Which Lie Did I Tell? (43 page)

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A THICK GATE. Shut. CLIMBER stops, speaks into a microphone set up for such purposes.

CLIMBER

To see Mister Sinclair. Climber Jones.

(the gate starts to swing open immediately and as he drives through--)

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The front yard. Remember when you couldn’t see the mansions but you knew they were there? Well, that was accurate but also incomplete because there are mansions and there are
mansions
. Well, guess what, this is a MANSION.

When you look at it you realize this--you’ve seen it before. In any article about the great American homes, there is the Breakers up in Rhode Island, and Hearst’s San Simeon in California…

And the Sinclair place. Old
old
man Sinclair, who founded the railroad fortune in the last century, was always a simple fellow. And when he came to Long Island and spent ten years assembling his home, he always liked it to be referred to as that--the Sinclair place. And so it has remained.

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THE HOUSE as CLIMBER drives up. Overwhelming.

CLIMBER registers the grandeur. Not happily.

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A BUTLER, in the open doorway. He points down an endless hall.

BUTLER

Mister Sinclair is in the east drawing room, sir.

(CLIMBER nods, starts off and)

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CLIMBER, walking along, trying for calm. It’s not just the size--the place is in perfect taste.

CLIMBER comes to a crossing of corridors, hesitates.

A MAID is dusting, spots him, indicates which way to go.

CLIMBER

I don’t suppose you send out St. Bernards.

(she pays no attention, is back to her dusting)

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CLIMBER, walking along. Talk about your wrong pew.

CLIMBER (CONT’D)

(mimicking)

Mister Sinclair is in the east drawing room.

(beat)

The fucking
east
drawing room.

He passes a small room, looks in.

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CLIMBER. CLOSE UP. A sudden look of sadness.

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What he’s looking at--a table full of photos of ECHO. As a baby, a child, a teenager, growing more glorious before his eyes. He can’t help it, he is drawn there.

HOLD ON

CLIMBER AND THE PICTURES. He picks up a recent shot--at a charity somewhere with a gorgeous young man in a tuxedo.

CLIMBER can’t help this either, he is aware of how he’s dressed. He tugs at a shirt sleeve. Then--

HARRY SINCLAIR (OVER)

(sharp)

My hair was growing gray.

(and on that)

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ECHO’S FATHER. One look at HARRY SINCLAIR and you know he’s a world-class rich man’s son. Tanned, handsome, hair in place, probably whacks a great polo ball. Fifty-five years old and trim on the outside, soft where it matters.

He stares at the photo CLIMBER holds. CLIMBER, embarrassed, puts it back hurriedly, knocks over a couple more pictures, which only makes the moment worse.

HARRY SINCLAIR

Someone will tend to it.

CLIMBER nods, leaves the pictures alone, faces the other man.

CLIMBER

You wanted to see me.

HARRY SINCLAIR

(nods)

Remuneration.

(hands over a check)

Twenty-five thousand dollars.

CLIMBER looks at it. Lot of money.

CLIMBER

You’re very generous, Mister Sinclair.

HARRY SINCLAIR

I have only the one child.

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THE CLIMBER. The check in his hand.

CLIMBER

You owe me two.

HARRY SINCLAIR

(shocked)

Two thousand additional?

CLIMBER

(head shake)

Total.

(going quickly on)

I get one-twenty-five an hour. Two thousand is what you owe me.

HARRY SINCLAIR

Oh, I see--a man with pride.

CLIMBER

(so what if they don’t like each other)

Shitloads.

HARRY SINCLAIR turns, heads for the door.

HARRY SINCLAIR

I’ll be back in a moment with your pay. Stay here, I don’t want to lose you again.

THE CLIMBER doesn’t move and as soon as SINCLAIR is gone, he can’t help it, he has to look at her pictures.

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THE HALLWAY AND HARRY SINCLAIR’S VOICE.

HARRY SINCLAIR (OVER)

Oh, when we’re done you might want to go out back. Echo wanted to say goodbye.

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CLIMBER IN CLOSE-UP. Yesssss!

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“OUT BACK” and CLIMBER wandering along through what seems to him endless gardens. Fortunately, he spots the pool man.

CLIMBER

Miss Sinclair?

POOL MAN

(points)

Beach.

CLIMBER

Not the east beach or anything tricky?

POOL MAN

Just the one.

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THE CLIMBER, at the end of the lawn now. Ahead of him is a rounded wooden bridge that curves over the beginning of the sand dune. You can start to hear the ocean now.

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CLIMBER, moving over the bridge. The ocean is louder now, and then

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CLIMBER JONES, stopping, staring, because you have to--there are no greater beaches on earth than these and there is no such thing as a private beach in the Hamptons, it’s illegal to have a private beach in the Hamptons--

--but if anybody could have one, it would have been old
old
man Sinclair--that would have been long ago, of course--but there’s no one on this great expanse at the moment.

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THE BEACH AND THE OCEAN and out a good distance, hair wet and long--ECHO. She sees THE CLIMBER, waves.

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CLIMBER, waving stupidly back, starting across the dune, picking up speed as he goes.

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ECHO, and she looks like you want her to look, and it’s all perfect, the water and the sand and the sun--

--except for this: the waves are dangerously high.

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CLIMBER, sand getting into his loafers, big deal, he can always buy a pair of new shoes, and he’s trotting so happily toward the water--

-- and then the happiness dies.

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ECHO, getting smacked sideways by a large wave, disappearing for a moment and

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CLIMBER, running to the water’s edge now, staring out and then

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ECHO, struggling to the surface, coughing, waving at him and

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CLIMBER, rooted, watching. He does not move.

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ECHO, and just before another wave has her she manages to shout “
Help!
”

At least that’s what she must have hoped it sounded like but to CLIMBER at the water’s edge, he can barely hear the faintest sound “… help …”

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CLIMBER, so afraid for her, for what’s happening to her as he stands as before--

--rooted--

--not moving at all.

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ECHO, bobbing to the surface and this time her “Help” scream goes over the waves and

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CLIMBER, and he hears it, and there’s only one thing he can do.

CLIMBER

Shit.

And off come his shoes, and still in his clothes he plunges into the raging surf.

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ECHO, down again, up again, the wind is getting serious.

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THE CLIMBER, splashing through the water, always trying to keep her in sight and

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ECHO, managing somehow to stay on top of the water and

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CLIMBER, panting terribly, pulling up, looking around--

-- and a wave takes him unaware, knocks him terribly down and

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THE FOAMING WATER AS CLIMBER struggles to get his bearings--

--no good, another wave has him--

-- and now the worst thing of all--

--the undertow has him.

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ECHO, bobbing up and down, trying to see where he is, shouting “Help” over and over and

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THE CLIMBER, and he’s not going to help anybody, at least not now, maybe not ever, because he has no defense against the undertow as it pulls him out to sea.

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ECHO, and she sees what’s happened.

ECHO

Shit.

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A HIGH SHOT and we see the impossibility of it all.

CLIMBER, out of it now, feeble now, being pulled helplessly farther from shore.

ECHO, and she’s the one who needed rescuing just a blink before.

And the distance between them is ever widening.

HOLD ON THE TWO OF THEM. Then--

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ECHO, and suddenly she is knifing through the water, kicking the shit out of the waves, pulling in great long strokes, and not only does she have power, she has form, and as she swims faster than before

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CLIMBER, trying not to go under, but there’s not a lot he can do

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ECHO, and if Johnny Weissmuller ever had a sister, it was this one here, and before she was going fast--

--now she kicks into overdrive.

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CLIMBER, going down, and if ever your life should flash before your eyes, well, this is the moment.

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ECHO, a rocket, and now she’s near him and

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CLIMBER, or rather where he was, he’s gone and

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ECHO, or rather where she was, she’s gone, too.

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THE OCEAN. Nothing but the waves pounding toward shore.

HOLD.

KEEP HOLDING,

Then here they come
--she’s got one arm locked around his chest, and with the other she starts the trip toward shore and it’s a long way but you can tell from just looking at her, she’s not going to stop halfway.

HOLD. Then, after a long moment

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THE SHORE as she pulls him through the surf, up to a drier part of the beach, lays him down, kneels over him, tilts his neck back, pulls his mouth open, starts to give mouth-to-mouth resuscitation, and as she does--

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THE BRIDGE over the start of the dune. And here comes THE POOL MAN. Beat. Now THE BUTLER chugs into view.

Beat

Now the staff, half a dozen people in uniform flooding over the wooden bridge--

-- and now here come half a dozen more--

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ECHO AND THE CLIMBER. He’s blinking now, awake now.

But barely. He looks like shit.

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ECHO

This is my hero.

THE STAFF applauds enthusiastically.

HOLD on the moment. Then--

CREDITS START TO ROLL.

As they go on, we

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The table with the photographs, the one that CLIMBER found so irresistible, with all the pictures of ECHO growing up. The table still has pictures, but different ones.

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A RING. Can’t tell more than that until we

SLOWLY PULL BACK TO REVEAL

ECHO AND THE CLIMBER, in front of Nathan’s Famous hot dogs in Coney Island. He holds a Cracker Jack box. The ring came from there. You can tell from the uncertain look on his face he is asking her to marry him. You can tell with the look in her perfect eyes she’s not going to let him out of the room.

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CLIMBER. IN CLOSE UP. The uncertain look from the previous picture replaced by something completely different: blind panic.

SLOWLY PULL BACK TO REVEAL

IT’S THEIR WEDDING DAY. CLIMBER, not in the world’s most fetching tuxedo, stands paralyzed, trying to smile. This is their marriage moment. Echo, in a gown Grace Kelly would have killed for, stands by her man. Beside her is her FATHER. Beside CLIMBER is his, JIMMY, also in a terrible tux, looking more Cagney-like than ever. They are in a church somewhere. A giant church. And it is crammed with hundreds of the rich and famous.

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ECHO AND THE CLIMBER on their honeymoon. A fabulous Parisian three-star. The chef stands at their table.
ECHO is enchanted. CLIMBER is staring at the food on his plate, a look of confusion on his face.

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CLIMBER, a look of agony on his face.

PULL BACK TO REVEAL

He has been shot, and seriously; lying in the gutter.

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A HOSPITAL CORRIDOR. ECHO AND JIMMY sit pale and waiting.

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THE BEACH BY THE MANSION. CLIMBER, recovering, sits covered by a blanket in a chair. ECHO sits alongside him, reading to him, a look of such adoration in her eyes.

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CLIMBER, night, slumped over the wheel of his car, bleeding much worse than the first time. He looks very close to dying.

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ECHO AND THE CLIMBER, in the city. She holds his arm. He is walking with a cane.

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A FORMAL DINNER PARTY AT THE MANSION. CLIMBER clearly has his strength back--he has just finished clobbering another guest, who is reeling back, his lip bleeding. ECHO, too late, is rushing to the scene.

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SHIRLEY SINCLAIR JONES--ten minutes old--he is their firstborn and right now he is
screaming
--ECHO AND THE CLIMBER look at him--with amazement and such pride.

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SHIRLEY SINCLAIR JONES--three years old now-- and it’s another hospital room and he is with his parents and they are all looking at the newest arrival--PHOEBE JONES herself, and it’s her turn to be ten minutes old. Less amazement this time, even more pride.