Tinker Belles and Evil Queens: The Walt Disney Company From the Inside Out (54 page)

xix, 52, 87; Disney texts and, xvi, 83–84,

In the Life,
150

86–87, 147–148, 159, 169–181, 207–208;

Irons, Jeremy, 211

separatism and, 95

Lessing, Gunther, 27

Jackson, Michael 118

Lifetime Television, 182

Jacobs, Irwin, 105

Light in the Forest, The
(1958), 82–83

Jameson, Frederic, xvii, 197

Limbaugh, Rush, 112, 133

Jenkins, Henry, xxii, 49, 50–51, 77–78

Lion King, The
(1993), 142, 196, 207,

Jennings, Richard, 98

210–213, 215, 219, 221; print campaign

Jiminy Cricket, 37, 59

for, 194

John, Elton, 108, 196, 211

Little House, The
(1952), 58

Johnny Guitar
(1954), 50

Little Mermaid, The
(1989), x, 136, 141, 142,

Johnston, Ollie, 10, 19, 71

143–144, 146, 149–152, 207, 210, 219, 221

Jungle Book, The
(1967), x, 76–77, 88

Little Richard, 158

Jungle Book, The
(1994), 162

Litvak, Sandy, 109–110

Jungle Cruise, 121, 130

Living Desert, The
(1954), 43

Living End, The
(1992), 153

Kalin, Tom, 153

Lloyd, Lauren, 108, 141, 153, 195

Kamen, Herman “Kay,” 185–186

Log Cabin Republicans, 226

Kasem, Casey, 208

Lombroso, Cesar, 67

Katzenberg, Jeffrey, ix, 98, 106–108, 11,

Lonesome Ghosts
(1938), 169

143, 144, 148, 184, 192, 215–216

Looking for Mr. Goodbar
(1978), 97

Katzenjammer Kids, 70

Los Angeles Bar and Restaurant Associa-

KCAL, 112, 133

tion, 126–127

Keane, Glenn, 148

Los Angeles Times,
112, 133, 171, 175, 196,

Kelly, Patsy, 87, 99

208, 222, 223

Keunz, Jane, 123–124

Love Bug, The
(1969), 102

Kilmer, Val, 167–168

Lovell, Glenn, 179–180

King Neptune
(1932), 15

Lucas, George, 103

Kinney, Jack, 32

Lullaby Land
(1933), 16

Kirk, Tommy 82, 84, 99–101

Koenig, David, 120–121

M2M,
198

Koko the Clown, 18

MacArthur, James, 82–83, 100

Kostenbaum, Wayne, xii

Main Street, 120, 124, 228–229

Kulp, Nancy, 99

Make Mine Music
(1946), 38–39, 58

Kurti, Jeff, 109, 111, 113

Maltin, Leonard, 20, 73

Mandel, Ernest, xvii, 197

Lambert, the Sheepish Lion
(1952), 64

Marais, Jean, 144

Lane, Nathan, 211

March on Washington, 110–111, 117

Last Call at Maud’s
(1992), 200

Marchand, Roland, 191–192, 206

Lauch, Bill, 99, 150

Marin, Cheech, 210

Lee, Brandon, 162

Mary Poppins
(1964), 87–88, 101, 169

Leonard, Robert Sean, 161–162, 164

Mary Tyler Moore Show, The,
172

Lesbian And Gay United Employees

Maslin, Janet, 145–146, 164–166

(LEAGUE), 93–94, 99, 108–117, 131, 133,

Matterhorn rollercoaster, 121

137–138, 169, 178; influence of, 116;

Matt Sterling Productions, 191, 196

288

I N D E X

Maupin, Armistead, 79, 80

National Coalition of Anti-Violence Pro-

McClanahan, Rue, 170–171

grams, 227

McDonald’s, 186, 192

National Gay and Lesbian Task Force, 98

Melody Time
(1948), 38, 58

National Organization of Women, 94

Menken, Alan, 99, 143, 145, 208

Natwick, Grim, 71

Merbabies
(1938), 56

Nava, Michael, 79

Merritt, Russell, 6–7

Nettleton, Lois, 170

Messmer, Otto, 9

“New Adventures of Spin and Marty,

MGM, xii; animation department, 40–41;

The,” 82, 83

“family” image, 28–29

New Mickey Mouse Club, The,
154

Mickey Mouse, 10–15, 16, 18, 21, 41, 169;

“New Queer Cinema,” 139, 152–153, 198

marketing and, 185–186; Production

New Spirit, The
(1942), 31

Code and, 11–15, 21, 22–23;

New Wave Productions, ix, 194, 195

slang/coded meaning of, 48–49, 54–56,

New York Magazine,
107

69–70

New York Times,
54, 145, 155, 164, 166, 193,

Mickey Mouse Club, The,
xii, 80, 82, 83, 100,

196

150, 170, 188

New York Times Magazine,
23

“Mickey Mouse Clubs,” 13, 53

New Yorker, The,
23–24

Mickey Steps Out
(1931), 14

Newsies
(1992), 162–164, 205

Mickey’s Nightmare
(1932), 15

Newsreel,
109, 116

Mickey’s Service Station
(1935), 169

Newsweek,
196

Mickey’s Trailer
(1938), 169

Nichols, Bill, 138–139

Midler, Bette, 107, 154, 156–159, 169, 181,

Nickelodeon, xiv

195

Nielsen, Sass, 109–113, 117, 131

Midsummer’s Night Dream, A,
161

Noah’s Ark
(1959), 58–59

Miller, D. A., 183, 195

Nolte, Nick, 107, 154, 158

Miller, Ron, 102, 104–105

Noriega, Chon, 184

Mills, Hayley, 84, 87, 169

North American Man/Boy Love Associa-

Mineo, Sal, 99

tion (NAMBLA), xvi

Minnie Mouse, 10, 14–15, 18, 169

Now You See Him, Now You Don’t
(1972), 85

Mintz, Charles, 185

Nunis, Richard, 118

Mirabella,
198

Miramax, 153, 218

O’Donnell, Chris, 162

Misadventures of Merlin Jones, The
(1963),

Odyssey Tours, 191, 203, 223

100

Off Beat
(1988), 159, 194

Monkey’s Uncle, The
(1964), 100

Old Mill, The
(1937), 18–19

Morris the Midget Moose
(1950), 64

Old Yeller
(1957), 82, 100

Mosley, Leonard, 26

Oliver and Company
(1988), 157

Moth and the Flame, The
(1938), 16

Olivia Cruises, 202

Motion Picture Herald,
13–14

Olympia
(1938), 166

Motion Picture Producers and Distribu-

101 Dalmatians
(1961), 46, 73–75

tors of America (MPPDA), 12, 13

$1,000,000 Duck, The
(1971), 103

Moving Day
(1936), 169

One of Our Dinosaurs Is Missing
(1975),

Mr. Wrong
(1996), 173

103

Mulan
(1998), 223

Operation Rescue, xiv, 224–225

Mulvey, Laura, 71

Ortega, Kenny, 163

Museum of Modern Art, 54

Oswald the Lucky Rabbit, 7–10, 185

Music Land
(1936), 17, 64

Our Movie-Made Children
(Forman), 12

Musker, John, 143

Out,
xiv, 98, 108, 113, 195, 198, 203, 225

Mutt and Jeff, 70

Out of the Inkwell,
9

I N D E X

289

Outrageous Fortune
(1987), 157

Reed, Ralph, 222

Overland Monthly,
22, 23

Reifenstahl, Leni, 166

Reluctant Dragon, The
(1941), 65–66

Paint Your Wagon
(1969), 101

Rescuers Down Under, The
(1990), 143

Pangborn, Franklin, 156

Rice, Tim, 145

Paramount, xii, 105–106, 107, 187.
See also

Richards, Evan, 154–155

Viacom

RKO, 29

Parent Trap, The
(1961), 84, 87, 169

Roberts, Julia, 190

Parents’ Magazine,
23, 25

Robertson, Pat, 174, 213

Paris Is Burning
(1992), 153

Rocky Horror Picture Show, The
(1974),

Parker, Fess, 82–83

162

Parsons, Louella, 25

Rodman, Dennis, 226

Pasatieri, Thomas, 108, 141

Rodgers, Mary, 87

Pasolini, Pier Paolo, 145

Romero, Cesar, 85, 99

“People and Places,” 42

Ron/Owen and Partners, 201, 204

Peter Pan
(1953), xi, 41, 63, 68, 75–76, 148

Rope
(1948), 183

Phelps, Fred, 174

Roseanne,
187–188

Philadelphia
(1993), 153

RuPaul, 153

Photoplay,
23

Russell, Kurt, xi, xii, 85, 103, 167

Picture of Dorian Gray, The
(Wilde), 134

Russo, Vito, 48, 75, 155

Pinocchio
(1940), 29, 30, 38, 75, 148, 149;

Ruthless People
(1987), 107, 157

anal humor and, 59–60

Pirates of the Carribean, 121

Saludos Amigos
(1942), 32, 38

Plane Crazy
(1928), 10

Salva, Victor, 218–219

Planet Homo,
199, 213

Sanders, George, 76

Plotnick, Jack, 174

Sarris, Andrew, 138

Pluto, 14–15, 17

Saturday Review, The,
38–39

Pocahontas
(1994), 202, 210

Savage Sam
(1963), 82

Poirier, Paris, 200

Sawyer, Diane, 176, 202

Pollyanna
(1960), 46–47

Schickel, Richard, 11, 20

Poor Papa
(1926), 10

Schiebler, Sue, 123, 125–126, 130

Porter, Cole, 49

Schneider, Peter, 209

Powder
(1996), 218, 221

Schumacher, Tom, 195–196, 202

Premiere,
196

Seal Island
(1949), 42

Pretty Woman
(1990), x, 189–190

Second Noah,
187–188

Priest
(1994), 153, 218–219, 221

Sedgwick, Eve, 69

Priestly, Jason, 166, 195

Seldes, Gilbert, 23

PrimeTime Live,
176, 202

Selleck, Tom, 159–160, 194

Production Code, 12–13, 24–25, 39, 44,

Sendak, Maurice, 11

46, 56

Shafer, Tina, 113

Shaggy Dog, The
(1959), 45, 84, 100

Queer Nation, xxi, 96–97, 111, 125, 133

Shale, Richard, 32, 34

queer theory, xxi-xxii, 52–53, 69–70,

Sharpsteen, Ben, 42

147–148, 180–181, 213, 222, 226–229

She Done Him Wrong
(1933), 25

Quigley, Martin, 12

Sheinberg, Sid, 98

Shepard, Matthew, 227–228

Rather, Dan, 134–136, 143–144, 178

Shindig, The
(1930), 13

ratings system, 102–103, 104, 106–107

Shohat, Ella, 208–209

Reagan, Ronald, 96, 103

Short, Bill, 197

Red Hot Riding Hood
(1944), 40

Signorile, Michelangelo, 98, 227

290

I N D E X

Silence of the Lambs
(1991), 97, 99

tion campaigns, 189–190; commodifica-

“Silly Symphonies,” 59, 64; the Production

tion and, 206–207

Code and, 15–17

Tea and Sympathy
(1956), 184

Skeleton Dance, The
(1929), 15

Team Disney.
See
Walt Disney Company

Sklar, Marty, 119–120

Thomas, Bob, 27

Sklar, Robert, 17

Thomas, Frank, 10, 19, 71

Sleeping Beauty
(1959), 41, 73–75, 79, 223

Three Caballeros, The
(1945), 32, 38–39,

Smile
(1973), 150

60–62

Smith, Jack, 145, 209

Three Little Pigs, The
(1933), 16, 19, 31

Smith, W. R., 188

Three Men and a Baby
(1987), ix, 157,

Smoodin, Eric, 32, 38–39

159–160

Snow White and the Seven Dwarfs
(1937), 27,

Three Men and a Little Lady
(1990), 143, 160,

29, 30, 68, 71, 73, 149, 212; Narconian

194

Hotel celebration for, 27–28

Three Musketeers, The
(1993), 162

Socarides, Charles, 67

Three Weeks
(Glyn), 13

“social constructionism.”
See
homosexu-

Through the Mirror
(1936), 63

ality

“thu,” 124

Sontag, Susan, 68–69

Time,
13, 23–24, 54, 176, 205–206

Sony Entertainment Corporation, 98, 187

Time/Warner, 187.
See also
Warner Bros.

Southern Baptist Church, xiv, 216–217,

Timon and Pumbaa,
211, 212

222–225, 227

Tokyo Disneyland, 104, 122

Spielberg, Steven, 103

Tom and Huck
(1996), 162

Spectator,
54

Tom of Finland, 202

“Spin and Marty,” xii, 79–82, 85

Tombstone
(1993), 166–168, 180, 195

Splash
(1983), 104–105, 107

Tomlin, Lily, 159, 169, 195

Squanto: A Warrior’s Tale
(1995), 162

Tomorrowland Terrace, 126

Stabiner, Karen, 193, 204

Tonka
(1958), 82

Stand Our Ground (SOG), 224–225

Tortoise and the Hare, The
(1935), 16

Star Wars
(1977), 103

Totally Fucked Up
(1994), 181

Steamboat Willie
(1928), 10, 11, 18, 54

Touchstone Pictures, ix, 104, 108, 154, 183,

Steever, Garth, 120, 125, 128

218; “high concept comedies” of,

Steinberg, Saul, 105

154–160

Step by Step,
187–188

Touchstone Television, 141, 169–181,

Stonewall Inn, 94, 95, 165, 200–201

182–183, 206

Stop That Tank
(1941), 33

Tough Guys
(1987), 159, 194

Story of Her Life,
153

Toy Story
(1995), 220

Story of Menstruation, The
(1946), 35–36, 41

transgender, xvi, 114–115

Strongest Man in the World, The
(1975), xi,