This stands in sharp contrast to literary descriptions of, or allusions to, sexual intercourse, where the masculine, active partner establishes his domination over the feminine and passive. The inversion of roles extends to the poetic imagery; in love poetry it was the beloved whose eyes were like swords, wreaking havoc with the lover and setting his interior aflame.
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It is instructive to compare this with the defamatory passages cited in the beginning of chapter I, in which the penis penetrates and ravishes the receptive partner like a weapon. Sexual roles as a rule mirrored nonsexual relations of power, the sexually dominant (the penetrator) also being the socially dominant (the man, the husband, the master). Love, on the other hand, tended to overturn the established social order, causing a master to be enthralled by his slave, and a prominent Muslim scholar like Muhammad al-ʿUrd
i (later to become Mufti in Aleppo) to be captivated by a Christian boy working in a wine shop. In the words of the scholar Hasan al-Bu
ri
ni
:
Strange affairs result from love, for in it the brave is cowardly, the rational bewildered, the patient anxious, and the hard-hearted tearful; its phases are wondrous and its vicissitudes strange; it does not follow the rules of analogy, nor accord with the expectations of people.
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