Authors: Stephen Karam
DEIRDRE
Oh wow, that's great . . . do you guys have any Thanksgiving traditions?
RICHARD
Uh, some, yeah, we usually start our morning off volunteering at this soup kitchen about thirty minutes from our house, so . . .
DEIRDRE
That's beautiful, I volunteer with the Bhutanese now, / every week they haveâ
BRIGID
Mom, we know.
RICHARD | AIMEE |
No, I'm interested . . . | Â Â Â Â Â |
 | [Why are you being such a bitch?] |
DEIRDRE
They uh, the Bhutanese, the level of poverty, guys, is just . . . [unimaginable] . . .
They eat. Erik returns to the table after getting Momo settled.
ERIK
    Â
(To Richard)
You balancing a job with all your studies . . . or just racking up the college loans?
RICHARD
Ha, I've gone the loan route but I plan on paying them off as soon as possible . . .
BRIGID
His grandmotherâhe's getting a small trust when he turns fortyâcan I tell them?
RICHARD
You want to know if you can tell them
after
you tell them? / Seriously?
DEIRDRE | AIMEE |
Like a trust fund? | Pass the . . . / yeah, thanks . . . |
BRIGID
Sorryâbabe, sorry, don't be embarrassed . . .
RICHARD | BRIGID |
I'm | âit's actually greatâhis |
 | grandmother didn't want him |
 | spoiled so he doesn't see any of |
 | the money until he's forty. |
ERIK
    Â
(Teasing)
You haven't reached that milestone yet, Rich?
BRIGID | RICHARD |
Ha, ha . . . | Â Â Â Â Â |
 | No, not quite, I'm thirty-eight . . . |
DEIRDRE
Having to wait until your forties is aâyour grandma's a smart lady, it's like thatâ'member that e-mail I forwarded you guys about Andrew Carneâis it Car
neg
ie or
Car
negie, / I never remember . . .
RICHARD | ERIK |
Pretty sure Car | Car |
. . . oh, maybe, yeah . . . | Hall . . . |
DEIRDRE
I forwarded it, Rich, 'cause it had this great answer to the question: “What makes Americans powerful and influential and wealthy?”
Small beat as they eat.
AIMEE
Trust funds?
DEIRDRE
No . . . not trust funds, / smart-ass . . .
AIMEE
Whatâtoo soon? Too soon? . . .
BRIGID
Yes, too soon . . .
DEIRDRE
What makes a person powerful and influential and wealthy is
not
growing up with power and influence and wealth. That's what the e-mail said, anyway . . .
    Â
(Caught off-guard by her emotions)
. . . the gift of poverty is a . . . it's not a myth, / it's a real thing, it can be a blessing . . .
AIMEE
Whoa, Mom, are you okay?
DEIRDRE
Yeah I'm just happy to be with my girls, sorry . . .
They eat. Brigid mouths, “Get a grip . . .” to herself.
Erik cracks open another beer.
ERIK
One thing I learned, Richâand the older I get I see thisâit's that having too much moneyâit can be just as bad for you as, you know,
not
having enough, / you know? Gotta be careful . . .
BRIGID
    Â
(Embarrassed)
Dad, why're youâwhat are you talking aboutâ
RICHARD
I think I know what you're sayingâdo you meanâ
ERIK
I'm sayingâDee's bosses have more money than God and they're stingy with her on everything, bonuses, vacation days . . . Aimes gets fired 'cause she's sickâ
my
grandma almost lost her life in a fire 'cause her bosses locked the doors to her factory to keep 'em from taking breaks, coupla blocks from here, soâand this isn't some scientific notion or somethingâbut, yeah, I do notice that rich people are usually pretty messed up.
BRIGID | AIMEE |
[Oh God . . .] | That's an elegant thesis, Dad. |
RICHARD
Well, no, no, it's a good point, I just don't think being messed up is
necessarily
linked to how much money is in your bank account.
BRIGID | ERIK |
Of course . . . | Yeah, but it |
 | priorities in ways that aren't |
 | good. |
RICHARD
We agree on that, yeah, but so can being poor. Right? / Just meaningâ
BRIGID | AIMEE |
Yes . . . | Everyone's right, guys . . . |
RICHARD
âI actually agree with you, I'm just adding that . . . yes, wealth can ruin people but so can poverty.
DEIRDRE
Well I'd rather be ruined in a Four Seasons somewhere, on a beach, you know? . . . I'll take wealth for four hundred, Alex . . .
BRIGID | AIMEE |
Mom, that doesn't even make sense . . . | Oh, Mom . . . |
RICHARD
. . . well I'm proud that my family went out of their way to ensureâyou
do
get that I'm not able to touch my money until I'm forty, right?
ERIK
Uh-huh, but do
you
get how that sounds to a man my age?
RICHARD
No I hear you, I hear you . . . / I do . . .
AIMEE | BRIGID |
. . . pass theâthanks . . . | We got the veggies from this farmer's market on Essex . . . |
DEIRDRE
They're delicious . . .
BRIGID
We're gonna try and keep our fridge stocked with them, start juicing for breakfast.
AIMEE
Cool . . .
RICHARD
You guys liking any of the super-foods?
BRIGID
    Â
(To Aimee)
Rich made up a
list
that I e-mailed to these guys . . .
DEIRDRE
I even, I bought blueberries last week . . . they're not cheap.
ERIK
You also bought blueberry doughnuts.
DEIRDRE
Yeah, and you had three of them, so don't / act like you're better than me please.
ERIK
I did, no, I did.
AIMEE
Sadly, doughnuts are cheaper, too, huh?
DEIRDRE | BRIGID |
Yeah. | Not cheaper when you consider how much heart disease costs once you're hospitalized. |
They eat.
ERIK
So what, uh, when forty comes along, what happens . . . do you just, do you retire?
AIMEE | BRIGID |
Dad . . . | No, he's studying to become a social worker . . . |
RICHARD
Yeah, the main reason I'm not done with school yet is, I've been / in and outâ
BRIGID
He took time offâ
RICHARD
âyeah, because for a while / I wasâ
BRIGID
You don't have to tell them . . .
RICHARD
âit's fineâin my early thirtiesâI was depressed for a bit, soâI'm fine now, just took me a while to get up and running again, but . . . I've been better for years, it's why I'm comfortable talking about it . . .
ERIK
You take medicine for that?
BRIGID
Dad, that's rude / to askâ
RICHARD | ERIK |
It's okay. | Sorry, hey, sorry, just . . . in our family we don't, uh, we don't have that kinda depression. |
AIMEE
Yeah, no we just have a lot of stoic sadness.
They eat.
ERIK
    Â
(To Richard)
Well . . . I'm sorry, ifâ
RICHARD
[It's fine.]
ERIK
. . . makes you wonder ifâthe kind of faith
we
grew up with . . . it's not perfect but you take for granted what a, a, a kinda natural antidepressant it is . . .
AIMEE
No religion at the tableâ
DEIRDRE
Hey, my mouth is shut, you know / where I stand . . .
BRIGID
Mom . . . you brought a statue of the Virgin Mary into our houseâ / how is your mouth shut?
ERIK
All right, okay . . . I didn't mean to get us . . . I was just saying it's funny you guys'll tryâyou put faith in, in juice-cleansing or / yoga but you won't try churchâ
BRIGID
I did
one
juice-cleanse . . .
one
. . .
ERIK | DEIRDRE |
âyou eat chard to feel your | My mouth is shut . . . |
best but you stillâyou said | Â |
half your friends are in therapy, | Â |
/ | Â |
BRIGID
That's becauseâyeah, I was trying to get you to pay for
mineâ
I still can't afford itâ
ERIK
Well save some of the money you spend on organic juice and pay for it yourselfâ
BRIGID
Don't criticize me for caring about my mental healthâ
AIMEE
Okay . . .
ERIK
Well what aboutâRich's mom is a therapistâwhy don't you get it from her?â
DEIRDRE | BRIGID |
Erik . . . | Yeah, Dad, I'll get therapy from my mother-in-law, that's an awesome idea. |
Small beat.
DEIRDRE
She's not your mother-in-law unless you get marriedâ
AIMEE
Mom . . . [don't] . . .
BRIGID
Looking for work every day, it's depressingâ
ERIK
Well you've still got the will to eat super-foodsâif you're so miserable why're you trying to live forever?
Aimee smiles involuntarily.
BRIGID
Last weekâI shouldn't even tell youâ
ERIK | RICHARD |
Tell us what? | I don't think you appreciate |
 | how hard she's been working . . . |
BRIGID | RICHARD |
Babe, you don't have toâ | . . . she's been bartending at |
 | two places while applying for |
 | every possible artist grant or |
 | residency you can think of . . . |
Babeâ | Â Â Â Â Â |
 | . . . tell them, you'll feel better . . . |
ERIK | BRIGID |
Tell us what? | He won't care . . . |
DEIRDRE | RICHARD |
Tell us . . . | You'll feel better . . . |
ERIK
Of course I'll care.
RICHARD
Read it to him, you'll feel better.
Brigid gets out her phone, searches for something.
RICHARD
This one professor has been writing all of her recommendation letters for all these applications andâ
BRIGID
Yeah 'cause there's only one that I felt close to at school, who actually knew who I was, so . . . I was gonna miss this one deadline so I called his office and . . . his assistant agreed to e-mail the rec letter directly to me . . .
Brigid hands her iPhone to Erik, who reads the PDF of the letter on her phone.
AIMEE
What's it say?
BRIGID
. . . at least now I know why I'm not even getting interviews for unpaid internships.
ERIK
    Â
(Reading)
What's the big deal?âhe didn't praise you enough?
Pissed, Brigid grabs her phone.
BRIGID
Are you kidding me?
    Â
(Reading)
“Brigid is a talented musician and composer; she served as a TA in my music theory class her senior year and many of the students noted how approachable and helpful she was to them in navigating the course. Initially, I must confess, I found Brigid's compositions almost willfully opposed to specificity and urgency. In her senior year, however, she showed marked improvement. And while her orchestral pieces still do not have the range or originality of her contemporaries, she always displays technical proficiency and great verve.” [What does that even mean?!] “Her hard work and positive attitude have made her an asset to the music department.”
    Â
(Eyes watering)
. . . why wouldn't he respect me enough to say he couldn't do it?
Richard comforts her.
ERIK
You can always work retail.
DEIRDRE | AIMEE |
Don't / tease her, babeâ | DadâBridge, he's a dick for writing thisâ |
RICHARD | ERIK |
It's not easy to bounce back | . . . oh c'mon, hey, Rich don't |
from this kind of thing, | treat me likeâshe knows |
Erikâ | I believe in her!âare you so |
 | spoiled you can't see you're |
 | crying over something hard |
 | work can fix?â |
BRIGID
Everyone whose opinion I value has read thisâ
ERIK
Your grandma grew up in a two-room cesspool and your tragedy is whatâhaving to figure out how to get a new letter of recommendation? / Sorry if Iâ
BRIGID | DEIRDRE |
It takes | She knows all this . . . |
ERIK
âyou're lucky to have a passion to pursue, if you don't care about it enough to push through this setback you should quit and do something else . . .
DEIRDRE | AIMEE |
All right . . . we're sorry, | Â Â Â Â Â |
Bridge, that guy's a jerk . . . | Wow, what is up with you today? |
UPSTAIRS
:
The light above the staircase burns out. The only light upstairs now comes from the open bathroom door.
BRIGID | RICHARD |
Shit, another bulb's out . . . | Oh great . . . welcome to New York, guys . . . |
DEIRDRE
It's just a light bulb . . . we'll live . . .
Brigid goes in search of a spare bulb. Erik follows her.
ERIK
    Â
(To Brigid, who is still angry with him)
Hey, hey, I don't wanna see you bent outta shape over something you can fix. / The Blakes bounce back, that's what we do.
BRIGID
Thanks . . . . . . uh-huh, yeah . . . . . . thanks, Dad, I don't really need a lecture now . . . Richâwhy didn't we ask the landlord to replace all the light bulbs before we moved in?
RICHARD
Because that's a crazy thing to ask for, babe, no one asks for that.
DEIRDRE | ERIK |
     | Well, they're all probably on |
Yeah, no one asks for that / | their last legs . . . |
. . . and even if you did, it | Â |
wouldn't matter, 'cause . . . | Â |
AIMEE
What are you laughing at?
DEIRDRE
. . . she's burning out the bulbs to get our attention . . .
BRIGID | AIMEE |
What? | Whatâwho is? |
DEIRDRE
She-With-No-Face . . . / she strikes again!
ERIK | AIMEE |
Now you got her started . . . | What's so funny? What? |
BRIGID
Dad sees faceless women in his sleep . . .
DEIRDRE
    Â
(Going upstairs, wobbly ghost wail)
. . . woooooooo . . .
RICHARD
Tough crowd, Erik . . .
AIMEE | ERIK |
Where are you going, Crazy Lady? | You're telling me . . . |
DEIRDRE
The bathroom . . .
    Â
(Using a flashlight)
. . . this is gonna be like spelunking just to go pee . . . woooooo . . .
Now they are all laughing, even Richard.
UPSTAIRS
:
Deirdre proceeds to the bathroom.