. Where Philby had been born inside the fortress and spent his life borrowing beneath its ramparts, Blake had been born in the wastes of foreign and ethnic disadvantage, and had gone to great lengths to gain acceptance by those who secretly despised him: his employers. So that when I started putting together my little bestiary of suspects, I made sure that there were at least two of them—Bland and Esterhase and perhaps Jim Prideaux also—who were alienated by birth from the class structure that they served.

So much for the documentary background. The rest is an informed fantasy. The origin of my use of the word “mole” to describe a long-term penetration agent is a small mystery to me, as it was to the editors of the Oxford English Dictionary, who wrote to me asking whether I had invented it. I could not say for certain. I had a memory that it was current KGB jargon in the days when I was briefly an intelligence officer. I even thought I had seen it written down, in an annexe to the Royal Commission report on the Petrovs, who defected to the Australians in Canberra some time in the Fifties. But the OED couldn’t find the trace and neither could I, so for a long time, I thought perhaps I had. Then one day, I received a letter from a reader, referring me to page 240 of Francis Bacon’s
Historie of the Reigne of King Henry the Seventh,
published in 1641:

As for his secret Spialls, which he did imploy both at home and abroad, by them to discover what Practices and Conspiracies were against him, surely his Case required it: Hee had such Moles perpectually working and casting to undermine him.

Well, I certainly hadn’t read Francis Bacon on moles. Where did he have them from? Or was he just having fun with an apt metaphor?

The other bits of jargon—lamplighter, scalp-hunter, baby-sitter, honey trap and the rest—were all invented, but they too, I am told, have at least in part since been adopted by the professionals. I made no particular cult of them as I wrote: I wished merely to underline the fact that spying for those who do it is a trade like any other, and that, like other trades, it has its little bits of language. The Russians were always more imaginative in this respect, living in daily contact with shoemakers (forgers), neighbours (members of a sister service), pianists (radio operators) and the like. My clandestine vocabulary was therefore a small conceit, but when the BBC’s television version reached the screen, it became for a while a national amusement, for which I was duly grateful.

How do I remember the book now, sixteen years on? Partly, I suppose, for the luck that followed it—the exposure of Blunt, the TV series, Alec Guinness triumphant as George Smiley, not to mention the marvellous direction and casting. And partly, because it restored my spirits after the miserable critical reception given to its predecessor,
The Naive and Sentimental Lover.
But mostly I remember it for the little boy Bill Roach, who had his counterpart in my own days as a schoolmaster, and later in
A Perfect Spy
as poor Pym’s son. Roach was not his name, of course, and he did not, so far as I know, spy on members of the staff. But I remember his watchfulness as if it had been my own, and I remember how deeply he got under my skin, perhaps because I could not help thinking of him as myself, when I was fifteen years younger.

And I remember Connie Sachs, too, my Circus researcher, an archetype for the last generation of secret service vestals—clever, unhappy ladies of the English upper classes, who, having joined the service in the war, stayed on to fight the peace, making a kind of granary of their extraordinary memories for us young turks to plunder.

It is odd, in these altered days, to discover that
Tinker Tailor
is already an historical novel, but I don’t think that makes it irrelevant, and I hope you have as much pleasure with it as I do myself, when I dip into it.

JOHN LE CARRÉ

July 1991

PART I

1

T
he truth is, if old Major Dover hadn’t dropped dead at Taunton races Jim would never have come to Thursgood’s at all. He came in mid-term without an interview—late May, it was, though no one would have thought it from the weather—employed through one of the shiftier agencies specialising in supply teachers for prep schools, to hold down old Dover’s teaching till someone suitable could be found. “A linguist,” Thursgood told the common-room, “a temporary measure,” and brushed away his forelock in self-defence. “Priddo.” He gave the spelling, “P-r-i-d”—French was not Thursgood’s subject so he consulted the slip of paper—“e-a-u-x, first name James. I think he’ll do us very well till July.” The staff had no difficulty in reading the signals. Jim Prideaux was a poor white of the teaching community. He belonged to the same sad bunch as the late Mrs. Loveday, who had a Persian-lamb coat and stood in for junior divinity until her cheques bounced, or the late Mr. Maltby, the pianist who had been called from choir practice to help the police with their enquiries, and as far as anyone knew was helping them to this day, for Maltby’s trunk still lay in the cellar awaiting instructions. Several of the staff, but chiefly Marjoribanks, were in favour of opening that trunk. They said it contained notorious missing treasures: Aprahamian’s silver-framed picture of his Lebanese mother, for instance; Best-Ingram’s Swiss army penknife and Matron’s watch. But Thursgood set his creaseless face resolutely against their entreaties. Only five years had passed since he had inherited the school from his father, but they had taught him already that some things are best locked away.

Jim Prideaux arrived on a Friday in a rainstorm. The rain rolled like gun-smoke down the brown combes of the Quantocks, then raced across the empty cricket fields into the sandstone of the crumbling façades. He arrived just after lunch, driving an old red Alvis and towing a second-hand trailer that had once been blue. Early afternoons at Thursgood’s are tranquil, a brief truce in the running fight of each school day. The boys are sent to rest in their dormitories, the staff sit in the common-room over coffee reading newspapers or correcting boys’ work. Thursgood reads a novel to his mother. Of the whole school, therefore, only little Bill Roach actually saw Jim arrive, saw the steam belching from the Alvis’s bonnet as it wheezed its way down the pitted drive, windscreen wipers going full pelt and the trailer shuddering through the puddles in pursuit.

Roach was a new boy in those days and graded dull, if not actually deficient. Thursgood’s was his second prep school in two terms. He was a fat round child with asthma, and he spent large parts of his rest kneeling on the end of his bed, gazing through the window. His mother lived grandly in Bath; his father was agreed to be the richest in the school, a distinction which cost the son dear. Coming from a broken home, Roach was also a natural watcher. In Roach’s observation Jim did not stop at the school buildings but continued across the sweep to the stable yard. He knew the layout of the place already. Roach decided later that he must have made a reconnaissance or studied maps. Even when he reached the yard, he didn’t stop but drove straight onto the wet grass, travelling at speed to keep the momentum. Then over the hummock into the Dip, head-first and out of sight. Roach half expected the trailer to jackknife on the brink, Jim took it over so fast, but instead it just lifted its tail and disappeared like a giant rabbit into its hole.

The Dip is a piece of Thursgood folklore. It lies in a patch of wasteland between the orchard, the fruit house, and the stable yard. To look at, it is no more than a depression in the ground, grass covered, with hummocks on the northern side, each about boy height and covered in tufted thickets which in summer grow spongy. It is these hummocks that give the Dip its special virtue as a playground and also its reputation, which varies with the fantasy of each new generation of boys. They are the traces of an open-cast silver mine, says one year, and digs enthusiastically for wealth. They are a Romano-British fort, says another, and stages battles with sticks and clay missiles. To others the Dip is a bomb-crater from the war and the hummocks are seated bodies buried in the blast. The truth is more prosaic. Six years ago, and not long before his abrupt elopement with a receptionist from the Castle Hotel, Thursgood’s father had launched an appeal for a swimming pool and persuaded the boys to dig a large hole with a deep and a shallow end. But the money that came in was never quite enough to finance the ambition, so it was frittered away on other schemes, such as a new projector for the art school, and a plan to grow mushrooms in the school cellars. And even, said the cruel ones, to feather a nest for certain illicit lovers when they eventually took flight to Germany, the lady’s native home.

Jim was unaware of these associations. The fact remains that by sheer luck he had chosen the one corner of Thursgood’s academy which, as far as Roach was concerned, was endowed with supernatural properties.

Roach waited at the window but saw nothing more. Both the Alvis and the trailer were in dead ground, and if it hadn’t been for the wet red tracks across the grass he might have wondered whether he had dreamed the whole thing. But the tracks were real, so when the bell went for the end of rest he put on his rubber boots and trudged through the rain to the top of the Dip and peered down, and there was Jim dressed in an army raincoat and a quite extraordinary hat, broadbrimmed like a safari hat but hairy, with one side pinned up in a rakish piratical curl and the water running off it like a gutter.

The Alvis was in the stable yard; Roach never knew how Jim spirited it out of the Dip, but the trailer was right down there, at what should have been the deep end, bedded on platforms of weathered brick, and Jim was sitting on the step drinking from a green plastic beaker, and rubbing his right shoulder as if he had banged it on something, while the rain poured off his hat. Then the hat lifted and Roach found himself staring at an extremely fierce red face, made still fiercer by the shadow of the brim and by a brown moustache washed into fangs by the rain. The rest of the face was criss-crossed with jagged cracks, so deep and crooked that Roach concluded in another of his flashes of imaginative genius that Jim had once been very hungry in a tropical place and filled up again since. The left arm still lay across his chest, the right shoulder was still drawn high against his neck. But the whole tangled shape of him was stock-still, he was like an animal frozen against its background: a stag, thought Roach, on a hopeful impulse; something noble.

“Who the hell are you?” asked a very military voice.

“Sir, Roach, sir. I’m a new boy.”

For a moment longer, the brick face surveyed Roach from the shadow of the hat. Then, to his intense relief, its features relaxed into a wolfish grin, the left hand, still clapped over the right shoulder, resumed its slow massage while at the same time he managed a long pull from the plastic beaker.

“New boy, eh?” Jim repeated into the beaker, still grinning. “Well, that’s a lucky break, I will say.”

Rising now, and turning his crooked back on Roach, Jim set to work on what appeared to be a detailed study of the trailer’s four legs, a very critical study that involved much rocking of the suspension, and much tilting of the strangely garbed head, and the emplacement of several bricks at different angles and points. Meanwhile the spring rain was clattering down on everything: his coat, his hat, and the roof of the old trailer. And Roach noticed that throughout these manoeuvres Jim’s right shoulder had not budged at all but stayed wedged high against his neck like a rock under the mackintosh. Therefore he wondered whether Jim was a sort of giant hunchback and whether all hunch backs hurt as Jim’s did. And he noticed as a generality, a thing to store away, that people with bad backs take long strides; it was something to do with balance.

“New boy, eh? Well,
I’m
not a new boy,” Jim went on, in altogether a much more friendly tone, as he pulled at a leg of the trailer. “I’m an old boy. Old as Rip van Winkle, if you want to know. Older. Got any friends?”

“No, sir,” said Roach simply, in the listless tone that schoolboys always use for saying “no,” leaving all positive response to their interrogators. Jim, however, made no response at all, so that Roach felt an odd stirring of kinship suddenly, and of hope.

“My other name’s Bill,” he said. “I was christened Bill but Mr. Thursgood calls me William.”

“Bill, eh. The unpaid Bill. Anyone ever call you that?”

“No, sir.”

“Good name, anyway.”

“Yes, sir.”

“Known a lot of Bills. They’ve all been good’uns.”

With that, in a manner of speaking, the introduction was made. Jim did not tell Roach to go away, so Roach stayed on the brow peering downward through his rain-smeared spectacles. The bricks, he noticed with awe, were pinched from the cucumber frame. Several had been loose already and Jim must have loosened them a bit more. It seemed a wonderful thing to Roach that anyone just arrived at Thursgood’s should be so self-possessed as to pinch the actual fabric of the school for his own purposes, and doubly wonderful that Jim had run a lead off the hydrant for his water, for that hydrant was the subject of a special school rule: to touch it at all was a beatable offence.

“Hey, you, Bill. You wouldn’t have such a thing as a marble on you, by any chance?”

“A, sir, what, sir?” Roach asked, patting his pockets in a dazed way.

“Marble, old boy. Round glass marble, little ball. Don’t boys play marbles any more? We did when I was at school.”

Roach had no marble, but Aprahamian had had a whole collection flown in from Beirut. It took Roach about fifty seconds to race back to the school, secure one against the wildest undertakings, and return panting to the Dip. There he hesitated, for in his mind the Dip was already Jim’s and Roach required leave to descend it. But Jim had disappeared into the trailer, so, having waited a moment, Roach stepped gingerly down the bank and offered the marble through the doorway. Jim didn’t spot him at once. He was sipping from the beaker and staring out the window at the black clouds as they tore this way and that over the Quantocks. This sipping movement, Roach noticed, was actually quite difficult, for Jim could not easily swallow standing up straight; he had to tilt his whole twisted trunk backward to achieve the angle. Meanwhile the rain came on really hard again, rattling against the trailer like gravel.