Tinker Belles and Evil Queens: The Walt Disney Company From the Inside Out (52 page)

Mulvey, Laura. “Visual Pleasure and Narrative Cinema,”
Film Theory and Criticism,
Gerald Mast and Marshall Cohen, eds. (Oxford: Oxford University Press, 1985), 803–816.

Munsey, Cecil.
Disneyana: Walt Disney Collectibles.
(New York: Hawthorn Books, 1974).

Murphy, Ryan. “Out of the Closet, Onto the Screen,”
Out
17 (Nov. 1994): 78–80, 92–94, 138–143.

Musker, John, and Ron Clemente. Interview at University of Southern California (USC Cinema Library), Nov. 19, 1992.

Nelson, Cary, Paula A. Treichler and Larry Grossberg, “Cultural Studies: An Introduction,”
Cultural Studies.
(New York: Routledge, 1992), 1–22.

Nelson, John A. “Disney Wrong Target,”
USA Today
(June 18, 1997).

Nesbit, Anne. “Inanimations:
Snow White
and
Ivan the Terrible,
”
Film Quarterly
50:4 (Summer 1997): 20–31.

Neupert, Richard. “Painting a Plausible World: Disney’s Color Prototypes,”

Disney Discourse: Producing the Magic Kingdom,
Eric Smoodin, ed. (New York: Routledge, 1994), 106–117.

Nichols, Bill.
Movies and Methods,
Vol. 1. (Berkeley: University of California Press, 1976).

Noriega, Chon. “SOMETHING’S MISSING HERE! Homosexuality and Film Reviews during the Production Code Era, 1934–1962,”
Cinema Journal
30:1

(Fall 1990): 20–41.

O’Brien, Pamela C. “Everybody’s Busy Bringing You a Disney Afternoon: The Creation of a Consumption Community.” Paper presented at the Seventh Annual Society of Animation Studies Conference, University of North Carolina at Greensboro, 1995.

“On the Screen: Three Little Pigs,”
Literary Digest
(Oct. 14, 1933): 45–46.

Palmer, William J.
The Films of the Seventies: A Social History.
(Metuchen, NJ: Scarecrow Press, 1987).

B I B L I O G R A P H Y

279

“
Parents’ Magazine
Medal to Walt Disney,”
Parents’ Magazine
9:1 (Jan. 1934): 17.

Pasatieri, Thomas. Interview by author, Los Angeles, CA, June 30, 1996.

Petersen, Paul.
Walt, Mickey and Me
(New York: Dell, 1977).

“Portrait: Walt Disney,”
Newsweek
(Oct. 7, 1933): 48.

Potts, Mark, and Peter Behr.
The Leading Edge: CEOs Who Turned Their Companies
Around.
(New York: McGraw-Hill, 1987).

Pringle, Henry. “Mickey Mouse’s Father,”
McCall’s Magazine
(Aug. 1932): 7.

“Profound Mouse,”
Time
(May 15, 1933): 37.

Provenzano, Tom. “The Lion in Summer,”
The Advocate
(June 28, 1994): 64–70.

Pryor, Thomas M. “The Screen Grab-Bag,”
New York Times
(Nov. 10, 1940): Sec.

9, 5.

Radway, Janice. “Ethnography Among Elites: Comparing Discourses of Power,”
Journal of Communication Inquiry
13:2 (Summer 1989): 3–11.

Rafferty, Max. “The Greatest Pedagogue of All,”
Los Angeles Times
(Apr. 19, 1965): B5.

Rather, Dan. “The AIDS Metaphor in
Beauty and the Beast,
”
Los Angeles Times Calendar
(Mar. 22, 1992): 42.

“Regulated Rodent,”
Time
(Feb. 16, 1931): 21.

“The Religious Right on
Toy Story,
”
A LEAGUE of Our Own
24 (Jan./Feb.

1996): 2.

“Returning Favorites,”
TV Guide
44:37 (Sept. 13, 1996): 46.

Review of
Beauty and the Beast, Variety
(Nov. 11, 1991): 53.

Review of
Dead Poets Society, Variety
(May 31, 1989): 26.

Review of
Down and Out in Beverly Hills, Variety
(Jan. 15, 1986): 23.

Review of
The Little Mermaid, Variety
(Nov. 8, 1989): 32.

Rich, Adrienne. “Compulsory Heterosexuality and Lesbian Existence,”
The Lesbian and Gay Studies Reader,
Henry Abelove, Michele Aina Barale and David M. Halperin, eds. (New York: Routledge, 1993), 227–254.

Rich, B. Ruby. “Lauren Lloyd: Disney’s Crossover Achiever,”
Out
17 (Nov.

1994): 81.

———. “What’s a Good Gay Film?”
Out
60 (Nov. 1998): 56–58.

“Rights Group Buys Air Time on ‘Ellen,’”
New York Times
(Mar. 20, 1997): C6.

Robbins, L. H. “Mickey Mouse the Economist,”
New York Times Magazine
(Mar.

10, 1935): 22–23.

Rosenberg, Howard. “The Outing of ‘Ellen’? It’s Got Me Hooked,”
Los Angeles
Times
(Sept. 30, 1996): F1.

Rovin, Jeff.
Of Mice and Mickey: The Complete Guide to the Mickey Mouse Club.

(New York: Manor Books, 1975).

Russo, Vito.
The Celluloid Closet: Homosexuality in the Movies.
(New York: Harper and Row, 1987).

Sarris, Andrew.
The American Cinema: Directors and Directions, 1929–1968.
(New York: Dutton, 1968).

280

B I B L I O G R A P H Y

Sayers, Frances Clarke. “Why a Librarian Deplores Some of the Works of Walt Disney,”
The National Observer
(Feb. 14, 1966): 24.

Schickel, Richard.
The Disney Version.
(New York: Simon and Schuster, 1968).

Schiebler, Sue. Interview by author, Los Angeles, CA, May 31, 1994.

Schudson, Michael.
Advertising, the Uneasy Persuasion.
(New York: Basic Books, 1984).

Sedgwick, Eve Kosofsky.
Between Men: English Literature and Male Homosocial
Desire.
(New York: Columbia University Press, 1985).

———.
The Epistemology of the Closet.
(Berkeley: University of California Press, 1990).

Seldes, Gilbert. “Mickey-Mouse Maker,”
The New Yorker
(Dec. 19, 1931): 23–25.

Shafer, Tina. Interview by author, Burbank, CA, Aug. 12, 1994.

Shale, Richard.
Donald Duck Joins Up: The Walt Disney Studio During WWII.
(Ann Arbor: UMI Research Press, 1982).

Shapiro, Eddie. “Gayety in the Magic Kingdom: Even the Wrath of Pat Couldn’t Stop the Fun,”
4Front Magazine
3:24 (Aug. 19, 1998): 12–14.

Sheehan, Jack G. “Arab Caricatures Deface Disney’s Aladdin,”
Los Angeles Times
(Dec. 21, 1992): F5.

Shilts, Randy.
And the Band Played On: Politics, People and the AIDS Epidemic.

(New York: St. Martin’s Press, 1987).

Shohat, Ella. “Gender and Culture of Empire: Toward a Feminist Ethnography of the Cinema,”
QRFV
13:1–3 (1991): 45–84.

Short, Bill. “Queers, Beers and Shopping,”
Gay Times
170 (Nov. 1992): 18–20.

Signorile, Michelangelo.
Life Outside.
(New York: HarperCollins, 1997).

———.
Queer in America: Sex, the Media, and the Closets of Power.
(New York: Doubleday, 1993).

———. “641,086 and Counting,”
Out
58 (Sept. 1998): 72–74, 188.

Sklar, Robert. “The Making of Cultural Myths: Walt Disney and Frank Capra,”

Movie-Made America: A Cultural History of American Movies.
(New York: Random House, 1975), 195–213.

Smith-Rosenberg, Caroll.
Disorderly Conduct: Visions of Gender in Victorian America.
(New York: Oxford University Press, 1985).

Smoodin, Eric.
Animating Culture: Hollywood Cartoons from the Sound Era.
(New Brunswick: Rutgers University Press, 1993).

Socarides, Charles.
Beyond Sexual Freedom.
(New York: Quadrangle Books, 1975).

Sontag, Susan. “Notes on ‘Camp,’”
Against Interpretation and Other Essays.
(New York: Doubleday, 1966), 275–292.

Spigel, Lynn. “Seducing the Innocent: Childhood and Television in Postwar America,”
Ruthless Criticism: New Perspectives in U.S. Communications History,
William S. Solomon and Robert W. McChesney, eds. (Minneapolis: University of Minnesota Press, 1993), 280–281.

B I B L I O G R A P H Y

281

Stabiner, Karen. “Tapping the Homosexual Market,”
New York Times Magazine
(May 2, 1982): 34–36, 74–85.

Staiger, Janet. “Announcing Wares, Winning Patrons, Voicing Ideals: Thinking About the History and Theory of Film Advertising,”
Cinema Journal
29:3

(Spring 1990): 3–31.

Steever, Garth. Interview by author, Long Beach, CA, July 8, 1994.

Suplee, Curt. “Study Provides New Evidence of ‘Gay Gene,’”
Washington Post
(Oct. 31, 1995): A1.

Sweeney, Gael. “‘What Do You Want Me to Do, Dress in Drag and Do the Hula?’: Pumbaa and Timon’s Alternative Life Style Dilemma in Disney’s
The Lion King.
” Paper presented at the Seventh Annual Society of Animation Studies Conference, University of North Carolina at Greensboro, 1995.

Syring, Richard H. “One of the Greats,”
Silver Screen
(Nov. 1932): 46–47.

Taylor, John.
Storming the Magic Kingdom.
(New York: Knopf, 1987).

Terry, Jennifer. “Theorizing Deviant Historiography,”
differences
3:2 (Summer 1991): 55–74.

“The Testimony of Walter E. Disney Before the House Committee on Un-American Activities,”
The American Animated Cartoon: A Critical Anthology,
Gerald Peary and Danny Peary, eds. (New York: E. P. Dutton, 1980), 92–98.

Thomas, Bob.
Walt Disney: An American Original.
(New York: Simon and Schuster, 1976).

“Those Faces! Those Voices . . . ,”
People
32:24 (Dec. 11, 1989): 125.

“Thousands of Crockett Fans Cheer Bowl’s Disney Night,”
Los Angeles Times
(July 15, 1955): B1.

“The Three Caballeros,”
Time
(Feb. 19, 1945): 92.

Truffaut, François. “A Certain Tendency of the French Cinema,”
Movies and
Methods, Vol. 1,
Bill Nichols, ed. (Berkeley: University of California Press, 1976), 224–236.

TV Guide
42:35 (Aug. 27, 1994).

Van Meter, Jonathan. “The Post-Gay Man,”
Esquire
126:5 (Nov. 1996): 88–89, 132–134.

Verbraska, David. “Southern Baptists ‘Misplace’ Outrage,”
USA Today
(June 18, 1997).

Waller, Gregory A. “Mickey, Walt, and Film Criticism from
Steamboat Willie
to
Bambi,
”
The American Animated Cartoon: A Critical Anthology, Gerald Peary
and Danny Peary,
eds. (New York: E. P. Dutton, 1980), 46–57.

Warner, Marina. “Beauty and the Beasts,”
Sight and Sound
2:6 (Oct. 1992): 6–11.

Warren, Steve. “Deja View,”
Frontiers
11:20 (Jan. 29, 1992): 48– 49.

Wasco, Janet.
Movies and Money: Financing the American Film Industry.
(Nor-wood, NJ: Ablex Publishing, 1982).

Waugh, Patricia.
Feminine Fictions: Revisiting the Postmodern.
(New York: Routledge, 1989).

282

B I B L I O G R A P H Y

Webster’s New Collegiate Dictionary.
(Springfield: G. and C. Merriam Co., 1979).

Weeks, Jeffrey. “Inverts, Perverts and Mary-Annes: Male Prostitution and the Regulation of Homosexuality in England in the 19th and Early 20th Centuries,”
Hidden from History: Reclaiming the Gay and Lesbian Past,
Martin Duberman, Martha Vicinus and George Chauncey Jr., eds. (New York: Meridian, 1990), 195–211.

———.
Sexuality and Its Discontents.
(London: Routledge and Kegan Paul, 1985).

White, Mimi. “Ideological Analysis and Television,”
Channels of Discourse,
Robert Allen, ed. (Chapel Hill: University of North Carolina Press, 1987), 134–171.

Whitehead, Harriet. “The Bow and the Burden Strap: A New Look at Institutionalized Homosexuality in Native North America,”
The Lesbian and Gay
Studies Reader,
Henry Abelove, Michele Aina Barale and David M.

Halperin, eds. (New York: Routledge, 1993), 498–527.

Wilde, Oscar. “The Fisherman and His Soul,”
Complete Fairy Tales of Oscar Wilde.

(New York: Penguin, 1990), 129–179.

Williams, Raymond.
Problems in Materialism and Culture.
(London: Verso, 1980).

Williamson, Judith.
Decoding Advertisements: Ideology and Meaning in Advertising.
(New York: Marion Boyars, 1979).

Wilmington, Michael. “‘Little Mermaid’ Makes Big Splash,”
Los Angeles Times
(Nov. 15, 1989): F10.

Wood, Robin.
Hollywood from Vietnam to Reagan.
(New York: Columbia University Press, 1986).

Woods, Gregory. “We’re Here, We’re Queer and We’re Not Going Catalogue Shopping,”
A Queer Romance: Lesbians, Gay Men and Popular Culture,
Paul Burston and Colin Richardson, eds. (New York: Routledge, 1995), 147–163.

Woods, James D., and Jay H. Lucas.
The Corporate Closet: The Professional Lives of
Gay Men in America.
(New York: The Free Press, 1993).

Yoshimoto, Mitsuhiro. “Images of Empire: Tokyo Disneyland and Japanese Cultural Imperialism,”
Disney Discourse: Producing the Magic Kingdom,
Eric Smoodin, ed. (New York: Routledge, 1994), 181–199.

Index

“ABCs of Domestic Partner Benefits,

Andersen, Hans Christian, 64, 144, 151

The,” 110

animation: fantasy and, 62–77; “the illu-

Academy Awards, 18–19, 42, 98–99,

sion of life” style of, 17–21, 26–27,

152–153, 160, 196

29–30, 43, 58, 71–72; metamorphosis

ACT UP, 96–97, 111, 125, 133, 155

and, 56–59; rotoscoping and, 41, 71;

Adams, Jon, 73–74

silent conceptions of, 18; “x-ray,” 32–34

Adventures of Ichabod and Mr. Toad, The

“Annette,” 83–84, 89, 169

(1949), 38

Araki, Gregg, 139, 153, 181

“Adventures of Spin and Marty, The.”
See

Ardolino, Emile, 108, 143, 160

“Spin and Marty”

Arquette, Alexis, 155

Advocate,
195–196, 202, 203–204

Art of Skiing, The
(1941), 41

Aid for AIDS, 203

Arthur, Beatrice, 170–171

AIDS, x, 96–98, 99, 108, 110, 121, 129–130,

Ashman, Howard, 99, 108, 110, 136–137,

134–136, 153, 155, 192

138, 143–152, 169, 192, 196–197, 208–210;