Los ladrones del cordero mistico (51 page)

Impey, Oliver, y Arthur MacGregor (editores),
The Origins of Museums: The Cabinet of Curiosities in 16th and 17th Century Europe
, Londres, House of Stratus, 2001.

McClellan, Andrew,
Inventing the Louvre: Art, Politics, and the Origins of the Modern Museum in 18th Century Paris
, Cambridge, Cambridge University Press, 1994.

Miles, Margaret M.,
Art as Plunder: The Ancient Origins of Debate About Cultural Property
, Nueva York, Cambridge University Press, 2008.

Meyer, Karl E.,
The Plundered Past
, Londres, Hamish Hamilton, 1973.

Passavant, Johann David,
Tour of a German Artist in England
, Londres, Saunders and Otley, 1836.

Pearce, Susan M.,
On Collecting: An Investigation into Collecting in the European Tradition
, Londres, Routledge, 1995.

Pommier, Édouard,
L’Art de la Liberté: Doctrines et débats de la revolution française
, París, Gallimard, 1991.

Poulot, Dominique,
Musée, nation, patromonie, 1789 - 1815
, París, Gallimard, 1997.

Reynolds, Joshua,
A Journey to Flanders and Holland
, Cambridge, Cambridge University Press, 1996.

Russell, Terence,
The Discovery of Egypt: Vivant Denon’s Travels with Napoleon’s Army
, Londres, History Press, 2005.

Siborne, William,
History of the War in France and Belgium in 1815
, Londres, T. and W. Boone, 1848.

Schom, Alan,
Napoleon Bonaparte
, Nueva York, HarperCollins, 1997.

Vaughn, William,
German Romanticism and English Art
, New Haven, Connecticut, Yale University Press, 1979.

Waagen, Gustav,
Treasures of Art in Great Britain
, Londres, John Murray, 1854.

Walpole, Horace,
Anecdotes of Painting in England
, Strawberry Hill, Thomas Farmer, 1762.

EL ROBO DE LOS JUECES JUSTOS

Bernauw, Patrick,
Het Bloed van Het Lam
, Amberes, Manteau, 2006.

—
Mysteries van Het Lam Gods
, Amberes, Manteau, 1991.

De Roo, Maria,
Vilains
, original no publicado, 29 de noviembre de 2009.

Esterow, Milton,
The Art Stealers
, Nueva York, MacMillan, 1966.

Hammer-Kaatee, Karl,
Satans Lied: De Jacht van de CIA op Jezus: Waargebeurd verhaal
, Rijswijk, Países Bajos, Uitgeverij Elmar, 2006.

McLeave, Hugh,
Rogues in the Gallery: The Modern Plague of Art Thefts
, Boston, David Godine, 1981.

Mortier, Karel,
De diefstal van de Rechtvaardige Rechters: Kriminologische studie
, Amberes, De Vlijt, 1966.

—
Dossier Lam Gods: Zoektocht naar De rechtvaardige rechters
, Gante, Stichting Mens en Kultuur, 1994.

Trix
(documental), producido por KRO Reporter, Países Bajos; emitido en abril de 1994.

Walters, Minette, «Whodunnik?»,
Daily Telegraph
, Londres, 9 de noviembre de 1996.

PRIMERA Y SEGUNDA GUERRAS MUNDIALES

Becker, Hans,
Österreichs Freiheitskampf
, Viena, Verlag der Freien Union der ÖVP, 1946.

Benjamin, Walter,
Das Passagen-Werk
, Berlín, Suhrkamp, 1982.

Bibliotheka Rosenthaliana,
The Return of the Looted Collections 19461996
, Amsterdam, University of Amsterdam Library, 1997.

Bode, Wilhelm von,
Die Meister Der Hollandischen und Vlamischen Malerschulen (1919)
, Whitefish, Massachusetts, Kessinger, 2009.

Brey, Ilaria Dagnini,
The Venus Fixers: The Untold Storie of the Allied Soldiers Who Saved Italy’s Art During World War II
, Nueva York, Farrar, Straus and Giroux, 2009.

Cassirer, Bruno, y Paul Cassirer,
Kunst und Kunstgewerbe am Ende des Neunzehnten Jahrhunderts von Wilhelm Bode
, Whitefi sh, Massachusetts, Kessinger, 2010.

Chamberlain, Russell,
Loot! The Heritage of Plunder
, Londres, Facts on File, 1983.

De Jaeger, Charles,
The Linz File: Hitler’s Plunder of Europe’s Art
, Londres, Webb & Bower, 1981.

De Ville, Jean Baptiste,
Back from Belgium: A Secret History of Three Years Within the German Lines
, Nueva York, H. K. Fly, 1918, reeditado por Nabu Press, 2010.

Duberman, Martin,
The Worlds of Lincoln Kirstein
, Nueva York, Knopf, 2007.

Edsel, Robert, y Brett Witter,
Monuments Men: Allied Heroes, Nazi Thieves, and the Greatest Treasure Hunt in History
, Nueva York, Center Street, 2009.

Feliciano, Hector,
The Lost Museum: The Nazi Conspiracy to Steal the World’s Greatest Works of Art
, Nueva York, Basic Books, 1997.

Flanner, Janet,
Men and Monuments
, Nueva York, Harper, 1957.

Gaiswinkler, Albrecht,
Sprung in die Freiheit
, Viena-Salzburgo, Ried-Verlag, 1947.

Gheyn, G. van den, «Les tribulations de l’Agneau Mystique»,
Revue belge d’archéologie et d’histoire de l’art 15
(1945): 25 - 46.

Gilbert, Martin,
The First World War: A Complete History
, Nueva York, Holt, 2004.

Göhringer, Walter, y Herbert Hasenmayer,
Zeitgeschichte
, Viena, Hirt-Verlag, 1979.

Harclerode, Peter, y Brendan Pittaway,
The Lost Masters: The Looting of Europe’s Treasurehouses
, Londres, Gollancz, 1999.

Hartt, Frederick,
Florentine Art Under Fire
, Princeton, Nueva Jersey, Princeton University Press, 1949.

Hasse, Günther,
Kunstraub und Kunstschutz
, Norderstedt, Alemania, Satz, Herstellung, 2008.

Howe, Thomas C.,
Salt Mines and Castles: The Discovery and Restitutions of Looted European Art
, Nueva York, Bobbs-Merrill, 1946.

Hugh Smyth, Craig,
Repatriation of Art from the Collecting Point in Munich After World War II
, Nueva York, Abner Schram, 1989.

Kammerstätter, Peter,
Material-Sammlung über die Widerstands und Partisanenbewegung Willy-Fred im oberen Salzmmergut-Ausseerland 1943 - 1945
, Linz, Eigenverlag, 1978.

Kirstein, Lincoln,
The Poems of Lincoln Kirstein
, Nueva York, Atheneum, 1987.

—
Rhymes of a PFC
, Nueva York, New Directions, 1964.

Kubin, Ernst,
Sonderauftrag Linz
, Viena, ORAC, 1989.

Kurtz, Michael J.,
America and the Return of Nazi Contraband: The Recovery of Europe’s Art Treasures
, Cambridge, Cambridge University Press, 2006.

Leckie, Bill, «Special Duties of the 148 Squadron»,
Military Illustrated
, abril de 2002.

Lipkes, Jeff,
Rehearsals: The German Army in Belgium, august 1914
, Lovaina, Bélgica, Leuven University Press, 2007.

Luza, Radomir,
Ressistance in Austria, 1938 - 1945
, Minneapolis, University of Minnesota Press, 1984.

Mackenzie, William,
The Secret History of S.O.E.: Special Operations Executive 1940 - 1945
, Londres, St. Ermin, 2000.

McIsaac, Peter M.,
Museums of the Mind: German Modernity and the Dynamics of Collecting
, State College, Pensilvania State University Press, 2008.

Melden Otto,
Der Ruf des Gewissens. Des österreichische Freiheitskamp 1938 - 1945
, Viena, Herold, 1958.

Michel, Hermann,
Bergungsmanahmen und Wiederstandbewegung
, vol. 56, Viena, Annales des Naturhistorischen Museums, 1948.

Mihan, George,
Looted Treasure: Germany’s Raid on Art
, Londres, Alliance, 1942.

Nicholas, Lynn H.,
The Rape of Europe: The Fate of Europe’s Art Treasures in the Third Reich and the Second World War
, Nueva York, Vintage, 1995.

Ohlsen, Manfred,
Wilhelm von Bode: Zwischen Kaisermacht und Kunsttempel
, Berlín, Gebr. Mann, 2007.

ORF-Nachlese
(Viena) 2 (1983).

Petropoulos, Jonathan,
Art as Politics in the Third Reich
, Chapel Hill, University of North Carolina Press, 2000.

—
The Faustian Bargain: The Art World in Nazi Germany
, Oxford, Oxford University Press, 2000.

Pichler, Cathrin, y Roman Berka,
TransAct: Transnational Activities in the Cultural Field
, Nueva York, Springer, 2010.

Plieseis, Sepp,
Vom Ebro zum Dachstein: Lebenskampf eines österreischen Arbeiters
, Linz, Neue Zeit, 1946.

Pöchmüller, Emmerich,
Weltkunstchätze in Gefahr
, Salzburgo, Pallas-Verlag, 1948.

Rayssac, Michel,
L’Exode des Musées: Histoire des oeuvres d’art sous l’Occupation
, París, Éditions Payot et Rivages, 2007.

Reder, Christian, «Im Salzberwerk»,
Falter Verlag
(Viena) 1 (1985).

Libro rojo-blanco-rojo: Justicia para Austria
, Viena, Editora del Estado Austríaco, 1947.

Rorimer, James,
Survival: The Salvage and Protection of Art in War
, Nueva York, Abelard Press, 1950.

Shirer, William,
The Rise and Fall of the Third Reich
, Londres, Book Club, 1983.

Simon, Matila,
The Battle of the Louvre: The Struggle to Save French Art in World War II
, Nueva York, Hawthorne, 1971.

Slapnika, Harry,
Oberösterreich als es «Oberdonau» hi (1938 - 1945)
, Linz, OÖ Landesverlag, 1978.

Topf, Christian,
Auf den Spurren der Partisanen, Zeitgeschichtliche Wanderungen im Salzkammergut
, Edition Geschichte der Heimat, 3.ª edición, Grünbach, Alemania, Franz Steinmassl, 2006.

Treue, Wilhelm,
Art Plunder
, Londres, Methuen, 1960.

Valland, Rose,
Le Front de l’Art: 1939 - 1945
, París, Librarie Plon, 1961.

Warmbrunn, Werner,
The German Occupation of Belgium 19401944
, Nueva York, Peter Lang, 1993.

Witte, Els, Jan Craeybeckx y Alain Meynen,
Political History of Belgium from 1830 Onwards
, Bruselas, VUB Brussels University Press, 2000.

Woolley, sir Leonard,
A Record of the Work Done by the Military Authorities for the Protection of the Treasures of Art and History in War Areas
, Londres, HMSO, 1947.

Yeide, Nancy,
Beyond the Dreams of Avarice: The Hermann Göring Collection
, Dallas, Laurel, 2009.

Páginas web

Adoración del Cordero Místico, La
; robo de los Jueces Justos

‹http://judges.mysticlamb.net›

Blog de Bernauw

‹http://www.bernauw.com›

SeuRRsite: Rechtvaardige Rechters, de ErDaSys

‹http://speurrsite.erdasys.com›

Vilain: Het Lam Gods, bekeken door een Wetteraar

‹http://www.rechtvaardigerechters.nl/home.htm›

Vissers, Johan: Dossier Rechtvaardige Rechters

‹http://users.kbc.skynet.be›

El arcángel Gabriel se aparece a María con un lirio en la mano
.

(Scala/Art Resource, Nueva York)

María permanece arrodillada mientras el Espíritu Santo desciende sobre ella durante la Anunciación.

(Scala/Art Resource, Nueva York)

Detalle de las ventanas y de la vista de Gante en el siglo xv desde los paneles de la Anunciación. La ventana, parte del complejo de la catedral, todavía existe
.