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Authors: Rod Davis

Tags: #Body; Mind & Spirit, #General, #Religion, #Ethnic & Tribal, #Social Science, #Ethnic Studies, #African American Studies, #test

American Voudou: Journey Into a Hidden World (49 page)

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Page 324
thought that the fall had disordered his brain, or that he was asleep. But no! Everything was distinct; and a pinch assured him that if his mind was asleep his legs certainly were wide enough awake.
Before Castillon had fully recovered from his fright, this new born "daughter of a race divine" addressed him in soft, melodious music:
"Amidst the horses of heaven and the blooming realms of everlasting light," said she, "I once roamed free and happy. I was commissioned to guard this country, the Garden of Eden, but which now the hand of man has so scourged and ravaged. You know the story well; I did but leave Adam for a second, he could not resist temptation, he fell, gave up immortality for knowledge. He suffered for it, so do I. Within this tree, the tree of knowledge, am I forever confined, until I shall be rescued by a descendant of Adam. You have eaten of this fruit. To you, now the mysterious language of nature is revealed; the mists that cloud the past and the future are blown away. On you is imposed the task of rescuing us; do you consent?"
So sweet the accent, so fair the face that Castillon, whose blood old age had not yet cooled, forgetting alike fear and superstition, sprang from his mossy couch and swore by his life, his honor and his soul that he would rescue them.
After lying there, half stunned, for several days, protected by their Briarean arms from the storm, Castillon recovered sufficiently to come to the city. He daily resorted to these trees, and, seated in the branches of one of them, like a St. Simon Stylites, seemed to be ever meditating some great problem. His visits to the grove became daily more frequent, and finally he entirely deserted his little hut in the city, and built him an eyrie in the tallest of the trees; never after this did he set foot within the walls.
This, with the sudden change in Castillon's disposition, greatly excited all the gossips of the town. He, who had never

 

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had a golden portrait of his Majesty, Louis, le bien-aimé, suddenly became one of the richest persons in the colony. He was somewhat of a usurer, and never refused the young bloods of the city a loan for a dissipation or a carouse. His money never brought any good, it always corrupted the owner, whispered evil thoughts and wishes, and brought ruin and disgrace on the oldest families of Orleans, Canada and St. Domingo.
Castillon soon became regarded as a mighty wizard and magician. Thousands resorted to him to solve some love knot more intricate than that of Gordianus, to probe the future, or to get rid of a dangerous rival. In none of these tricks did he ever fail. His prophecies, and unequivocal unlike those of Delphi and Noswodamus [sic], are still current among the old Creoles and negroes. His miraculous power was always ascribed to his familiars, the trees.
No one doubted but that the grove was enchanted. In 1752, when the little city was consumed by fire, and the flame spread beyond the city walls far out into the swamp, this grove alone was spared, and in 1745, when Big Sun and his Choctaws came swarming down from the Natchez massacre, murdering the planters on the German and Tchoupitoulas coasts, scalping Capts. Beaufré and Vinette in the very sight of the city walls, this house alone escaped. Like the palace of Shedad in the paradise of Irem, it was invisible to all who meant it harm.
It was strange, also, that no naturalist could designate the genus to which those trees belonged, no hendecasyllabic Latin word ever found appropriate to describe them. It was also said that Castillon coined the golden fruit that this grove produced into brand new louis d'or. It was known for certain that he had a large sum of money hidden in his house, and the ex-convicts of the colony cast many a longing glance at this treasure, until one morning Pierre, le Chourineur, one of the most accomplished gueux of Paris, was found dead under one of the trees, with a broken neck, which he had got in attempting to climb into

 

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Castillon's eyrie. After this, the burglars feared this grove more than the Hotel de Ville, and would make a long detour when on one of their cracking expeditions, to escape its evil eye.
Of course, with all this halo of romance around him, Castillon got a monopoly of the supernatural business of New Orleans. A certain essence of his, for one's enemies, which he distilled from the leaves of his trees was fully as popular and effective as aqua tofana.
Castillon was several times suspected and accused of poisoning, but nothing could ever be proved against him.
As for his fetiches and pretended magic, the Government was too sensible to interfere; they were part of the religious belief of the negroes, and did much to keep quiet a very dangerous class of the population.
[Italics added by author.]
What was the contract between Castillon and the trees, by which he gained this supernatural power, was ever the popular conundrum. It was supposed that he had agreed to sacrifice a certain number of lives before the nymphs could be freed from these trees. However that be, old Castillon certainly paid up his installments of human lives and human souls, rapidly enough.
On a March morning of 1778, occurred the greatest storm in the history of America. The city of Havana was almost totally destroyed, and it is calculated that two-thirds of the population of Martinique and Dominica were killed. The hurricane swept with unexampled fury around New Orleans and all along the bank of the river.
The next morning a part of soldiers who were sent out to rescue the overflowed farmers on the lake, passing by Castillon's house, discovered a man swinging by his neck from a branch of a tree. A close investigation showed it was Castillon himself fearfully mangled and torn, and hung like Absalom. Whether he died from suicide, or through an accident, or whether he was himself the victim of those spirit trees, they alone can tell. The picket on the city walls said that through the thunder and light-

 

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ning of the storm he could distinctly hear the cracking and sobbing of the branches of those trees mingled with the curses and shrieks of old Castillon. Certain is it, that, ever after the trees were dumb and mute, and seemed to have lost all power of speech, and there are some who say that Castillon's life was the last demanded to set these spirits free.
Though silent, the subsequent history of this grove is interesting.
In 1776, for purposes of defense, a line was ordered by Lope Herrery, Military Intendante, to be drawn around the city and all the intervening trees cut down. Among the victims was Castillon's grove. Some recently arrived Galicians were put at work to fell this grove, but were compelled to desert from their work by a fever or epidemic that broke out amongst them. The fever spread through the city, where it continued with great mortality for several months. This disease, then styled vaguely "the plague," was unknown to Louisiana doctors, and only subsequently identified as yellow fever. It was traced clearly to the Galicians and ascribed to the fact of their working in the sun and in the swampy lands back of town before they were acclimated; but the popular opinion always remained that the trees had more to do with it than the swamps....
.... Such is the plain, unadorned story as told and believed half a century ago. During the present century the trees have grown quiet and taciturn. True it is that on some stormy night when the wind is blowing, neighbors pretend to hear these trees sighing and groaning, to see them waiving their brisrean [sic] arms as if in prayer.
But whether sacred or not in fact, this grove is sacred in the eye of the law. By the will of Castillon, it is left with the condition that "if said legatee shall injure, deface or destroy a certain grove of trees, etc. the above mentioned and devised property shall pass to the corporation of the Church of St. Marie, for a daily mass to be sung for the soul of said Jean Marie de Castillon."

 

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The property has not reverted, the trees still grow there, although the land is built up; through the roofs, the galleries, the kitchens of various houses, these trees still spring. The mightiest tree of all, that tradition assigns as Castillon's favorite mistress, stands immediately in the middle of a parlor.
They are all that remain of Castillon, for notwithstanding his alleged wealth nothing was found in his eyrie but a dozen or so bags of dry leaves, all that remained of his ducats and louis d'or.
<><><><><><><><><><><><>
It may be obvious that, despite its title, this story is really a Gothic romance. The lead characters are white, and voudou is not so much African as European sorcery, fully cloaked by Christian mythological symbolism. Voudou is contextualized within European versions of the occult, which allows the reader to at least take comfort in understanding how old Castillon went astrayhe ate the apple, got greedy, ran away from his community into the savage wilds and took up with supernatural or foreign beings. He violated the norms and ended up paying with his life. (In a curious way, this departure from community/flirtation with evil/punishment and shunning is also part of the zombification ritual observed by Wade Davis in
The Serpent and the Rainbow
.) The idea, in most of the news accounts, that voudou cannot be in any way subsumed into European Christian culture and is beneath even contempt, had apparently not fully developed in 1723 (assuming that is an approximately credible date for the fable's origination). The Castillon myth does, however, advance the core of the anti-voudou message: that exposure to voudou came through the kind of Edenic temptation that resulted in the fall from grace from God; therefore voudou is not of God, and if it is not of God, it is of Satan.
The more ''reportorial" news accounts of the period are also more directly related to voudou. A June 26, 1871
Daily Pica

 

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yune
story got right to the point: "Voudou Nonsense," exclaimed the headline. "A Plain Unvarnished Account of the Lake Shore RevelsFull Particulars of the Hell Broth and the OrgiesA Played-out Hoax." If the Castillon fable presents voudou as fitting material for a tall tale, this piece (actually published a few years earlier) shows that as grist for the news mill and cheap thrills, voudou would bear the brunt of journalistic cynicism if it failed to live up to the bad image created for it.
In the piece, a reporter joins a crowd of white Orleanians in search of St. John's Eve voudou activities. The party journeys "through dismal, mouldy, darkened streets to the Pontchartrain Depot," a trip which "further awakened our imagination and brought out our ghost-seeing faculties." From the depot, the ghost-seeing reporter got over to Milneburg, on the north side of the lake [today a kind of upscale suburb], where he [or she, author unsigned] claimed to find about "four thousand or more fellow voudou hunters." But the ''voudous are not to be found," he reports, and must have "taken to the swamp through fear of the police, who are out in force." The curious are about to leave, when:
Suddenly there is a shout of "voudous" and the entire crowd, over a thousand strong, dashes down a side street (to) surround the house where the voudous are said to be. A low, murmuring sound, as if played on a dissipated and worn-out jew's harp rouses peoples' expectations to a point of frenzy.... Merchants of the greatest respectability cling to the balconies, lawyers crowd up half-suffocated to get a view of this theological dance. By dint of energy and perseverance, we reach the front rank. What do we behold? A stout greasy, fat, old negro woman, a smaller ditto, and a close-shaved boy of about twelve are dancing slamjig to
BOOK: American Voudou: Journey Into a Hidden World
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