| Rights of Whores , 167; LeMoncheck, Dehumanizing Women , 2630; also see Lederer, "Then and Now"; Lovelace, Ordeal .
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| 98. See Scott et al. (CORP), "Realistic Feminists," 20417; also see Lopez-Jones, "Workers"; West, ''U.S. PROStitutes Collective"; Hartley, "Confessions of a Feminist Porno Star."
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| 99. See Priscilla Alexander, "Prostitutes Are Being Scapegoated for Heterosexual AIDS," in Delacoste and Alexander, Sex Work , 24863; Priscilla Alexander, "Update on HIV Infection and Prostitute Women," in Pheterson, A Vindication of the Rights of Whores , 13237; Nina Lopez-Jones, "Prostitute Women and AIDS: Resisting the Virus of Repression," paper presented at the Women's Studies Seminar on Prostitution, Huntington Library, Pasadena, California, 13 March 1993; also see COYOTE/National Task Force on Prostitution position statement, 290; Hansje Verbeek and Terry van der Zijden, "The Red Thread: Whores' Movement in Holland," in Delacoste and Alexander, Sex Work , 300; "World Charter for Prostitutes' Rights," in Pheterson, A Vindication of the Rights of Whores , 41; Gail Pheterson, "The Social Consequences of Unchastity," in Delacoste and Alexander, Sex Work , 218; Clark, "Liberalism and Pornography"; Scott et al. (CORP), "Realistic Feminists," 205.
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| 100. See Marjan Sax, "The Pink Thread," in Delacoste and Alexander, Sex Work , 3014; also see chapter 4, n. 16 in this book. Annie Sprinkle describes how she uses sexually explicit stage performance traditionally labeled "objectifying" to define herself subversively as female sexual subject in Post Porn Modernist (Amsterdam: Torch Books, 1991); also see Linda Williams, "A Provoking Agent: The Pornography and Performance Art of Annie Sprinkle," in Gibson and Gibson, Dirty Looks , 17691.
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| 101. See C, in "We Take It for All Women," 102; St. James, "The Reclamation of Whores," 86; Scott et al. (CORP), "Realistic Feminists," 20414.
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| 102. See Sprinkle, "Feminism: 'Crunch Point,'" 14647; Jane Smith, "Making Movies"; Hartley, "Confessions of a Feminist Porno Star"; Seph Weene, "Venus," Heresies #12 "Sex Issue" 3, no. 4 (1981): 3638; Amber Cooke, "Stripping: Who Calls the Tune?," in Bell, Good Girls/Bad Girls , 9299; Cathy, "Unveiling," 11819. Linda Williams mentions the enthusiasm of lesbian performers in lesbian pornography, in "Pornographies On/scene," 253.
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| 103. English, "The Politics of Porn," 22; also see Webster, "Pornography and Pleasure," 49; St. James, "The Reclamation of Whores"; Biermann, "Feminism: 'Crunch Point,'" 170; Gail Pheterson, "Feminism: 'Crunch Point,'" in Pheterson, A Vindication of the Rights of Whores , 150, 168; Valentino and Johnson, "On the Game and On the Move," 21. Bell quotes one sex worker as saying, "Feminism is incomplete without us," from Laurie Bell, "Introduction," in Bell, Good Girls/Bad Girls , 17.
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| 104. Willis, "Feminism, Moralism, and Pornography," 46263; Rubin, "Misguided, Dangerous, and Wrong," 25, 2934; Soble, Pornography, Marxism, Feminism , 1617, 1920; Rubin, in English et al., "Talking Sex," 57, 60.
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| 105. See Beatrice Faust, Women, Sex, and Pornography (New York: Macmillan, 1980).
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| 106. See Rubin and English, in English et al., "Talking Sex"; Wendy McElroy, XXX: A Woman's Right to Pornography (New York: St. Martin's Press, 1995); Loretta Loach, "Bad Girls: Women Who Use Pornography," in Segal and McIntosh, Sex Exposed , 26674; Walkowitz, "The Politics of Prostitution"; also see Judith Walkowitz, "Male Vice and Female Virtue: Feminism and the Politics of Prostitution in Nineteenth-Century Britain," in Snitow et al., Powers of Desire , 41938; Brownworth, "The Porn Boom"; Smart, "Unquestionably a Moral Issue," 198.
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