Tinker Belles and Evil Queens: The Walt Disney Company From the Inside Out (50 page)

Bogart, Leo, ed.
Current Controversies in Marketing Research.
(Chicago: Markham, 1969).

———.
Strategy in Advertising: Matching Media and Messages to Markets and Motivation.
(Chicago: Crain Books, 1984).

Boone, Joseph A. “Rubbing Aladdin’s Lamp,”
Negotiating Lesbian and Gay Subjects,
Monica Dorenkamp and Richard Henke, eds. (New York: Routledge, 1995), 147–177.

Bordwell, David, Janet Staiger and Kristin Thompson,
The Classical Hollywood
Cinema: Film Style and the Mode of Production to 1960.
(New York: Columbia University Press, 1985).

Bouse, Derek. “True Life Fantasies: Storytelling Traditions in Animated Features and Wildlife Films,”
Animation Journal
3:2 (Spring 1995): 19–39.

“Box-Car Bertha,”
Sister of the Road: An Autobiography,
as told to Dr. Ben L. Reitman. (New York: Harper and Row, 1975).

B I B L I O G R A P H Y

269

Bragdon, Claude. “Mickey Mouse and What He Means,”
Scribners’ Magazine
96:1 (July 1934): 40–43.

Breen, Joseph I. Letter to Spencer Olin at the Walt Disney Studios (Mar. 7, 1946).

Brevitz, Elizabeth. “A Little Attitude,”
Premiere
3:4 (Dec. 1989): 134–136.

Bronski, Michael.
Culture Clash: The Making of Gay Sensibility.
(Boston: South End Press, 1984).

Brooks, Rep. Bob, et al. “An Open Letter to Michael Eisner and the Walt Disney Board,”
A League of Their Own
23 (Nov. 1995): 6.

Brown, John Mason. “Recessional,”
The Saturday Review
(June 3, 1950): 30.

Browning, Frank.
The Culture of Desire: Paradox and Perversity in Gay Lives Today.

(New York: Vintage Books, 1993).

Burg, B. R.
Sodomy and the Pirate Tradition: English Sea Rovers in the Seventeenth-Century Caribbean.
(New York: New York University Press, 1984).

Burr, Chandler. “Genes vs. Hormones,”
New York Times
(Aug. 2, 1993): A15.

Butler, Judith.
Gender Trouble: Feminism and the Subversion of Identity.
(New York: Routledge, 1990).

———. “Imitation and Gender Insubordination,”
Inside/Out: Lesbian Theories,
Gay Theories,
Diana Fuss, ed. (New York: Routledge, 1991), 13–31.

Canemaker, John.
Treasures of Disney Animation Art.
(New York: Abbeville Press, 1982).

Carmen, Ira.
Movies, Censorship and the Law.
(Ann Arbor: University of Michigan Press, 1967).

Carr, Harry. “The Only Unpaid Movie Star,”
The American Magazine
11:3 (Mar.

1931): 55–57.

Cartwright, Lisa, and Brian Goldfarb. “Cultural Contagion: On Disney’s Health Education Film for Latin America,”
Disney Discourse: Producing the Magic
Kingdom,
Eric Smoodin, ed. (New York: Routledge, 1994), 169–180.

Cerone, Daniel Howard. “
Ellen
May Be Telling Even Though Not Asked,”
TV

Guide
44:39 (Sept. 28, 1996): 59–60.

“Chastity on ‘Ellen’ Misleading.” NewsPlanet staff internet posting. “Planet Out” Webpage. www.planetout.com/pno/newsplanet/article.html. Mar.

10, 1998.

Chauncey, George, Jr.
Gay New York.
(New York: Basic Books, 1994).

“Cheers n’ Jeers,”
TV Guide
38:28 (July 14, 1990): 31.

Cholodenko, Alan. “Introduction,”
The Illusion of Life: Essays on Animation.
(Sydney: Power Publications, 1991), 9–36.

Clark, Danae. “Consumer Lesbianism,”
Camera Obscura
25–26 (Jan./May 1991): 181–201.

Clary, Mike, and James Bates. “Moral Crusading: Conservative Christians Shun Disney Over Gay-Partner Policy,”
Los Angeles Times
(Dec. 25, 1995): A4.

Cocteau, Jean.
Beauty and the Beast: Diary of a Film,
trans. Ronald Duncan. (New York: Dover, 1972).

270

B I B L I O G R A P H Y

Cohen, Ed. “Who Are ‘We’? Gay ‘Identity’ as Political (E)motion,”
Inside/Out:
Lesbian Theories, Gay Theories,
Diana Fuss, ed. (New York: Routledge, 1991), 71–92.

Cohen, Jaffe, Danny McWilliams and Bob Smith.
Growing Up Gay: From Left Out
to Coming Out.
(New York: Hyperion, 1995).

Cohen, Karl F.
Forbidden Animation: Censored Cartoons and Blacklisted Animators
in America
(Jefferson, NC: McFarland and Company, Inc., 1997).

———. “The Importance of the FBI’s ‘Walt Disney File’ to Animation Scholars,”

Animation Journal
3:2 (Spring 1995): 67–77.

Cohen, Steven. “Masquerading as the American Male in the Fifties:
Picnic,
William Holden and the Spectacle of Masculinity in Hollywood Film,”

Camera Obscura
25–26 (1991): 43–72.

Cole, Sylvia, and Abraham H. Lass.
The Facts On File Dictionary of 20th Century
Allusions.
(New York: Facts On File, 1991).

Collard, James. “Leaving the Gay Ghetto,”
Newsweek
132: 7 (Aug. 17, 1998): 53.

Crafton, Donald.
Before Mickey: The Animated Film (1898–1928).
(Chicago: University of Chicago Press, 1993).

———. Emile Cohl,
Caricature and Film.
(Princeton: Princeton University Press, 1996).

———. “Walt Disney’s
Peter Pan:
Woman Trouble on the Island,”
Storytelling in
Animation: The Art of the Animated Image,
Vol. 2, John Canemaker, ed. (Los Angeles: American Film Institute, 1988), 123–146.

Cuomo, Chris. “Spinsters in Sensible Shoes:
Mary Poppins
and
Bedknobs and
Broomsticks,
”
From Mouse to Mermaid: The Politics of Film, Gender, and Culture,
Elizabeth Bell, Lynda Haas and Laura Sells, eds. (Bloomington: Indiana University Press, 1995), 212–223.

Dale, Dr. Edgar. “Helping Youth Choose Better Movies,”
Parents’ Magazine
9:4

(Apr. 1934): 26–27, 71–73.

Dart, John. “Southern Baptist Delegates OK Disney Boycott,”
Los Angeles Times
(June 19, 1997): A1, A18–19.

Dawidoff, Robert. “Gays Saw Between the Lines of ‘Ellen’; Now for an Open Act 2,”
Los Angeles Times
(Apr. 18, 1997): B9.

de Certeau, Michel.
The Practice of Everyday Life,
trans. Steven Rendall. (Berkeley: University of California Press, 1984).

deCordova, Richard. “The Mickey in Macy’s Window: Childhood, Consumerism, and Disney Animation,”
Disney Discourse: Producing the Magic
Kingdom,
Eric Smoodin, ed. (New York: Routledge, 1994), 203–213.

DeFleur, Melvin, and Sandra Ball-Rokeach.
Theories of Mass Communication.

(New York: D. McKay Co., 1975).

D’Emilio, John. “Capitalism and Gay Identity,”
Powers of Desire: The Politics of
Sexuality,
Ann Snitow, Christine Stansell and Sharon Thompson, eds. (New York: Monthly Review Press, 1983), 100–113.

B I B L I O G R A P H Y

271

———.
Making Trouble: Essays on Gay History, Politics and the University.
(New York: Routledge, 1992).

———.
Sexual Politics, Sexual Communities: The Making of a Homosexual Minority
in the United States (1940–1970).
(Chicago: University of Chicago Press, 1983).

Delaney, Janice, et al.
The Curse: A Cultural History of Menstruation.
(New York: E. P. Dutton, 1976).

de Vries, Hilary. “Ellen DeGeneres: Out and About,”
TV Guide
(Oct. 11, 1998): 20–27.

Dickinson, Robert. “Anglo Agonistes: English Masculinities in British and American Film.” Diss., University of Southern California, 1996.

“DISNEY: A Homo-Show from Top to Bottom.” Posting to alt.disney.criticism newsgroup. Apr. 1997.

“Disney and Others,”
The New Republic
71:914 (June 8, 1932): 101–103.

“The ‘Disney Look.’” (The Walt Disney Company, 1987).

Disney, Walt. “The Cartoon’s Contribution to Children,”
Overland Monthly
(0ct.

1933): 138.

———. “Mickey Mouse Is Five Years Old,”
Film Pictorial
(Sept. 30, 1933): 5.

Doane, Mary Ann. “The Economy of Desire: The Commodity Form in/of the Cinema,”
QRFV
11:1 (1989): 23–33.

———. “Film and the Masquerade: Theorizing the Female Spectator,”
Screen
23:3–4 (Sept./Oct. 1982): 74–87.

Donahue, Suzanne Mary.
American Film Distribution: The Changing Marketplace.

(Ann Arbor: University of Michigan Press, 1987).

Dorfman, Ariel, and Armand Mattelart.
How to Read Donald Duck: Imperial Ideology in the Disney Comic.
(New York: International General, 1975).

Doty, Alexander.
Making Things Perfectly Queer: Interpreting Mass Culture.
(Minneapolis: University of Minnesota Press, 1993).

Douglas, Mary.
Purity and Danger.
(London: Routledge and Kegan Paul, 1969).

Duberman, Martin.
Stonewall.
(New York: Dutton, 1993).

Duberman, Martin, Martha Vicinus and George Chauncey, Jr., eds.
Hidden from
History: Reclaiming the Gay and Lesbian Past.
(New York: Meridian, 1990).

Duggan, Lisa. “Making It Perfectly Queer,”
Socialist Review
(Apr. 1992): 11–31.

Dyer, Richard. “Believing in Fairies: The Author and the Homosexual,”
Inside/Out: Lesbian Theories, Gay Theories,
Diana Fuss, ed. (New York: Routledge, 1991), 185–201.

Eastman, Fred. “How to Choose Movies for Your Children,”
Parents’ Magazine
9:3 (Mar. 1934): 18–19, 67–68.

Eckert, Charles. “The Carole Lombard in Macy’s Window,”
Quarterly Review of
Film Studies
3:1 (Winter 1978): 1–21.

Eisenstein, Sergei.
Eisenstein on Disney,
trans. Alan Upchurch, Jay Leyda, ed.

(London: Methuen, 1988).

272

B I B L I O G R A P H Y

Eisenstein, Sergei. “Film Form: New Problems,”
Film Form,
trans. Jay Leyda.

(New York: Harcourt, Brace, Jovanovich, 1949), 122–149.

Eliot, Marc.
Walt Disney: Hollywood’s Dark Prince.
(New York: Birch Lane Press, 1993).

Ellis-Simons, Pamela. “Hi Ho, Hi Ho; It’s Off to Work He Goes as Michael Eisner Puts the Magic Back into the Walt Disney Co.,”
Marketing & Media Decisions
(Sept. 1986), 52.

The Entertainment Weekly Guide to the Greatest Movies Ever Made.
(New York: Warner Books, 1994).

Erb, Cynthia. “Another World or the World of an Other?: The Space of Romance in Recent Versions of ‘Beauty and the Beast,’”
Cinema Journal
34:4 (Summer 1995): 50–70.

Ewen, Stuart.
Captains of Consciousness: Advertising and the Social Roots of Consumer Culture.
(New York: McGraw-Hill, 1976).

Ewen, Stuart, and Elizabeth Ewen.
Channels of Desire: Mass Images and the Shaping of American Consciousness.
(New York: McGraw-Hill, 1982).

Faderman, Lillian.
Odd Girls and Twilight Lovers: A History of Lesbian Life in Twentieth-Century America.
(New York: Penguin, 1992).

“Family Movie Guide,”
Parents’ Magazine
9:1 (Jan. 1934): 30.

Feild, R. D.
The Art of Walt Disney.
(New York: Macmillan, 1942).

Fiske, John.
Television Culture.
(London: Methuen, 1987).

———.
Understanding Popular Culture.
(Boston: Unwin Hyman, 1989).

Flanner, Janet. “Boom Shot of Hollywood,”
Harpers’ Bazaar
(Nov. 1, 1936): 106–107, 183–184.

Flower, Joe.
The Prince of the Magic Kingdom: Michael Eisner and the Re-Making of
Disney.
(New York: John Wiley and Sons, Inc., 1981).

Fone, Byrne R. S.
Masculine Landscapes: Walt Whitman and the Homoerotic Text.

(Carbondale: Southern Illinois University Press, 1992).

Forman, Henry James.
Our Movie-Made Children.
(New York: Macmillan Co., 1933).

Forster, E. M.
Aspects of the Novel.
(New York: Harcourt, Brace and Co., 1927).

———. “Mickey and Minnie,”
Spectator
(Jan. 19, 1934): 81–82.

———. “Story of a Panic,”
The Collected Tales of E. M. Forster.
(New York: Knopf, 1952), 8–9.

Foucault, Michel. “Body/Power,”
Power/Knowledge: Selected Interviews and Other
Writings, 1972–1977,
trans. Colin Gordon et al., Colin Gordon, ed.

(Brighton: Harvester Press, 1980), 55–62.

———.
The History of Sexuality, Vol. 1, An Introduction,
trans. Robert Hurley.

(New York: Vintage Books, 1990).

Fox, David J. “Disney Will Alter Song in Aladdin,”
Los Angeles Time
s (July 10, 1993): F1, F4.

B I B L I O G R A P H Y

273

———. “Looking at ‘Beauty’ as Tribute to Lyricist Who Gave ‘Beast His Soul,’”

Los Angeles Times
(Nov. 15, 1991): F1, 17.

Fox, William. “Folklore and Fakelore: Some Sociological Considerations,”
Journal of the Folklore Institute
17:2–3 (May/Dec. 1980): 249–256.

Fretts, Bruce. “This Week,”
Entertainment Weekly
(Oct. 25, 1996): 102.

Furniss, Maureen. “Animation and Color Key: The Career of Phyllis Craig,”
Animation Journal
5:1 (Fall 1996): 58–70.

Fuss, Diana, ed. “Inside/Out,”
Inside/Out: Lesbian Theories, Gay Theories
(New York: Routledge, 1991), 1–10.

Gaines, Jane. “The Queen Christina Tie-Ups: Convergence of Show Screen and Screen,”
QRFV
11:1 (1989): 35–60.

———.
Contested Culture.
(Chapel Hill: Univeristy of North Carolina Press, 1991).

Gaines, Steven. “Will the Mouse Come Out?”
Buzz
6:4 (May 1995): 64–69.

“Gay Day at Disney World Goes Off Without Incident, Park Aide Reports,”
Los
Angeles Times
(June 5, 1994): A21.

Gill, Mark Stuart. “Never Say Never-Never Land,”
Out
52 (Mar. 1998): 70–74, 113.

Gomery, Douglas. “Disney’s Business History: A Reinterpretation,”
Disney Discourse: Producing the Magic Kingdom,
Eric Smoodin, ed. (New York: Routledge, 1994), 71–86.